The Ballard Institute will be closed on Thursday, 11/28 for Thanksgiving. The museum is open for regular hours the rest of the week.
Monday, 11/25 + Tuesday, 11/26: CLOSED
Wednesday, 11/27: 11 am – 5 pm
Thursday, 11/28: (Thanksgiving) CLOSED
Friday, 11/29: 11 am – 5 pm
Saturday, 11/30: 11 am – 7 pm
Sunday, 12/1: 11 am – 5 pm
To conclude its 2024 Fall Puppet Performance Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to welcome shadow puppet artist and storyteller Charlotte Lily Gaspard of Midnight Radio Show to perform The Dragon’s Laugh & Other Tales on Saturday, Dec. 7, 2024, at 11 a.m. and 2 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs.
Join “bonafide fairy princess” Charlotte Lily Gaspard for enchanting original fairytales and songs by her company Midnight Radio Show! Shadow puppetry breathes life into these delightful short stories of adventure and friendship. In one story, a dragon and a fairy become friends, although their families disapprove. Complications ensue, and the new-found companions must go on a quest together as they prove that friendship can be found anywhere and with anyone. Recommended for ages 5+.
Charlotte Lily Gaspard has been described as “part celestial creature, part sophisticated human,” by Enchanted Living Magazine. A shadow puppet artist and creator of the Brooklyn collective Midnight Radio Show, her mission is to activate imaginations and celebrate playfulness wherever she goes. Midnight Radio Show broadcasts magic to children of all ages, using handmade shadow puppets, live performances, video content, and an actual radio show. Charlotte also creates costumes for theater and film and leads puppetry and theater workshops all over New York City and beyond. Learn more and purchase tickets: http://bimp.ticketleap.com/dragons-laugh.
Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).
Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of the performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.
As part of its 2024 Fall Puppet Forum Series and in conjunction with the Connecticut Repertory Theatre’s fall season, the Ballard Institute and Museum of Puppetry is pleased to host “Exploring Puppetry in The Old Man and the Old Moon” on Thursday, Nov. 20, 2024 at 5:30 p.m. at the Jorgensen Gallery, located at 2132 Hillside Rd, Storrs, Conn. 06268. This forum is co-sponsored by the UConn Connecticut Repertory Theatre and will be streamed via Ballard Institute Facebook Live (facebook.com/BallardInstitute).
“Exploring Puppetry in The Old Man and the Old Moon” will offer a special behind-the-scenes glimpse of this new Connecticut Repertory Theatre production before that evening’s 7:30 p.m. performance at the Harriet S. Jorgensen Theatre. The forum will discuss the design, construction, and performance of shadow figures and three-dimensional puppets in of a PigPen Theater Company play with music, directed by Matt Sorensen, a Visiting Professor of Dramatic Arts in UConn’s Puppet Arts Program. In conversation with Ballard Institute Director John Bell, Sorensen and Puppet Arts MFA student designers Harley Walker and Mel Carter will discuss the process of conceiving and creating puppetry elements for this acclaimed Off-Broadway production about the aging caretaker of the moon, and the conflicts of duty and love he faces.
Admission to the forum is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.
To purchase tickets for The Old Man and the Old Moon, visit crt.uconn.edu.
The Jim Henson Foundation and The Ballard Institute and Museum of Puppetry at the University of Connecticut are proud to present “American Puppet Theater Today: The Photography of Richard Termine.” This exhibit includes over 130 images and select puppets featured in Termine’s photographs. New York-based photographer Richard Termine has documented American Puppet Theater for over 30 years with a unique perspective that truly invites the viewer into the vivid world of puppetry. Termine brilliantly captures the vibrancy of the performances he photographs; even in static images, the puppets come to life. The photos and objects in the exhibition illustrate the dynamic range of this expansive art form and honor the lively community of artists creating puppet theater, from established experts like Basil Twist and Julie Taymor to emerging artists. Running from January 31st to May 11, we’re thrilled that the exhibit will be housed in Termine’s alma mater, University of Connecticut. UConn’s Puppet Arts Program, one of only a few in the country, will also be celebrating its 60th anniversary in 2025. Come visit and explore the puppetry scene through the mesmerizing lens of Richard Termine. The exhibition will be on display at the Ballard Institute and Museum of Puppetry, located at 1 Royce Circle, Storrs, CT 06268. The museum is open from 11am – 5pm on Wednesdays, Fridays, and Sundays, and from 11am – 7pm on Thursdays and Saturdays.
Due to unforeseen circumstances, we’ve had to cancel this Saturday’s performances of A Cornucopia Cabaret. We apologize for any inconvenience this may cause.
The Ballard Institute and Museum of Puppetry is excited to host a “Wonderland Puppet Theater Symposium” on Friday and Saturday, October 25-26, in conjunction with our Wonderland Puppet Theater: Visions of the Beloved Community exhibition curated by Dr. Paulette Richards.
The “Wonderland Puppet Theater Symposium” is inspired by and explores in more details the work of Alice Swann and Nancy Schmale, housewives from the interracial Concord Park subdivision near Philadelphia, who, inspired by Dr. Martin Luther King, Jr.’s vision of a more equitable “beloved community,” worked together to create a popular hand-puppet theater. Founded in 1961, their company, reflecting contemporary developments in the Civil Rights Movement, the Women’s Movement, and innovations in children’s media, created entertaining and educational puppet productions performed throughout the Northeast. The symposium will bring together University of Connecticut faculty from the departments of Economics, History, English, American Studies, and Women’s, Gender, and Sexuality Studies, with scholars, puppeteers, and activists from the U.S. and abroad.
The symposium is free and open to the public, but registration is required. To register to attend in person, visit: bimp.ticketleap.com.
The symposium will be live streamed via Zoom. To register to attend virtually, please visit: us06web.zoom.us/webinar/register/WN_rQdSZJe8TOmmETxtwng3Xw.
The “Wonderland Puppet Theater Symposium” is supported by a UConn School of Fine Arts Anti-Racism Grant and University of Connecticut Humanities Institute Speaker, Conference, and Workshop funding; and is co-sponsored by UConn’s African American Cultural Center, Women’s Gender, and Sexuality Studies program, and the Robert T. Leo, Jr. Fund for Excellence in the Dramatic Arts.
The schedule will include:
4-5 p.m.: Wonderland Puppet Theater exhibition tour with curator Dr. Paulette Richards
5-6:30 p.m.: Dinner break (not provided)
6:30-7 p.m.: Keynote Address: Dr. Paulette Richards
7-8 p.m.: Film Screening: In Black, a documentary on African American puppeteers directed by Jacqueline Wade, with post-screening discussion with the director.
9:30-11 a.m.: “’The Marriage Agreement’: Women Artists Navigate Gendered Divisions of Labor” with Dr. Nancy Naples (UConn Departments of Sociology and Women’s, Gender, and Sexuality Studies), Dr. Alissa Mello (University of Exeter), and Jacqueline Wade (filmmaker and puppeteer).
Early press for Wonderland Puppet Theater identified the artists as Mrs. James Swann and Mrs. Raymond Schmale. Yet 1963, the year they attended the Puppeteers of America national festival was also the year that Betty Friedan published The Feminine Mystique. Wonderland Puppet Theater addressed the discontent around the “traditional” role of women, especially in their portrayals of traditional puppets Punch and Judy. How much progress have women made in re-negotiating “the marriage agreement” and extricating themselves from “the second shift” of housework and childcare that women carried as they moved into occupations, including artistic careers, that took them out of the home?
11:15 a.m. – 12:45 p.m.: “Children’s Media: Literature, Television, Theater” with Dr. Vibiana Bowman (Rutgers University emerita), Dr. Katharine Capshaw (UConn Department of English), and Khalilah Brooks (Puppeteer, Aunty B’s House).
In 1966 Alice Swann and Nancy Schmale began to perform their puppetry on live television. Each week alternated between the two women puppeteering on a show hosted by Willadine Bain, a former high school English teacher. Swann, a certified kindergarten teacher, collaborated with Bain on scripts that presented age-appropriate literacy lessons and information about African American history. How much power do women and people of color have in creating children’s media today? Is children’s media bringing us closer to or taking is further from embracing the vision of “Beloved Community” as a core value?
12:45-2 p.m.: Lunch break (not provided)
2-3:30 p.m.: “Residential Segregation” with Dr. Stephen L. Ross (UConn Department of Economics), and Dr. Jeffrey Ogbar (UConn Departments of History and American Studies).
Morris Milgram was the son of impoverished immigrants in New York City. Expelled from college for leading an anti-fascist protest, he joined the real estate development industry and was a pioneer in desegregated living communities. In 1954 he established Concord Park, an interracial subdivision of single-family homes for middle-class buyers just outside of Philadelphia. This symposium aims to answer the following questions: What is the status of residential desegregation today vs. 1956 when Milgram broke ground on Concord Park? What do developers, lenders, elected officials, and community organizers need to do to make further progress towards realizing Milgram’s dream?
3:30-4: Final Thoughts, moderated by Dr. Paulette Richards, with all symposium participants.
As part of its 2024 Fall Puppet Performance Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to welcome back Modern Times Theater to perform The Baffo Box Show, on Saturday, Oct. 19, 2024 at 11 a.m. and 2 p.m. in the in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs.
Audiences are captivated throughout this one-of-a-kind show performed by Justin Lander and directed by Rose Friedman. Find out what happens when the Baffos, two slapstick chaps who keep the sun, moon, and everything else running, juggle their changing world. With classic hand puppetry, Dadaist ventriloquism, and stand-up comedy, all from a cardboard box, this show will have audiences of all ages laughing out loud.
Modern Times Theater has been making and touring puppet shows and acts and creating community events since 2007. They seek to reinvent classic American entertainment, by pursuing out-of-the box models of art making, often creating venues out of historic or run-down locations. Co-founders Rose Friedman and Justin Lander are a husband-and-wife duo, and producers for Vermont Vaudeville and alumni of the Bread and Puppet Theater. Learn more and purchase tickets: bimp.ticketleap.com/baffo
Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).
Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of the performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.
As part of its 2024 Fall Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host Puppets and the Immaterial World, a discussion with Tim Cusack and Claudia Orenstein, moderated by Ballard Institute director John Bell on Thursday, Oct. 10, 2024 at 7 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute).
The Puppets and the Immaterial World Forum will focus on Orenstein and Cusack’s explorations of contemporary puppetry and spirituality in the recently published second volume of Puppet and Spirit: Ritual, Religion, and Performing Objects. Volume Two is subtitled “Contemporary Branchings: Secular Benedictions, Activated Energies, Uncanny Faiths,” and the essays in it continue the series’ consideration of a difficult, perhaps uncomfortable, and certainly overlooked aspect of modern puppetry: its spiritual functions.
Dr. Claudia Orenstein is a Professor of Theater and Performance at Hunter College and the CUNY Graduate Center, and has spent almost two decades writing on contemporary and traditional puppetry in the US and Asia. One of her recent books is Reading the Puppet Stage: Reflections on Dramaturgy and Performing Objects, and she co-edited, with Tim Cusack, the two volumes of Puppet and Spirit: Ritual Religion and Performing Objects. She is also the editor of the online peer review journal Puppetry International Research, and is the recipient of a 2021-22 Fulbright Research Fellowship.
Tim Cusack was the assistant editor for both the Routledge Companion to Puppetry and Material Performance and Women and Puppetry, and with Claudia Orenstein, has co-edited both volumes of Puppet and Spirit. He is particularly interested in the intersections of queer culture, theatre, and spiritual beliefs. He is an adjunct lecturer in the Theatre Department at Hunter College where he teaches acting.
Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.
[Caption: Heather Henson, Brenna Ross, and Anatar Marmol-Gagné will discuss Puppet Slams: Short-Form Puppetry for the 21st Century in a UConn Puppet Forum Wednesday, September 18 at 7 p.m. at the Ballard Institute and Museum of Puppetry.]
As part of its 2024 Fall Puppet Forum Series and in conjunction with the 2024 UConn Fall Puppet Slam on Sept. 20, the Ballard Institute and Museum of Puppetry is pleased to host Puppet Slams: Short-Form Puppetry for the 21st Century, a discussion with Puppet Slam Network (PSN) founder Heather Henson; Brenna Ross, the Producer & General Manager for Green Feather Foundation, which oversees the PSN; and Anatar Marmol-Gagné, director of the Pinned and Sewtered Puppet Slam in New Haven, Connecticut; on Wednesday, Sept. 18, 2024 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum, moderated by Ballard Institute director (and puppet slam performer) John Bell, will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute).
This forum will explore puppet slams, which are live performances of curated, short-form puppetry acts for adult audiences that emerged from avant-garde puppet performance practices in the 1980s, with older roots in vaudeville and other popular practices. The Puppet Slam Network, founded by Heather Henson and IBEX Puppetry in 2005, encourages the growth and diversity of the puppet slam scene, and currently supports over 50 slams in the U.S., Canada, and Mexico.
Heather Henson is a producer, puppet artist, and founder of the Green Feather Foundation (formerly IBEX Puppetry), an organization that promotes healing for the planet through immersive experiences. In 2005 Henson began the Puppet Slam Network to support the burgeoning underground community of adult short-form puppetry presenters, and through the Network has continued to fund and support Puppet Slams across North America. Henson also produces her own theatrical works, including Ajijaak on Turtle Island and Panther and Crane, and supports the work of other independent artists through the Handmade Puppet Dreams film series.
Brooklyn-based Brenna Ross is the Producer and General Manager of Green Feather Foundation and has overseen the Puppet Slam Network since 2017. She recently represented PSN in the Czech Republic as part of the International Puppet Slam partnership; produced the online National Puppetry Slamdemic in 2020; and is producing the upcoming International Puppet Slam in NYC in October 2023. A Midwestern ex-pat, Brenna holds degrees in physics and theater from Grinnell College and a certificate in Arts & Culture Strategy from University of Pennsylvania.
Originally from Caracas, Venezuela, Anatar Marmol-Gagné earned an MFA degree from the University of Connecticut’s renowned Puppet Arts Program, and a BA in English/Creative Writing from Hunter College. Anatar trained at the National Puppetry Conference at the O’Neill Theater Center, has taught children’s puppet workshops and performed in puppet slams and festivals at venues such as Dixon Place in NYC; and founded and curates the Pinned & Sewtured Puppet Slam in New Haven.
Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.
The Ballard Institute and the UConn Puppet Arts Program will present the 2024 UConn Fall Puppet Slam on Friday, September 20, 2024 at 8 p.m. in UConn’s Harriet S. Jorgensen Theatre, on the lower level of the Jorgensen Performing Arts Center at 2132 Hillside Road, Storrs, Conn. 06269. The UConn Fall Puppet Slam will feature new and experimental short works by professional puppeteers and performers from around the Northeast, including UConn Puppet Arts alumnus Esme Roszel and Boston-area puppeteer Harry LaCoste, as well as new works by UConn Puppet Arts students. Mansfield’s Waldron’s Studios 88 will return once more as the Puppet Slam house band.
Harry LaCoste will perform slam pieces: Bean Brain, about a boy acting out his mental health struggles; and Cheers!, a found-object show about the uncle that Harry never got to meet. UConn Puppet Arts alumni Esme Roszel and Ray Dondero will perform their new production Bingo Street. The UConn Fall Puppet Slam also features new works by graduate and undergraduate students from the UConn Puppet Arts Program. Funding for the slam is made possible, in part, by the Puppet Slam Network.
The UConn Fall Puppet Slam is free and open to the public; donations are greatly appreciated. Seating is limited and is on a first-come, first-served basis. Doors open at 7:30 p.m. The event will take place in UConn’s Harriet S. Jorgensen Theatre, located at 2132 Hillside Road, Storrs, Conn. 06269, on the lower level. (use rear entrance). For directions to the Harriet S. Jorgensen Theatre, visit crt.uconn.edu. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.