Month: October 2021

“The Doll Plays” Reunion Online Puppet Forum on 11/4 at 7 p.m. ET

For its second installment of the 2021 Fall Puppet Forum Series, and in conjunction with its Puppetry’s Racial Reckoning exhibition, the Ballard Institute and Museum of Puppetry at the University of Connecticut will host “The Doll Plays” Reunion with Alva Rogers, Heather Henson, and Holly Laws on Thursday, Nov. 4 at 7 p.m. ET. This forum will take place on Zoom (registration required: us06web.zoom.us/webinar/register/WN_ewzeFqjpTDa0IcZCbOURSg) and Facebook Live (facebook.com/BallardInstitute/) and will be available afterwards on Facebook and the Ballard Institute YouTube Channel (youtube.com/channel/UC3VSthEDnYS6ZjOwzT1DnTg). This forum is co-sponsored by the UConn Department of Art and Art History and Africana Studies Institute. 

Playwright Alva Rogers based The Doll Plays on the true story of African American doll collector Lenon Holder Hoyte (1905-1999) and her museum in Harlem. When she passes, the dolls in Ms. Hoyte’s collection seek to keep their beloved museum founder alive in their world by transforming her into a doll. The Doll Plays Reunion brings together the creative team of the original production: director Heather Henson, playwright Alva Rogers, and artist Holly Laws, to discuss The Doll Plays’ historical and cultural context, their experience of creating the play, and its relevance today. Shadow puppets made by artist Kara Walker which featured in the original production of 1998 are on display at the exhibition Puppetry’s Racial Reckoning at the Ballard Institute and Museum of Puppetry (closing October 30).

Alva Rogers is the descendant of James Rogers, one of the earliest black landowners in Cary, North Carolina, and Jordan Harrison McNair. Rogers, a descendant of George Rogers, slave, was the property of plantation owner Felix Rogers in Durham/Wake County. McNair, her maternal great, great, grandfather, was a Civil War soldier and then a landowner in Hoke/Robeson County, NC.

Her writing career began with Rodeo Caldonia, a performance/theater collective she co-founded in 1985 (their work was in the traveling exhibit We Wanted A Revolution: Black Radical Women 1965-85, at the Brooklyn Museum). Following an influential early career as a performance artist and film actor (Spike Lee’s School Daze, Julie Dash’s Daughters of the Dust), Rogers concentrated more on writing, earning MFAs in Musical Theatre Writing (NYU/Tisch; 1995) and Playwriting (Brown University; 1998). Rogers lived in Bandung, West Java, Indonesia, enjoying traditional Indonesian wayang kulit shadow puppet theater, and wayang golek rod puppetry. Her collaborations with Heather Henson and Holly Laws began in 1997 (@alvasworld/www.alvasworld.com).

Heather Henson is a contemporary puppet artist whose work promotes harmony and healing for the planet through artistic spectacle and discussion. Heather graduated with a degree from Rhode Island School of Design and studied at the California Institute of the Arts. Heather founded IBEX Puppetry (www.ibexpuppetry.com) in 2000, a multi-platform production company dedicated to promoting the fine art of puppetry in all of its mediums, honoring her work as well as that of other puppetry artists around the world.

Artist and designer Holly Laws’ professional experience is wide and varied. Her work runs the gamut from sculpture and multi-media installation, to puppetry and theater design. She is most interested in exploring work overlapping these disciplines. Laws received a BFA in Sculpture from Virginia Commonwealth University in Richmond, and an MFA in Sculpture from Tyler School of Art and Architecture at Temple University in Philadelphia. She moved to Arkansas in 2008 for a faculty position at the University of Central Arkansas, where she teaches in the Department of Art and Design.

For more information and to learn about other Ballard Institute online programming, visit bimp.uconn.edu or email bimp@uconn.edu.

Canceled: “Bugsy and Friends” by Pumpernickel Puppets on 10/30

Due to inclement weather, the performance of “Bugsy and Friends” by Pumpernickel Puppets scheduled for this Saturday, along with the Sunday rain date, have been canceled.

We hope to bring Pumpernickel Puppets back to Storrs in the Spring!

The Ballard Institute will still take part in Trick-or-Treat in Downtown Storrs and give away Halloween mask-making kits under the Ballard Institute marquee on Saturday, 10/30 from 3-5 PM. To learn more about Trick-or-Treat in Downtown Storrs visit: https://www.downtownstorrs.org/halloween

 

2021 UConn Fall Puppet Slam: Online! on 10/22 at 8 p.m.

The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will present an online version of its popular UConn Fall Puppet Slam on October 22, 2021 at 8 p.m. ET on the Ballard Institute and Museum of Puppetry Facebook Live (facebook.com/BallardInstitute/). The 2021 UConn Fall Puppet Slam: Online!, hosted by UConn Puppet Arts student Stoph Scheer and Kunzika, will feature short works by professional puppeteers and performers from around the United States and across the world and new works by UConn Puppet Arts students.

The 2021 UConn Fall Puppet Slam: Online! will showcase the work of Thai pantomime and artist TaLent Show; Puerto Rican puppeteer Brenda Plumey; Boston-based quintet Firepit Coven; Linda Wingerter of The Stringpullers Puppet Company; independent artist Sandi Green Baker of Missouri; Hawaii-based artist Bonnie Kim; Kenyan puppeteer Fedelis Kyalo; puppeteer team Norah Solorzano and Alex Young, and recent UConn Puppet Arts graduate Felicia Cooper. 

The UConn Fall Puppet Slam will also feature fascinating new works by UConn graduate and undergraduate students from the UConn Puppet Arts Program. Funding for the UConn Fall Puppet Slam: Online! is made possible in part by the Puppet Slam Network.

The UConn Fall Puppet Slam is free, but donations are greatly appreciated. These performances are recommended for mature audiences. The UConn Fall Puppet Slam will be available through November 30, 2021 on the Ballard Institute and Museum of Puppetry Facebook page (facebook.com/BallardInstitute/) and the Ballard Institute YouTube channel (youtube.com/channel/UC3VSthEDnYS6ZjOwzT1DnTg). 

For more information about these performances, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

“Exhibiting Racism in Museums” Online Puppet Forum with William F. Condee and Schroeder Cherry on 10/14 at 7 p.m. ET

For its second installment of the 2021 Fall Puppet Forum Series, and in conjunction with the Puppetry’s Racial Reckoning exhibition, the Ballard Institute and Museum of Puppetry will host “Exhibiting Racism in Museums” with professor William F. Condee and puppeteer and museum educator Schroeder Cherry on Thursday, Oct. 14 at 7 p.m. ET. This forum will take place on Zoom (registration required: us06web.zoom.us/webinar/register/WN_MY1VOc-gQoOzaXYOTgGWvw) and Facebook Live (facebook.com/BallardInstitute/) and will be available afterwards on Facebook and the Ballard Institute YouTube Channel (youtube.com/channel/UC3VSthEDnYS6ZjOwzT1DnTg). 

The exhibition Puppetry’s Racial Reckoning at the Ballard Institute and Museum of Puppetry (closing October 30) raises important questions about displaying objects that are explicitly or implicitly racist. Is it right to give such objects a place in a museum? How to contextualize and introduce the objects and generate productive and meaningful conversations based on the exhibition? Addressing these questions are Dr. William F. Condee, who is writing about puppets representing minorities and foreigners at five major collections in Germany, and Dr. Schroeder Cherry, a puppeteer and a curator at James E. Lewis Museum of Arts who has extensive experience discussing racism in museum contexts with exhibition visitors. This forum will be an opportunity to think through ethics and methods of curating racist objects and how to broaden perspectives on the roles of museums in relation to anti-racism. This forum is co-sponsored by the UConn Human Rights Institute. 

Originally  from Washington, D.C., Schroeder Cherry, Ed.D. is now a Maryland-based artist and 2019 Sondheim competition finalist who captures everyday scenes of African diaspora life. He earned a bachelor’s degree in painting and puppetry from The University of Michigan; a master’s degree in museum education from George Washington University; and a doctorate in museum education from Columbia University. His works are found in private and public collections across the US. In 2020 He was awarded the Municipal Art Society of Baltimore City Artist Travel Prize for research in Bahia, Brazil.  In 2021 he received an Individual Artist Award from Maryland State Arts Council. Cherry’s museum career spans more than thirty years, with positions held at the Smithsonian’s Anacostia Museum in Washington, D.C.; Studio Museum in Harlem; J. Paul Getty Museum in Malibu; The Baltimore Museum of Art; and Maryland Historical Society. He served eight years at The Institute of Museum and Library Services, first as Deputy Director for Museums, and later as Counselor to the Director. He was recently appointed Curator at James E. Lewis Museum, Morgan State University in Baltimore, Maryland.

Dr. William Condee (J. Richard Hamilton Professor Emeritus of Humanities, Ohio University) is the author of Coal and Culture: The Opera House in Appalachia (Ohio, 2005) and Theatrical Space: A Guide for Directors and Designers (Scarecrow, 1995). His articles on Southeast Asian puppetry have been published in Puppetry International, Studies in Theatre and Performance and Asian Journal of University Education. Articles on other subjects have appeared in Theatre Survey, Theatre Topics, and Theatre Annual. He has co-authored work (with Thomas Irmer) on German theater in A History of German Theatre (Cambridge University Press, 2008) and Theatre Journal. His most recent work on Nonmaterial Performance has appeared in Imagined Theatres andTDR: The Drama Review, co-authored with Barry Rountree. Condee was the Kohei Miura Visiting Professor at Chubu, Japan; a Fulbright Senior Specialist at University of Leipzig and University of Malaya; and has lectured at universities including East China Normal, Tsinghua, Nanjing, Dankook, and Hindu Dharma Institute (Bali).

For more information and to learn about other Ballard Institute online programming, visit bimp.uconn.edu or email bimp@uconn.edu.