Vermont’s internationally acclaimed Bread and Puppet Theater will return to the University of Connecticut for two outdoor afternoon performances of Aeschylus’ tragedy The Persians on April 23 and 24, 2022. 

The show, performed by the Bread and Puppet company together with over 20 community volunteers, will bring together musicians, composers, builders and puppeteers from many eras of Bread and Puppet’s history, and includes giant puppets, flying plastic, Lubberland gesturing, a chorus of screamers, and Johann Sebastian Bach. Bread and Puppet Theater founder and director Peter Schumann explained his interpretation of the 472 BCE tragedy in this manner: “When Athens commissioned Aeschylus to write the official celebration piece for the Greeks’ miraculous victory over the vastly superior Persian Empire invasion force they must have expected just that: a glorification of national prowess & skill. What they got instead is the opposite: heartrending compassion for the slain enemy, lamentation for the despairing mothers and widows of the slain warriors. Can our own permanently warring military industrial empire learn from this?”

Tickets for Bread and Puppet Theater’s The Persians are $15 for adults, and $10 for students and can be purchased online at https://bimp.ticketleap.com/the-persians/. Performances will take place outdoors on UConn’s South Campus Lawn, except in case of inclement weather, in which case performances will take place indoors at a location to be announced. Masks are recommended, but not required, for audience members at either outdoor or indoor performances. Seating will be first come, first served. For outdoor shows, please bring chairs and blankets. 

In conjunction with performances of The Persians, join us for two other activities with Bread and Puppet Theater!

Street Shows, Wednesday, April 20 at 12 noon: Bread and Puppet Theater will perform pop-up street shows performed on Fairfield Way will reflect Bread and Puppet’s re-invention of the traditional picture-performance form known as cantastoria, in which a series of colorful paintings are sung and narrated by a chorus of performers and brass musicians. This colorful, celebratory, and thought-provoking performance is suitable for all ages and free.

Puppet Forum, Thursday, April 21 at 12 noon: Bread and Puppet Theater founder and director Peter Schumann and musicians and puppeteers from the Bread and Puppet company will discuss the process of creating a new production of a 472 BCE tragedy lamenting war, defeat, and destruction, with colorful oversize puppets, music by Johann Sebastian Bach, dance, and giant paintings. How can music, sculpture, dance, and painting combine to re-envision one of the oldest Greek tragedies for the 21st century? This event is co-sponsored by the Environmental Theatre Committee of the UConn Department of Dramatic Arts.

This forum will take place in the UConn Dramatic Arts Department’s Mobius Theatre, and will be livestreamed on Zoom (registration required) and Facebook Live, and will be available afterwards on the Ballard Institute’s Facebook page and YouTube Channel.

Funded in part by the New England States Touring program of the New England Foundation for the Arts, made possible with funding from the National Endowment for the Arts Regional Touring Program and the six New England state arts agencies.

 

The Persians Performance Information

Run time: 80 minutes

Age recommendations: For all ages

Location Information: South Campus Lawn is near the Rome Commons Ballroom and Anna M. Snow Residence Hall, 626 Gilbert Rd, Storrs, CT 06269.

Seating Information: Open seating outdoors; bring your own chairs and blankets. Seating is first come, first served and will begin at 3:30 p.m.

Parking Information: Attendees should park in the S Lot on UConn’s campus, which is a short walk to the South Campus Lawn. 

For those with disabilities, a limited number of parking spots will be available in a small lot off of Gilbert Road right next to the performance space.

Covid Guidelines: see https://covid.uconn.edu/campus-guidelines/.

Vaccination Policy: All patrons must comply with the COVID-19 Patron Vaccination Attestation at the point of purchase, located on the Ballard Institute Ticketleap page; however patrons will no longer be required to present physical proof of vaccination or negative COVID-19 test upon entry to the building.

Masking: Masks are recommended but not required.

Bathrooms: Portable toilets will be available for audience members. 

Press Kit: https://tinyurl.com/yc84np75

Due to the power outage in Puerto Rico, “Tito Matos and Puerto Rican Culture” Online Forum has been rescheduled for May 12 at 7 PM ET on Facebook Live and Zoom. 

The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will stream an online version of its popular UConn Spring Spring Slam on March 25, 2022 at 8 p.m. ET on Ballard Institute and Museum of Puppetry Facebook Live. The 2022 UConn Spring Puppet Slam: Online!, hosted by Puerto Rico’s favorite YouTube church lady, Titi Gandinga, and UConn Puppet Arts student Stoph Scheer, will feature short works by professional puppeteers and performers from around the United States and across the world and new works by UConn Puppet Arts students. 

In conjunction with its current exhibition Hecho en Puerto Rico: Four Generations of Puerto Rican Puppetry, the 2022 UConn Spring Puppet Slam: Online! will showcase the work of Puerto Rican puppeteers Agua, Sol y Sereno, Poncili Creación, Deborah Hunt, Mary Anne Hopgood Santaella, and Luis y sus muñecos, as well as Compania Olveira Salcedo from Spain, and Lormiga Títeres from Mexico. The UConn Spring Puppet Slam will also feature fascinating new works by graduate and undergraduate students from the UConn Puppet Arts Program. Funding for the UConn Spring Puppet Slam: Online! is made possible in part by the Puppet Slam Network.

The UConn Spring Puppet Slam is free, but donations are greatly appreciated. These performances are recommended for mature audiences. The UConn Spring Puppet Slam will be available through May 31, 2022 on the Ballard Institute and Museum of Puppetry Facebook page and the Ballard Institute YouTube channel. 

For more information about these performances, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

For its second installment of the 2022 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will host “Adventures in Jewish Puppet and Spectacle Performance” with panelists Jenny Romaine, Matthew Cohen and Steve Abrams on Thursday, March 24 at 7 p.m. ET. This forum will take place on Zoom (registration required) and Facebook Live and will be available afterwards on the Ballard Institute’s Facebook page and YouTube Channel. 

Global forms of puppet and object performance have their roots in religion and ritual that reflect Jewish cultural and religious practices. “Adventures in Jewish Puppet and Spectacle Performance” will look at a variety of current and historical aspects of Jewish puppetry through a conversation with three prominent puppeteers engaged in this work: activist artist Jenny Romaine, Puppetry Journal editor Steve Abrams, and University of Connecticut Dramatic Arts professor Matthew Cohen.

All three panelists will speak of their own experiences with puppet and spectacle performance: Steve Abrams will offer an overview of historical 20th-century puppet purimsphiln, and his own experiments in that form; Jenny Romaine will elaborate upon her work as a director of spectacle and puppetry with the Sukkos Mob, the Aftselakhis Spectacle Committee, and Great Small Works; and Matthew Cohen will focus on his current production of Wayang Esther, a purimshpil with Javanese-style shadow figures at the Mandell Jewish Community Center in West Hartford, performed with Gamelan Son of Lion, and its accompanying Purim Puppetry exhibition. This event is co-sponsored by the the UConn Center for Judaic Studies. 

Jenny Romaine is a director, designer and puppeteer and co-founder/artistic director of the OBIE award-winning Great Small Works visual theater collective. She is music director of Jennifer Miller’s Circus Amok and artist-in-residence at Milk Not Jails and Inside Change. With Great Small Works Romaine performs, teaches, and directs in theaters, schools, parks, libraries, museums, prisons, street corners, and other public spaces, producing work on many scales, from gigantic outdoor spectacles with scores of participants, to miniature shows in living rooms. She has directed and designed community-based spectacles for numerous projects in New York City and around the world. Romaine was a sound archivist at the YIVO Institute for Jewish Research for 13 years and for several decades has drawn on Yiddish/Pan-Jewish primary source materials to create art that has contemporary meaning. Her projects include the Sukkos Mob (featured in the film Punk Jews) and 25 years of community Purim Shpiln with the Aftselakhis Spectacle Committee. She was the first recipient of the Adrienne Cooper Award for Dreaming in Yiddish (2014), received a Marshall Meyer Risk-Taker Award from Jews for Racial and Economic Justice (2015), and is featured in Dazzle Camouflage: Spectacular Theatrical Strategies for Resistance and Resilience a monograph by Ezra Berkley Nepon. She has been a Visiting Professor at the Pratt Institute Department of Performance Studies.

Dr. Matthew Isaac Cohen is a professor in the Department of Dramatic Arts at the University of Connecticut, specializing in global arts and puppetry. He has published extensively in the field of Indonesian performing arts and trained in Java, Indonesia as a dhalang wayang kulit (shadow puppeteer) starting in 1988. He was the principal puppeteer in the 2022 production of Barbara Benary’s shadow puppet musical Wayang Esther: A Javanese Purimspiel, produced as a collaboration between UConn’s Puppet Arts program and Gamelan Son of Lion. He also curated the associated exhibition “Purim Puppetry,” which is on display at the Mandell Jewish Community Center of West Hartford, CT until the end of March. He is currently working on a visual history of Indonesian puppetry and associated exhibition, based on the Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets at Yale University Art Gallery.  

Steve Abrams has served as editor of Puppetry Journal since 2015 and was associate editor 2002-2014. He was the North American editor for the World Encyclopedia of Puppetry Arts (WEPA). He served as president of Puppeteers of America 1999-2001 and was the co-artistic director of the National Puppetry Festival in Tampa 2001. He was vice president of UNIMA-USA for several terms. For more than 40 year Steve performed his solo shows (mostly hand puppets) in hundreds of schools, libraries, and theaters. He has performed a handful of Purim shows.

For more information email bimp@uconn.edu.

Due to inclement weather, the Ballard Institute will be  closed on Friday, 2/25.

As its last 2021 Fall Puppet Performance, the Ballard Institute and Museum of Puppetry at the University of Connecticut will present Anansi: Story-teller by Baltimore’s String Theory Theater on Saturday, Dec. 4 at 11 a.m. ET via Zoom. 

String Theory Theater presents a fresh take on the famous trickster spider from West Africa folk tales. Anansi is charged with weaving together all of the stories of life on earth and relaying the stories to the sky gods. Daunted by what seems like a never-ending task, Anansi seeks to simplify his effort with an innovative solution, which leads to unexpected results.

String Theory Theater (STT) is a family puppet troupe based in Baltimore MD, consisting of artist Dirk Joseph and his daughters Koi and Azaria. They create and perform shows for families to enjoy together, as well as adult-themed productions. STT is also involved in community arts, using puppetry as a healing and connective cultural technology in some of Baltimore’s underserved communities. 

Ticket price: $10/household. Tickets can be purchased online at bimp.ticketleap.com/anansi-stt/. A surcharge will be added to online purchases. Attendees should purchase one ticket per household. While we ask for a minimum payment of $10/household, we greatly appreciate any additional support! A Zoom link will be emailed to households one hour before the performance. 

For more information about these performances or if you require an accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.