UConn’s famed puppetry programs are once more having a global impact, this time in Chengdu, China at the 21st UNIMA (Union International de la Marionnette) Congress and World Puppetry Festival.

Four of the Eight Immortals by Bart Roccoberton at Chengdu’s National Shadow Puppetry Museum.

— Eight rod puppets designed and built by Puppet Arts Program director Bart Roccoberton are on display in the Puppet Shadow Theatre exhibition of the National Shadow Puppetry Museum in Chengdu.  The puppets represent the legendary Eight Immortals, revered in Taoist beliefs dating back to the Han Dynasty.  Professor Roccoberton built them especially for the National Shadow Puppetry Museum, and they will become part of that institution’s permanent collection.

— Current students and alumni of the Puppet Arts Program, led by Bart Roccoberton, are performing Butterfly Dreams, a mask and life-size puppet spectacle created in 2001 by Hua Hua Zhang, David Regan and Professor Roccoberton, which uses dreams as a vehicle to explore humanity and its multiple levels of meaning and purpose.  The production is inspired by a tale from Taoist philosophy about a sage, Zhuang Zi, who after dreaming he had become a butterfly, awakes to wonder if he is a man dreaming he was a butterfly, or a butterfly dreaming he is a man.

— UConn Puppet Arts alumnus Stephen Kaplin, the Co-Artistic Director of Chinese Theatre Works, is performing Songs from the Yellow Earth, a collaboration with the world-renowned Bread and Puppet Theater, and the first shadow theater production directed by the theater’s founder, Peter Schumann.  The show incorporates literary and operatic ruminations on war and peace drawn from classic Chinese opera and poems referring to Qin Shi Huang, the first emperor of a unified China.

Dr. John Bell with Iranian UNIMA members Dr. Hamidreza Ardelan and Poupak Azimpour Tabrizi.

— Ballard Institute Director John Bell is representing the U.S. branch of UNIMA as a counselor in that organization’s world Congress, participating in congress sessions and as a member of the UNIMA Publication and Communication Commission, currently charged with creating the English-language World Encyclopedia of Puppetry Arts, an on-line global resource.

Burns School students make frog masks at Billings Forge Community Works.

The Ballard Institute’s “World of Puppetry in Hartford” project concluded in May with an exciting video project at Billings Forge Community Works in Hartford’s Frog Hollow neighborhood with 8th-grade students from the Burns School and the Compass Youth Collaborative program.  The students worked with puppeteer Sara Peattie, Billings Forge resident artists James Holland and Alycia Bright Holland, and Ballard Institute director John Bell in weekly afternoon sessions in April and May.

The Billings Forge project began with paper-mache mask and puppet building workshops led by Peattie, the director of the Boston-based Puppeteers Cooperative.  Drawing on the theme “El Coqui meets Frog Hollow”–referencing both the official frog mascot of Puerto Rico and the history of the once-marshy lowland neighborhood of Frog Hollow–the students built frog masks and puppets.  In the following weeks the students developed frog-centric scenarios and storyboards for videos about Frog Hollow, the Burns School, and teen-age life in general, which were then filmed, editing in-camera.

James Holland and Sara Peattie edited the films, which can be viewed online at this site.

“The World of Puppetry in Hartford” was a year-long effort to bring different aspects of world puppetry to the Hartford area through exhibitions, workshops and performances at the UConn Health Center, the Mark Twain House and Museum, the Wadsworth Atheneum Museum of Art, and Billings Forge.  The project was sponsored by grants from the Edward C. and Ann T. Roberts Foundation and Judith Zachs.

Alycia Bright Holland and James Holland make frog masks with Burns School students.