“Frank Ballard: Roots and Branches” exhibition re-opens with new additions

The popular Frank Ballard: Roots and Branches exhibition at the Ballard Institute has re-opened for the season, with many new additions to this rich review of the wide-ranging puppet forms that influenced the work of the founder of UConn’s puppetry programs.  Roots and Branches features the work of significant American puppeteers of the early, mid-, and late-twentieth century whose work Frank saw while growing up in Illinois: Martin and Olga Stevens, Tony Sarg, Jero Magon, Rufus and Margo Rose, and Romain and Ellen Proctor; as well as contemporary puppeteers from across the country, including Ralph Chessé, the Kungsholm Miniature Grand Opera, Bil Baird, Marjorie Batchelder McPharlin, and the Turnabout Theater; and Ballard’s own contemporaries and colleagues, including Sidney Chrysler, Jim Henson, Dick Myers, Basil Milovsoroff, George Latshaw, and Peter Schumann.

Bust of Jim Henson by Margo Rose

The exhibition also features Asian and European puppet forms that also influenced Ballard’s understanding of puppetry, including Javanese wayang kulit shadow puppets, Chinese shadow theater, Sicilian marionette theater, and Javanese wayang golek rod puppets.

Spring Puppet Forums at the Ballard Institute, Wednesdays April 11 – May 9!

The Ballard Institute and Museum of Puppetry at the University of Connecticut’s Depot Campus announces its Spring Puppet Forum Series, to be held Wednesday evenings from 7:30 to 9:30 at the Ballard Institute (except for the April 25th event, to be held at UConn’s Nafe Katter Theater).  The Spring Puppet Forum Series will include puppet performances, talks on puppetry and teaching, and new films for puppet theater by UConn graduate Puppet Arts students and professional puppeteers from around the United States.

The schedule for the Spring Puppet Forum Series includes the following events:

1. Wednesday, April 11: Galapagos Puppets, The Banana Princess

Join us for an evening of traditional Chinese handpuppet theater as Margaret Moody and Madeleine Beresford of Boston’s Galapagos Puppets perform The Banana Princess, an episode from the epic Chinese classic Journey to the West.  Margaret Moody’s expertise in Chinese handpuppet performance stems from her three years of study with master puppeteer Li Tien-lu of Taiwan.

         In The Banana Princess the travelling monk Tang and his disciples find their path to India blocked by a blazing fire mountain. Only a magical fan owned by the powerful Banana Princess can put out the fire, but she doesn’t want to lend it. The disciples use their powers of transformation and persuasion before finally winning the fan.

This rare performance of Taiwanese Chang Chung Hsi (“theater of the palm of the hand”) will be an eye-opening introduction to Chinese handpuppetry, and a rich complement to the current exhibition of Chinese shadow puppets (Red Gate: Pauline Benton and Chinese Shadow Theater) now on display at the Ballard Museum.

2. Wednesday, April 18: Carol Sterling, Puppetry in Education: New Opportunities

Join Carol Sterling and students and teachers from UConn’s Puppet Arts Program for a fascinating discussion of the opportunities and challenges of puppetry in education.  Carol Sterling is a celebrated puppeteer, art educator, and longtime Director of Arts in Education for the Brooklyn Arts Council, as well as a recipient of the Distinguished Service Award for Arts Education from the John F. Kennedy Center for the Performing Arts in Washington, D.C.

 

3. Wednesday, April 25: New Works in Puppet Film from UConn’s Puppet Arts Program*

See exciting new works in puppet film by graduate students from UConn’s famed Puppet Arts Program: Ki Hong Kim, Maya Ahuja, Travis Lope, Caitlin Shirts and Fergus Walsh. This event is co-sponsored by the Ballard Institute and the UConn Puppet Arts Program. (*Please note: this event will be help in the Nafe Katter Theater on UConn’s Main Campus.)

 

4. Wednesday, May 9: Heather Henson presents Handmade Puppet Dreams V

Join us for a rare showing of 14 new, awe-inspiring, short, live-action puppet films from the latest edition of the acclaimed Handmade Puppet Dreams series, presented by Heather Henson and Ibex Inc.   This touring festival of independent artists’ films explores innovative puppetry captured in spectacular real-time images, and will change your perception of puppetry in the 21st century.

The films of Handmade Puppet Dreams V include:

Moonfishing (11:28), directed by David Michael Friend (Brooklyn, NY).  A fisherman’s hobby of sculpting is interrupted when he must perform his monthly task of illuminating his town.

– Baby Trashes Bar in Las Palmas (1:21), directed by Johannes Nyholm (Sweden).  A middle-aged lady on a holiday in the sun tries to make new friends and have a good time.

– Dirty Night Clowns (4:54), directed by Ryan Gibeau (Brooklyn, NY).  We all have our childhood fears, and this short film explores one puppet’s reaction to an intruder in his house, discovering that what at first seems scary can sometimes be unexpectedly pleasant. .

– I’ll Forget You (3:16), directed by Natasha Pincus (Melbourne, Australia).  A single-shot music video that tells a story symbolic of that told in the song I’LL FORGET YOU. The ‘lovers’ in the video are continually brought together and pulled apart until the man concedes to continue living as he had started out – on his own.

– InnerCity (8:21), directed by Alain Fournier (Quebec Canada).  A boy with only pigeons for company tries to seduce his remote neighbor with wacky inventions.

– Nolan’s Cheddar (1:29), directed by John Nolan (London, England). A curious rat meets his untimely demise when he finds cheese in a trap. Or does he…?

Douce Dame (4:34), directed by Bradley Kemp (NYC, NY).  A young painter, obsessed with his muse, continually paints a memory of her… until she lures him away.

– Rocket Monkey (7:58), directed by Gwendolyn Warnock and Kirjan Waage (NYC, NY).  Based on rocket launchings of animals in the 1930’s and 1940’s comes a story about our first space explorers.

– Wye Oak (4:40), directed by Katherine Fahey and Michael O’Leary (Baltimore, MA).  Paintings by Katherine Fahey and photography by Michael O’Leary illustrate Wye Oak’s song “Fish”.

 Magical Sniffy Thing (2:54), directed by Jamie Shannon (Toronto, Canada).  When you’re lost and hungry, make a wish to meet the Magical Sniffy Thing.

– Junk Palace (14:17), directed by Lyon Hill (Columbia, SC).  Using elaborate paper puppets, Junk Palace takes you into the world of real-life hoarders the Collyer brothers and imagines what life was like for these unique individuals.

– Time Machine (4:52), directed by Vincent Bova (NYC, NY).  Fafa builds a time machine and his dear friend Mario deals with the ripple effects on the space-time continuum.

– The Curse (5:05), directed by Liam Hurley (NYC, NY). The Curse is a waltz with a love story between an archaeologist and her mummy.

– Higgley Pigglety Pop! (24:00), directed by Chris Lavis and Maciaek Szczerbowski (Montreal, Canada).  Based on the Maurice Sendak children’s book of the same title, this short film tells the fictional adventures of a dog named Jennie. Featuring the voices of Meryl Streep, Forest Whitaker and Spike Jonze.

 

 

 

 

 

 

 

“Red Gate: Pauline Benton and Chinese Shadow Theater” open now!

The Ballard Institute’s new exhibition Red Gate: Pauline Benton and Chinese Shadow Theater in the United States, an exhibition of rare Chinese shadow figures from the collection of Pauline Benton, curated by Stephen Kaplin and Kuang-Yu Fong of New York’s Chinese Theatre Works is now open Fridays, Saturdays, and Sundays from 12 to 5 p.m.

Pauline Benton was one of the revolutionary innovators of American puppetry in the early 20th century; but rather than creating her own western-style puppets, Benton brought the performance of Chinese shadow theater to the United States in the 1920s and 30s–one of the earliest cross-cultural presentations of Chinese performing arts for American audiences.  Benton’s Red Gate Shadow Players performed across the country for popular as well as exclusive audiences, bringing Benton’s own particular hybrid version of Chinese shadows to audiences unfamiliar with Chinese culture.

 

The Red Gate exhibition features classical Chinese shadow figures from the late 19th and early 20th centuries, as well as figures Benton commissioned from Beijing shadow puppet craftsmen in the 1930s, depicting not only traditional characters and scenes, but also contemporary Chinese life and images from popular American children’s books.  The many photographs of Benton and her work document how this unusually gifted woman created modern links to Chinese shadow theater culture, influencing the course of puppetry in the United States to this day.  The exhibition also features video recordings of Benton’s version of the classic White Snake, and hands-on areas where museum visitors can try out traditional and contemporary shadow theater techniques.

Pauline Benton was a noteworthy pioneer in the transmission of global culture in the U.S., and Red Gate: Pauline Benton and Chinese Shadow Theater in the United States marks the first extensive exhibition and overview of her work.  The exhibition will be open until December 16, 2012.

New “Connecticut Yankee” Puppet Exhibit at The Mark Twain House in Hartford, now through March 5, 2012

King Arthur and Queen Guinevere, from the UConn production of “A Connecticut Yankee in King Arthur’s Court”

An exhibition featuring puppets from the University of Connecticut’s 1996 production of A Connecticut Yankee in King Arthur’s Court is now on view at The Mark Twain House & Museum in Hartford, Connecticut, and will be on display until March 5, 2012 . The exhibition, presented by the Ballard Institute, UConn’s Puppet Arts Program and the Mark Twain House, also features original illustrations for Twain’s novel by Dan Beard, rare editions of the book, an international collection of posters for the various films based on the 1889 novel, and design sketches for the 1996 puppet production, which was directed by Jerry Krasser and Bart Roccoberton

The Connecticut Yankee exhibition is part of the year-long “World of Puppetry in Hartford” project the Ballard Institute and the Puppet Arts Program have undertaken with the generous assistance of the Edward C. and Ann T. Roberts Foundation and Ballard Institute Advisory Board member Judith Zachs.

Click here to see See Susan Dunne’s review of the exhibition in the Hartford Courant.

Ballard Institute Puppets at The Nathan Hale Inn

 Puppets from the Ballard Institute and Museum of Puppetry are currently on display at the lobby of the Nathan Hale Inn & Conference Center on the UConn Campus in Storrs.  The puppets include a handpuppet Devil used by the Ridiculous Theater’s Charles Ludlam in his Punch and Judy shows, a Czech Kasparek marionette used in family household theaters, a German handpuppet from a 19th-century Kasperl set, and San Francisco puppeteer Lewis Mahlmann’s rod puppet Judith from his 1960s production of Bluebird.


Ballard Institute Director awarded research prize from the Institut International de la Marionnette

On September 19, 2011, the Institut International de la Marionnette in Charleville-Mézières, France (France’s premiere puppet institute) awarded Ballard Institute Director John Bell the “Prix de la Recherche” (research prize) for his book American Puppet Modernism (published by Palgrave/Macmillan in 2008). This award comes soon after Dr. Bell was given the Jalal Sattari prize at Iran’s Third International Traditional-Ritual Performances Seminar in July for his essay “Shalako Puppets and Nineteenth-Century Ritual,” which appears in American Puppet Modernism.

UConn Puppet Slam! — Saturday, January 21st at 8 p.m.!

Lindsay McCaw of the Dolly Wagglers

Join us Saturday night, January 21st at 8 p.m. in the Studio Theater on UConn’s Main Campus to experience the Spring 2012 UConn Puppet Slam!  See exciting new works by celebrated puppeteers from the Northeast, as well as new creations by emerging artists from UConn’s famed Puppet Arts Program.

The UConn Puppet Slam will include Lindsay McCaw and Adam Cook, who, as The Dolly Wagglers, will perform Polka Your Finger Out Polka (a cantastoria or picture performance) and Everything In Moderation All at Once (a cranky); Rose Friedman and Justin Lander of Vermont’s Modern Times Theater, performing The City, a toy theater show based on a story by Herman Hesse; Jim Napolitano (of Nappy’s Puppets) performing one his famed shadow puppet shows; and works by students from the renowned University of Connecticut Puppet Arts Program, including Carianne Hoff, Nicole Hartigan (joined by special guest performer Ryan Hartigan), Anna Fitzgerald, Leah Sylvain, Seth Shaffer and Kali Therrien.

Modern Times Theater

This event is free and open to the public–tell your friends, and better yet bring them with you for an exciting evening of surprising innovation and thought-provoking artistry.  For directions to the Studio Theater see this site.  The UConn Puppet Slams are supported by a generous grant from the Puppet Slam Network.

See “Mi Casa es Su Casa” at The Wadsworth Atheneum on Saturday, February 11th!!

As part of its year-long “World of Puppetry in Hartford” project the Ballard Institute and Museum of Puppetry, Mi Casa Family Service & Education Center, and the Wadsworth Atheneum Museum of Art will present a free performance of Mi Casa es Su Casa on Saturday, February 11 as part of the Wadsworth Atheneum’s Second Saturdays for Families series.  The entire Second Saturday event begins at 10 a.m. and ends at 12:30.  Mi Casa es Su Casa will begin at 11:30.  The Wadsworth Atheneum is located at 600 Main Street in Hartford.

The workshops and performance are all part of the Ballard Institute’s  yearlong “World of Puppetry in Hartford” project, a series of exhibitions, workshops and performances dedicated to spreading the word about puppetry in Hartford, in collaboration with the UConn Health Center, the Mark Twain House and Museum, the Wadsworth Atheneum Museum of Art, and Billings Forge Community Works.

For more information see the Wadsworth Atheneum webpage for this event.

This project has been made possible by the generous assistance of the Edward C. and Ann T. Roberts Foundation and Judith Zachs.

Ballard Museum closing for the season December 18th

If you have not yet had a chance to see our exhibition Frank Ballard: An Odyssey of a Life in Puppetry, we invite you to spend some time during the next two weekends at the Ballard Museum because it will be closing December 18th, 2011.  Frank Ballard: An Odyssey of a Life on Puppetry is paired with our second exhibition, Frank Ballard: Roots and Branches, which will be on display when the spring 2012 season begins.   The museum is open for visitors Fridays, Saturdays and Sundays 12-5 p.m.–please come by to see both exhibits, and to find some holiday gifts in our museum store.  The Ballard Museum will reopen Sunday, March 25, 2012 with the return of Frank Ballard: Roots and Branches, and the premiere of a new exhibit of Chinese shadow puppets from the collection of 1930s and 40s puppet pioneer Pauline Benton.

String puppets from Roots and Branches exhibition. Photo by Richard Termine

Frank Ballard: An Odyssey of a Life in Puppetry

Frank Ballard’s rich career as a director, designer, and teacher is celebrated in this retrospective curated by UConn alumna Rolande Duprey.  The exhibition presents the stories, designs, construction processes, and performance of Ballard’s many productions, including rare video footage, as well as the many personal challenges Ballard faced in his career.  Featuring puppets and sets from The BluebirdTwo By TwoH.M.S. PinaforeThe Magic Flute,Peer GyntThe Golden Cockerel and other productions.

Great Small Works performance at Wesleyan University Friday and Saturday includes Ballard Institute Director

Ballard Institute director John Bell will perform with the Brooklyn-based theater company Great Small Works Friday and Saturday, February 3rd and 4th at 8 p.m. Wesleyan University’s Center for the Arts.

The performances at Wesleyan will include Three Graces, a cantastoria (picture-based storytelling work) in which three mythical graces-Harmony, Strategy and Splendor-float down to earth for an op-art romp inspired by Grace Paley, Grace Kelly, Grace Jones and Grace Lee Boggs; and Toy Theater of Terror As Usual, Episode 12: Desert and Ocean, a surreal serial drama using excerpted texts and images quickly cut from daily newspapers.

“[Great Small Works has] breathed new, pointed life into the form of toy theater.” – The Village Voice

Tickets are $15 general public; $12 senior citizens and students.

For more information, please visit the Wesleyan University Center for the Arts website.