Month: January 2018

2018 Spring Puppet Forum Series

For its 2018 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will host four free scintillating discussions with puppeteers, historians, directors, and builders on Thursday evenings at 7 p.m. in Feb. through April at in the Ballard Institute Theater, located at 1 Royce Circle in Storrs Center. These forums will illuminate new perspectives on the creation, history, aesthetics, and performance of puppetry today. The Spring Puppet Forum schedule will include the following talks:

Feb. 8: Nurturing New Work for Puppet Theater: the Jim Henson Foundation with Cheryl Henson, Richard Termine, Z Briggs, and Leslee Asch

Join Jim Henson Foundation President Cheryl Henson, board members Leslee Asch and Richard Termine (a Puppet Arts Program alumnus), and foundation manager Z Briggs (also a Puppet Arts alumna) in a discussion about the foundation’s dynamic methods of supporting innovative new puppet productions across the United States.

 March 1: American Puppet Modernism: The Early 20th Century with Steve Abrams, John Bell, and Bart. P. Roccoberton, Jr.

In conjunction with the Ballard Institute’s new American Puppet Modernism exhibition, Puppetry Journal editor Steve Abrams, Puppet Arts Program Director Bart. P. Roccoberton, Jr., and Ballard Institute Director John Bell discuss the fascinating history of early 20th-century puppetry in the U.S., from cross-country touring shows to giant inflatable puppets, avant-garde operas and other ground-breaking innovations.

April 12: Direction and Collaboration: Making Theater with Actors and Puppets with Madeline Sayet and Zach Broome

Exciting young director, writer, performer, and educator Madeline Sayet, together with puppet designer and Puppet Arts graduate student Zachary Broome discuss puppetry and the collaborative process in the making of Connecticut Repertory Theatre’s Spring 2018 production of She Kills Monsters. This forum is co-sponsored by the Connecticut Repertory Theatre.

April 26: Puppets and Film: Paul Spirito’s Ancestral with Paul Spirito

Director, puppeteer, and Puppet Arts technical supervisor Paul Spirito discusses the process and dynamics of his new puppet film Ancestral, shot entirely on UConn’s Depot Campus.

Admission to these events is free (donations greatly appreciated!), and refreshments will be served. Come early, and experience our puppet exhibitions, as well as the video resources in our library nook. Forums will be broadcast via Facebook Live. Visit bimp.uconn.edu or call 860-486-8580 for more information.

“Nurturing New Work for Puppet Theater: The Jim Henson Foundation,” 2/8 at 7 p.m.

As part of the 2018 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will present a discussion with Cheryl Henson, Leslee Asch, Lindsey “Z” Briggs, and Richard Termine titled Nurturing New Work for Puppet Theater: The Jim Henson Foundation on Thursday, Feb. 8, 2018 at 7 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Storrs Center.

Join Jim Henson Foundation President Cheryl Henson, board members Leslee Asch and Richard Termine (a Puppet Arts Program alumnus), and foundation manager Lindsey “Z” Briggs (also a Puppet Arts alumna) in a discussion about the foundation’s dynamic methods of supporting innovative new puppet productions across the United States.

The Jim Henson Foundation was founded in 1982 by Muppets creator Jim Henson to promote and develop the art of puppetry in the United States. Each year the Foundation introduces thousands of adults and families to the magic of puppet theater through grant-making and public awareness efforts. Since its inception, the Foundation has awarded over 900 grants to more than 300 American puppet artists for the creation and development of new work. As the only grant-making institution with a mission to promote puppetry in the United States, The Jim Henson Foundation has become a major advocate and resource for puppet artists.

Cheryl Henson is the President of The Jim Henson Foundation and a member of the Board of Directors of The Jim Henson Company. Cheryl was Executive Producer for the Henson International Festival of Puppet Theater.

 

 

Leslee Asch has been a member of the Board of Directors of The Jim Henson Foundation since 1984. Leslee was Producing Director for the Henson International Festival of Puppet Theater.

 

 

Lindsey “Z” Briggs is the Foundation Manager of The Jim Henson Foundation, Co-Artistic Director of WonderSpark Puppets, and has been working as a professional puppeteer since 2004.

 

 

Richard Termine has served as a trustee of The Jim Henson Foundation since 1987 and is currently its Vice President. He worked as a puppet designer and builder for The Jim Henson Company, and is currently a performing arts photographer who has photographed many of the world’s leading performers and puppet artists.

 

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. Come early, and experience our puppet exhibitions, as well as the video resources in our library nook. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. Parking in the Storrs Center Garage is free for the first two hours and $1 per hour thereafter, with a daily maximum charge of $8. Forums will be broadcast via Facebook Live. Call 860-486-8580 for more information.

2018 Spring Puppet Performance Series

The Ballard Institute and Museum of Puppetry at the University of Connecticut will host its Spring Puppet Performance Series on four Saturdays from February to May 2018, featuring outstanding works for puppet theater by professional puppeteers from across the Northeast and beyond. Each show will be performed twice, at 11 a.m. and 2 p.m. All performances will take place at the Ballard Institute Theater, located at 1 Royce Circle in Storrs Center. Productions and dates include:

February 24: Plastic by Puzzle Theatre — What is more surprising than a plastic-bag world, where funny and colorful creatures are born and transform themselves as much as they like? In this special international performance, Montreal-based Puzzle Theatre offers an original, multicolored performance with unusual puppets created on the spot with plastic bags, filled humor and unexpected situations. Recommended for ages 5+.
 

March 24: I Spy Butterfly by Faye Dupras — How does a nature-loving explorer kid become a bug’s best friend? Find out in this delightful eco-story by UConn Puppet Arts alumna Faye Dupras about the ways we all grow and change. When Trudy’s caterpillar friend Harold suddenly transforms into a chrysalis, she’s determined to do the same. Live music, colorful critters, and oodles of audience interaction make this show a fun ecological romp in the wild! Recommended for ages 3+ (but all ages are welcome to attend!). 

April 14: The Pied Piper of Hamelin by CactusHead Puppets — The town of Hamelin has a rat problem, and there’s only one person who can help! CactusHead Puppets, comprised of UConn Puppet Arts alumni Megan and John Regan, brings the story of The Pied Piper to life in this comedic, updated adaptation of the traditional folktale told with multiple puppetry styles and plenty of dancing rats! Recommended for ages 4+ (but all ages are welcome to attend!).

May 12: Rumplestiltskin by Stevens Puppets — Performed by famed marionette theater company Stevens Puppets, Rumplestiltskin is a fast-paced, action-filled, rhyming rendition of the classic tale, following the Miller as he weaves a web of lies to convince the King that his daughter can spin straw into gold! Enter the outrageously outspoken and never-happy villain, Rumplestiltskin, whose preposterous demands create even more mayhem in the land of Stiltskin. Recommended for all ages.

Ticket Prices: Adults: $12; Members/Seniors $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. Parking in the Storrs Center Garage is free for the first two hours and $1 per hour thereafter, with a daily maximum charge of $8. For more information about these performances, visit bimp.uconn.edu or call 860-486-8580.

All sales are final — there are no refunds

2018 UConn Winter Puppet Slam on 1/26 at 8 p.m.

The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will present the 2018 UConn Winter Puppet Slam on Friday, Jan. 26, 2018 at 8 p.m. in UConn’s Studio Theatre located at 802 Bolton Road, Storrs, Conn. 06269. The UConn Winter Puppet Slam will feature short works by professional puppeteers and performers from around New England, including Bonnie Duncan, Jim Napolitano, John O’Donnell, and Paul Spirito, as well as new works for puppet and object theater by students from UConn’s School of Fine Arts.

UConn Puppet Slams provide an opportunity for established artists and neophyte students alike to try out new and experimental work in all areas of object performance before an audience eager to experience exciting puppetry in all its forms. The 2018 Winter Slam will include Boston-based dancer and puppeteer Bonnie Duncan performing Seraphina, a dark and sexy love story between two hands, presented on a table top. Popular Connecticut-based puppeteer Jim Napolitano (a UConn Puppet Arts alumnus) will perform I Hate Brenda using an innovative projection format, “Way Yang Zerox,” that Napolitano invented with fellow puppeteer Tim Lagasse. Napolitano will also present Bedtime Story with Uncle Nappy, a cautionary tale of procreation. Paul Spirito, UConn Puppet Arts technical supervisor and director of online programs, will be experimenting with combining poetry with objects from the natural world. New media artist John O’Donnell, professor of printmaking in UConn’s Department of Art and Art History, will present Ghost of a Wall, a timely performance piece with elaborate costumes, music, and stacks of boxes. The UConn Winter Puppet Slam will also feature new works by UConn graduate and undergraduate students studying puppetry, digital animation, and stop-motion filmmaking. Funding for the UConn Winter Puppet Slam is made possible in part by the HBH Fund, created by Heather Henson.

The UConn Winter Puppet Slam is free and open to the public; donations are greatly appreciated. Seating is limited and is on a first-come, first served basis. Doors open at 7:30 p.m. The event will take place in UConn’s Studio Theatre located at 802 Bolton Rd, Storrs, Conn. For directions to the Studio Theatre, visit crt.uconn.edu/directions/. These performances are recommended for mature audiences. For more information, call the Ballard Institute at 860-486-8580, visit bimp.uconn.edu, or email us at bimp@uconn.edu.