2011

“World of Puppetry” Exhibition at Bradley International Airport extended through January 2012!

A compelling exhibition of over 70 Ballard Institute puppets from around the world at Bradley International Airport in Windsor Locks, Connecticut (just north of Hartford) has been extended through January, 2012.  Originally scheduled to close in November, this popular display of world puppetry traditions will now be on display for holiday travelers.

The exhibition, titled The World of Puppetry, was curated by Nicole Hartigan, a graduate student in UConn’s famed Puppet Arts Program, and the graduate assistant to the Ballard Institute.  The exhibition fills four cases adjacent to Bradley Airport’s departure gates, and includes rod puppets, hand puppets, shadow puppets, oversized masks, and marionettes.

Click here to read more about the exhibition.

World of Puppetry exhibition at Bradley International Airport

An Awaji Samurai and Javanese Wayang Golek puppets at Bradley International Airport

An exciting exhibition of over 70 Ballard Institute puppets from around the world is currently on display at Bradley International Airport in Windsor Locks, Connecticut (just north of Hartford) and will be on view for airport travelers from now until November.

The exhibition, titled The World of Puppetry, was curated by Nicole Hartigan, a graduate student in UConn’s famed Puppet Arts Program, and the graduate assistant to the Ballard Institute.  The exhibition fills four cases adjacent to Bradley Airport’s departure gates, and includes rod puppets, hand puppets, shadow puppets, oversized masks, and marionettes.

Ganesha marionette from India
Ganesha marionette from India

The first case features shadow puppets, and includes dramatic figures from the Tolu Bommalata tradition of Andhra Pradesh, as well as Javanese and Balinese wayang kulit figures, and puppets from similar traditions in Thailand and Malaysia.  This section also features colorful marionettes from Burma and China, and a four-armed, elephant-headed Ganesha marionette from Nepal, as well as masks from Bali, Java, and Mexico.

Handpuppets are featured in the exhibition’s second case, including Connecticut puppeteer Ray Mount’s colorful figures from Old Wive’s Tale, three vivid handpuppets from Haiti, a rare handpuppet from Poland’s Arlekin Theater of Lodz, a Chinese handpuppet, and one-of-a-kind figures by Cincinnati puppeteer Larry Smith for The Uncle Al Show, the longest-running American television series of the last century.

Rufus Rose caricatures of 1960s Connecticut politicians

A case devoted to the Punch and Judy traditions of European and American puppetry includes rare 19th-century Punch puppets, an extensive array of puppets built and used by the Ridiculous Theater’s Charles Ludlam, a set of early 20th-century Guignol puppets, and a set of political caricature handpuppets of 1960s Connecticut politicians used by puppeteer Rufus Rose in the Connecticut Statehouse when he was a state legislator from Waterford.

Rod Puppets from Frank Ballard’s “Ring of the Nibelungen”

Rod puppets are featured in the last case of the exhibition, including three striking figures from Frank Ballard’s 1980 production of The Ring of the Nibelungen, a Samurai puppet from the Japanese inland island of Awaji, a clown and nobleman from Java’s wayang golek traditions, two modernist rod puppets by famed puppeteer George Latshaw, an African puppet from Mali, a Russian rod puppet, and three over-life-sized masks by Frank Ballard.

“Epic Shadows” Exhibition at UConn Health Center in Farmington

 

The University of Connecticut Health Center is hosting a selection of shadow figures from the Ballard Institute’s Epic Shadows: Tolu Bommalata Puppets from Andhra Pradesh exhibition, from now until July 27 at the Health Center Hospital Lobby in Farmington.

Examples of the rich traditions of South Indian shadow puppetry are on display in exhibition cases in the hospital’s lobby and mezzanine.  The exhibition is open from 8 a.m. to 9 p.m. daily.

The UConn Health Center is located at 263 Farmington Avenue in Farmington, Connecticut  06030.  For directions to the Health Center call 860 679 2000.

This exhibition is part of the World of Puppetry in Hartford series of exhibitions, workshops, and performances sponsored by the Edward C. & Ann T. Roberts Foundation.

 

Roberts Foundation to Support Ballard Institute’s “World of Puppetry in New Haven” Project

The Edward C. & Ann T. Roberts Foundation of West Hartford has announced it will support the Ballard Institute’s World of Puppetry in Hartford project, with a generous grant for this 2011-2012 collaborative effort with four of Hartford’s great cultural institutions: the Wadsworth Atheneum Museum of Art, the UConn Health Center, Billings Forge Community Works, and the Mark Twain House and Museum.

—   The World of Puppetry in Hartford project begins at the UConn Heath Center with Epic Shadows an exhibition of rare South Indian Tolu Bommalata shadow puppets from Andhra Pradesh in two of the Health Center’s exhibition spaces.  This exhibit is now open, and will be up through July 21.

— In late August the World of Puppetry in Hartford continues in late August at Billings Forge Community Works in the Frog Hollow neighborhood in downtown Hartford, with a community puppet-making workshop led by renowned puppeteer Sara Peattie, of Boston’s Puppeteers Cooperative.  Peattie will lead puppet-building and performance workshops with UConn Puppet Arts students members of the Frog Hollow community. The project will culminate in a procession and street theater performance on the occasion of Billings Forge’s major fundraising Farm- to-Table Dinner on September 15, 2011.

—   A Ballard Institute and Puppet Arts Program collaboration with the Mark Twain House will involve an exhibition of puppets from two productions based on Mark Twain’s novel A Connecticut Yankee in King Arthur’s Court, in the Great Hall of the Mark Twain House, from November 4, 2011 to March 5, 2012, as well lectures and puppet demonstrations during the run of the exhibition. Accompanying the puppets will be a display of objects relating to “A Connecticut Yankee” from the Museum’s collections, including first editions, original illustrations by artist Dan Beard, and ephemera relating to modern adaptations of Twain’s novel.  Impromptu performances and workshops may also be presented.

—   The Ballard Institute’s collaboration with the Wadsworth Atheneum Museum of Art will be a mask-making and performance project conducted in conjunction with a local community group such as Mi Casa or a Caribbean-based organization, to create a Carnival mask performance.  It will be presented at a “Free Saturdays for Families” community event at the Atheneum in mid-February 2012 in conjunction with the Carnival season.

Two new exhibitions dedicated to Frank Ballard, now open!

Come see our newly opened exhibitions—Frank Ballard: An Odyssey of a Life in Puppetry(curated by UConn Puppet alumna Rolande Duprey) and Frank Ballard: Roots and Branches—examine Ballard’s life and work, his creation of the UConn’s famed Puppet Arts Program, and his many spectacular puppet productions.

Frank Ballard: An Odyssey of a Life in Puppetry

Frank Ballard’s rich career as a director, designer, and teacher is celebrated in this retrospective curated by UConn alumna Rolande Duprey.  The exhibition presents the stories, designs, construction processes, and performance of Ballard’s many productions, including rare video footage, as well as the many personal challenges Ballard faced in his career.  Featuring puppets and sets from The BluebirdTwo By TwoH.M.S. PinaforeThe Magic Flute,Peer GyntThe Golden Cockerel and other productions.

Frank Ballard: Roots and Branches

What made Frank Ballard, born in Alton, Illinois in 1929, pursue a life in puppetry?  This exhibition examines the many influences on Ballard’s work, from the 1930s traveling shows of Romain and Ellen Proctor, to the puppet modernism of Tony Sarg, Rufus and Margo Rose, Marjorie Batchelder McPharlin, and Jim Henson.  Frank Ballard’s fascination with the Kungsholm Miniature Opera and Sidney Chrysler’s toy theater operas is explored, as well as the influences of a wide range of global puppet traditions Ballard studied, including Karagöz, Javanese rod-puppet theater, and Chinese shadow theater.