Author: Wicks, Emily

“100 Birds” by UConn Puppet Arts Student John Cody, 4/7-4/9

IMG_8841The Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to host 100 Birds, a new production written, directed, and designed by UConn Puppet Arts Program undergraduate student John Cody ’17 from April 7 to April 9 in the Ballard Institute and Museum of Puppetry Theater located at 1 Royce Circle in Storrs Center.

A magical and whimsical, if not slightly chaotic, group of birds have flocked to the Ballard Institute and Museum of Puppetry! 100 Birds follows Jada Jones, captain of her middle school’s basketball team, who finds out that her school doesn’t have the money to get the team to their playoff game. The 100 Birds, an intergalactic troupe of feathered friends, come from outer space to help Jada after she wishes upon a shooting star for help. Using their skills as birds and their love of math, the avian crew bands together with Jada to host the biggest fundraiser ever and create the world’s largest pizza! But the nefarious Dr. Allundrious Pepper, who hates birds, is dead set on foiling their plans. Will Jada and the birds make it out alive, giblets and all? Speaking to his creative process, Cody explains “this fantastical, silly dose of positive entertainment came about in the middle of the night, which sounds far more dramatic than it actually was. I came up with the title of 100 Birds, and the next day I came up with three sentence stories that could serve this title … I have found this brainstorming method particularly effective, and it was through these short stories I wrote that the seed of the show’s story was planted.”

John Cody, along with fellow UConn Puppet Arts Program undergraduate student Katayoun Amir-Aslani ’18 weave together rod puppets, hand puppets, string puppets, and more into an experience that both adults and children will love, with a focus on comedy and positivity. “I think children are far smarter than adults give them credit, and I have developed 100 Birds with that in mind. 100 Birds is not a show that I am making for children, but rather is something that I, as a young adult, would like to see, with audiences young and old taken into account when it comes to the exact vocabulary of the show,” states Cody. This show is made possible by UConn’s IDEA Grant, which provides funding for independent projects by undergraduate students.

John Cody is a New York-based puppeteer who will be graduating with a BFA in Puppet Arts this May. Deciding he wanted to be a puppeteer before the age of five, John has since worked on many projects of all different kinds, from marionettes to hand puppets to giant character costumes. He has had the tremendous opportunity to learn and work alongside some of the folks behind The Muppets, Sesame Street, and Bear in the Big Blue House.

Performances of 100 Birds will take place in the Ballard Institute Theater according to the following schedule:

April 7             7:30 p.m.

April 8             2:00 p.m. & 7:30 p.m.

April 9             2:00 p.m. & 7:30 p.m.

Admission is free. Due to limited seating, tickets must be reserved at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at http://bimp.ticketleap.com/. This show is recommended for ages 6 and up. For more information about this production, visit bimp.uconn.edu or call 860-486-8580.

“Doc Foster’s Twisted Tales” by UConn Puppet Arts MFA Student Shane McNeal, 3/24-4/2

The Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to host the premiere of Doc Foster’s Twisted Tales, a wickedly macabre puppet show anthology combining hand and shadow puppetry and crankies to bring four original tales of terror to life as told by the eccentric Doc Foster and his misfit troupe of performers. UConn Puppet Arts Program MFA candidate Shane C.S. McNeal pays tribute to the horror genre with this twisted dark comedy of cautionary tales.

Step right up ladies and gentlemen! Step right up and prepare to be shocked, delighted, and horrified during Doc Foster’s Twisted Tales! The one and only Doctor Thaddeus J. Foster rolls into town to beguile audiences with his rare and ghastly brand of storytelling. Nowhere else will audiences have the opportunity to marvel as monsters, specters, and demons congregate to terrorize the innocent! Stories of intrigue, love, betrayal (and the occasional murder) lay in store for the curious and the brave. Nothing is sacred or too strange for Foster, who reminds us that not every story has a happy ending.

Shane McNeal, MFA candidate in the UConn Puppet Arts Program, has been creating, designing, and performing for puppet theater and film since 2008. He has worked as a puppeteer with a wide range of artists and organizations including the Silk City Chorus, the Connecticut Repertory Theatre and the Boston Pops. He returns to the Ballard Institute and Museum of Puppetry after his family-friendly performances of Canteen Tales: Quest for the Golden Spork, and Victoria’s Not So Bedtime Stories, which debuted in the 2016 Summertime Saturday Puppet Show Series.

Performances will take place in the Ballard Institute and Museum of Puppetry Theatre located at 1 Royce Circle in Storrs Center according to the following schedule:

 March 24 7:30 p.m. March 31 7:30 p.m.
March 25 7:30 p.m. April 01 7:30 p.m.
March 26 7:30 p.m.  April 02 7:30 p.m.

 

Ticket Prices: Adults: $12; Members/Seniors $10; Students: $8

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by phone at 860.486.8580, or online at http://bimp.ticketleap.com/. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance. There will be open seating and no reservations. This show is recommended for audiences aged 13 and older. For more information about this show, visit bimp.uconn.edu or call 860.486.8580.

“Word Play” by Good Hearted Entertainment on 3/25 at 11 a.m. and 2 p.m.

As part of its Spring Puppet Performance Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will present Word Play by Good Hearted Entertainment. Performances will take place on March 25, 2017 at 11 a.m. and 2 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Storrs Center.

Word Play uses clowning and puppetry to take audiences on an adventure through the alphabet. Words come to life in the hands of two skilled performers, who clown around with sounds and colorful puppet letters to create dozens of dynamic, interactive characters and imaginative scenes. Audiences can make friends with vowels, teach tricks to a “C-A-T” and “D-O-G,” and visit a Word Zoo full of surprises. It’s the perfect blend of education and entertainment — a play on words, literally!

Good Hearted Entertainment creates performances that combine puppetry and clowning to educate and delight young audiences and the young at heart. The company was founded by Honey Goodenough, who has a master’s degree in educational theater from NYU. Honey has over 10 years of experience creating literacy-based puppetry programs for NYC public schools and for specialized learning institutions for children with learning challenges and varying abilities. Word Play is inspired by Honey’s experience learning to manage her own dyslexia and literacy challenges. The show combines her experiences as a touring puppeteer, educator, clown, magician, and children’s entertainer to bring words to life in new and exciting ways. Paired with the performance talents of fellow educator, Harry LaCoste, and musical composition of Paul Watkins, Good Hearted Entertainment works to inspire and ignite a love of creative learning. This 45-minute show is recommended for ages three and older. This program was developed with support from Puppet Showplace Theater’s Incubator Program.

Ticket Prices: Adults: $12; Members/Seniors $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at http://bimp.ticketleap.com/. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be open seating, no reservations. For more information about these performances, visit bimp.uconn.edu or call 860-486-8580.

“Puppetry and Animation” with Michael Bannon on 3/8 at 7 p.m.

As part of the 2017 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will present a discussion with Michael Bannon, Director of Advertising Production for Bob’s Discount Furniture, entitled Puppetry and Animation on Wednesday, March 8, 2017 at 7 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Storrs Center. This event is co-sponsored by UConn’s Art and Art History Department.

Stop-motion animation artist Michael Bannon’s Wreckless Abandon Studios has produced and directed award-winning commercials for scores of companies across the United States, as well as the famous “Little Bob” spokespuppet for Connecticut-based Bob’s Discount Furniture. At the forum he will explain the dynamics and opportunities of contemporary visual storytelling with the arts of stop-motion puppet animation.

Michael Bannon is the Director of Advertising Production for Bob’s Discount Furniture, a successful furniture chain founded by UConn alumni Bob Kaufman and Eugene Rosenberg. Bannon earned his BA in sculpture, printmaking, and art history from Plymouth State University with the goal to make a career personifying brands through character animation. Bannon joined forces with documentary filmmaker Ron Wyman to form Atlantic Media Services. Their client list grew to include numerous furniture stores, along with notable news networks such as CNN. In 1991, Bannon added Bob’s Discount Furniture to the roster and helped propel the business into the fastest-growing furniture chain in the U.S. In 1997, Bannon founded Wreckless Abandon Studios, an award-winning stop-motion and digital animation studio located near Hartford, Connecticut. Over nine years, Wreckless Abandon grew to employ a staff of over 75 artists and production personnel, including many alumni from UConn’s Puppet Arts Program and Art and Art History Department. As Executive Vice President & Creative Director of Wreckless Abandon Studios, Bannon was responsible for creative direction of the studio, which has produced animated commercials for national clients including PepsiCo, Fisher-Price, Talbots, Dannon and Sony Music Entertainment, as well as the animated Fisher-Price Little People television series, an NBC prime-time Christmas special, and stop-motion productions for such clients as the Late Show with David Letterman, the Today Show, Lego and Nickelodeon. Today, Bannon continues to bring “Little Bob” to life for an audience of millions, while training a stable of talented young artists in the age-old visual storytelling technique of stop-motion animation.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. Come early, and experience our puppet exhibitions, as well as the video resources in our library nook. Forums will be broadcast via Facebook Live. Call 860-486-8580 for more information.

UConn Students Needed for the Ballard Institute Student Outreach Committee!

The Ballard Institute and Museum of Puppetry is looking for UConn students to form a Ballard Institute Student Outreach Committee to serve as advisors and creators of events, exhibits, and programming geared towards the UConn student population. No puppetry experience is required, and we welcome students from all departments! If you are interested in learning more, please email bimp@uconn.edu.

“Banners and Cranks: Paintings and Scrolls in Performance”, February 23-June 11, 2017

Cantastorias and crankies are forms of sung picture story-telling that trace their origins to 6th-century India. These paintings mounted on sticks, flipped over and revealed, or unfurled on scrolls and moved by means of a crank are performing object precursors to the popular puppet traditions of many countries. Despite the prominence of new technologies in popular culture, an innovative dynamic engagement with the simple mechanical cranky and cantastoria has blossomed among young puppet theater companies, activist educators, folk musicians, visual artists, playwrights, and students who infuse this old form with diverse new content and bold variations in technique.

Ballard Institute galleries closed 2/13-2/22 (Museum still open!)

From February 13 through February 22, 2017, Ballard Institute staff will be deinstalling our current exhibitions Frank Ballard’s Marionette Modernism: ‘Peer Gynt’ and ‘The Love for Three Oranges’ and Object, Image, Text: The Bread & Puppet Press and installing our new exhibition Banners and Cranks: Paintings and Scrolls in Performance.  While the main galleries at the Ballard Institute will be closed during this process, the museum will remain open during normal business hours, and our exhibit titled The World of Puppetry: From the Collections of the Ballard Institute will be on display in the lobby.

We  invite you to join us for the grand opening of Banners and Cranks: Paintings and Scrolls in Performance on Thursday, February 23 at 5:00 p.m.  at the Ballard Institute. The opening events will include a free tour by exhibit curator Clare Dolan and live performances of crankies and cantastorias by the curator, as well as by Great Small Works theater company.