The Ballard Institute and Museum of Puppetry at the University of Connecticut will host its Fall Puppet Performance Series on four Saturdays from September to December 2016, featuring outstanding works for puppet theater by professional puppeteers from across the Northeast and beyond. Each show will be performed twice, at 11 a.m. and 2 p.m. All performances will take place at the Ballard Institute Theater located at 1 Royce Circle, Storrs, CT. Productions and dates include:
September 24: The Pirate, the Princess and the Pea by Crabgrass Puppet Theatre
Take one bumbling buccaneer. Add one problem-solving princess. Throw in a stack of mattresses with a pea on the bottom, and put the pirate on top. Season liberally with shipwrecks, sea monsters and side-splitting action, and you have the recipe for one hilarious adventure on the high seas! Presented by Vermont-based Crabgrass Puppet Theatre, founded by UConn Puppet Arts alumni Jamie Keithline and Bonny Hall.
October 15: Rumpelstilskin by Dream Tale Puppets
In this adaptation of Rumpelstiltskin, the well-known German folktale, Dream Tale Puppets uses beautifully crafted table-top puppets to tell the story of a girl, Kathleen, whose father puts her life in danger after he lies to the king saying that she can spin straw to gold. Created by Polish-born puppeteer and mime Jacek Zuzanski, now based on Cape Cod.
November 5: The Doubtful Sprout by Liz Joyce & A Couple of Puppets
Get ready to explore the world under your feet in this underground puppet adventure. Tunnel down with Worm and Sprout as they discover the mysterious life found inside soil. Along the way, kids help figure out the secrets that help Sprout grow! Created and performed by puppeteer extraordinaire Liz Joyce, Director of Goat on a Boat Puppet Theater in Sag Harbor, Long Island.
December 3: The Snowflake Man by Puppetkabob
Vermont native and UConn Puppet Arts alumna Sarah Frechette’s story of The Snowflake Man is inspired by Wilson “Snowflake” Bentley, the self-educated Vermont farmer and scientist who attracted world attention when he became the first person to photograph a single snow crystal. The Snowflake Man swings audiences into the historic 1920s through creative storytelling, intricately designed Czech-style marionettes, and a striking pop-up book of watercolor scenery.
Ticket Prices: Adults: $12; Students: $8; Kids: $6 (12 years and under)
Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by phone at 860.486.8580, or online at http://bimp.ticketleap.com/. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be a limited number of seats. For more information about these performances, call 860.486.8580.
As part of its popular Summertime Saturday Puppet Shows for family audiences by UConn Puppet Arts students, the Ballard Institute and Museum of Puppetry will present Luminary by UConn Puppet Arts MFA student Ana Crăciun-Lambru on Saturday, July 30 at 11 a.m. and 2 p.m., at the Ballard Institute Theater located at 1 Royce Circle, Storrs, CT.
Luminary is the tale of a second chance! When humankind takes the world for granted, Raven, its supreme creator, hides the Sun. His daughter, Little Darkness, sets on a quest to bring back the light to the world. Join a rogue storyteller on a journey of light and shadow, found objects, and empowering adventures!
Ana Crăciun-Lambru is a Romanian puppeteer, actress, and director currently living in the United States. In Romania, she worked as a freelance puppeteer and actress since 2007. Her work included commedia dell’arte and puppet theatre performances, and she collaborated with dancers from the National Bucharest Opera in various contemporary dance productions. In 2013 Ana participated with her group, Uninvented Theatre, in Romania’s Got Talent and brought new ideas to the local puppetry scene. In the United States Ana performed in Goblin Market (Connecticut Repertory Theatre) and in The Puppetmaster of Lodz (UConn Dramatic Arts Department). Other credits include: shadow master for Band of the Black Hand (Connecticut Repertory Theatre), puppeteer for L’enfant et les sortilèges, Noah’s Ark, and Hansel and Gretel (UConn Opera), puppeteer for Puppets Take the Pops (Boston Pops Orchestra), dancer and puppeteer for Gladys-A life of Confinement (Ballard Institute and Museum of Puppetry), and creator and performer for her Master of Fine Arts project Dust(Connecticut Repertory Theatre).
Ana is a graduate of the I.L. Caragiale Academy of Theatrical Arts and Cinematography in Bucharest, Romania and is currently a MFA degree candidate in the Puppet Arts Graduate Program at the University of Connecticut through a Fulbright Scholarship.
The final Summertime Saturday Puppet Show by UConn Puppet Arts students will be:
August 6 –Superheroes, Villains, and Spaceships, Oh My!–The Return by Anatar Marmol-Gagné and Zach Broome: Anatar Marmol-Gagné & Zach Broome bring you a fantastical tale of intergalactic battles between good and evil.
Admission is $6 for children (12 years and under), $8 for adults.
Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by phone at 860.486.8580, or online at http://bimp.ticketleap.com/. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be a limited number of seats. For more information about these performances, call 860.486.8580.
As part of its Moonlight Movies series, the Mansfield Downtown Partnership will offer a free screening of Star Wars: The Force Awakens on Friday, July 29. Activities begin at 7 p.m. and the movie begins at dusk on the Mansfield Town Square.
The Ballard Institute will join in the fun with extended museum hours and a free guided tour at 7 p.m. of our current exhibits, The Bureau of Small Requests: Puppetry and Animation of Laura Heit and The World of Puppetry: From the Collections of the Ballard Institute. Bart. P. Roccoberton, Jr., Director of UConn’s Puppet Arts Program, will talk about the use of puppets in Star Wars: The Force Awakens in a special pre-film presentation entitled “Return of the Puppets” at the Ballard Institute. The discussion is free, open to the public, and begins at 7:30 p.m. in the Ballard Institute Theater.
As part of its popular Summertime Saturday Puppet Shows for family audiences by UConn Puppet Arts students, the Ballard Institute and Museum of Puppetry at the University of Connecticut will present Victoria’s Not So Bedtime Story by UConn Puppet Arts MFA students Shane McNeal and Krista Weltner on Saturday, July 23 at 11 a.m. and 2 p.m., at the Ballard Institute Theater located at 1 Royce Circle, Storrs, CT.
In Victoria’s Not So Bedtime Story, two sisters, Victoria and Margaret, don’t always get along, but when the goal is avoiding bedtime, there is no end to what this dynamic duo will do. Come watch several stories unfold, including The Fantastic Flying Books of Mr. Morris Lessmore, The Clockmaker and the Elves, and The House That Jack Built.
Shane McNeal, a third-year MFA candidate in the UConn Puppet Arts Program and native of Bristol, CT has been interested in the art of puppetry for well over a decade. Coming from a background in early childhood education, McNeal has always enjoyed entertaining children of all ages with puppets and storytelling. Over the last two years, McNeal has acted as a puppeteer in several projects, including the children’s television pilot of Treeples and in Hartford’s annual performances of Night Fall and Envision Fest. More recently, he performed in ECHO, the UConn Puppet Arts MFA puppet production by Christopher D. Mullens; and assisted with creating, designing, and performing a puppet production with the Boston Pops in this May. McNeal also performed Canteen Tales: Quest for the Golden Spork as part of the 2016 Summertime Saturday Puppet Show Series.
UConn Puppet Arts MFA candidate Krista Weltner was recently seen performing in a UConn Puppet Arts and Boston Pops collaboration called Puppets Take The Pops. She also completed a stop-motion animated short film entitled Partially Compensated, which she presented this past semester in partial completion of her MFA degree. Last summer she performed in Reverse Cascade at the Puppeteers of America National Puppetry Festival and the National Puppetry Conference at the Eugene O’Neill Theater Center.
Upcoming Summertime Saturday Puppet Shows by UConn Puppet Arts students include:
July 30 – Luminary by Ana Crăciun-Lambru: Luminary is the tale of a second chance! When humankind takes the world for granted, Raven, its supreme creator, hides the Sun. His daughter, Little Darkness, sets on a quest to bring back the light to the world. Join a rogue storyteller on a journey of light and shadow, found objects and empowering adventures!
August 6 –Superheroes, Villains, and Spaceships, Oh My!–The Return by Anatar Marmol-Gagné and Zach Broome: Anatar Marmol-Gagné & Zach Broome bring you a fantastical tale of intergalactic battles between good and evil.
Admission is $6 for children (12 years and under), $8 for adults.
Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by phone at 860.486.8580, or online at http://bimp.ticketleap.com/. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be a limited number of seats. For more information about these performances, call 860.486.8580.
As part of its popular Summertime Saturday Puppet Shows for family audiences by UConn Puppet Arts students, the Ballard Institute and Museum of Puppetry at the University of Connecticut will present The Wonderful World of Wonder by UConn Puppet Arts MFA student Gavin Cummins and Philadelphia-based artist and musician Gwendolyn Rooker on Saturday, July 16 at 11 a.m. and 2 p.m., at the Ballard Institute Theater located at 1 Royce Circle, Storrs, CT.
The Wonderful World of Wonder bridges the gap between the weird and wonderful. Join the water bear on its MacGuffin-fueled international game of hide and seek! Experience a crustacean’s unseeable art gallery by the lake on the bottom of the ocean! Discover how a corpse flower finds love! This show is guaranteed to be educational and entertaining!
During his three years of study at UConn’s Puppet Arts Program, Gavin Cummins has worked as a Graduate Assistant at the Ballard Institute and Museum of Puppetry. He is delighted to once again be part of the Summertime Saturday Puppet Show series, while also serving as technical assistant for the entire project. He has previously performed George and Martha and The Nature of Nature at the Ballard Institute. Gavin began puppeteering in Seattle, and has presented works as a puppet slam performer across the country, including at La Mama Theater, Puppet Showplace Theater, and the 2013 National Puppet Slam. He is the founder of the Salmagundi Puppet Cabaret at the Ballard Institute and the Fussy Cloud Puppet Slam in Seattle. In 2015 he was named an Emerging Artist at the National Puppetry Conference at the Eugene O’Neill Theater Center. Gavin recently presented his MFA production Ok, Love You, Bye as part of the Connecticut Repertory Theatre’s MFA Puppet Arts Festival.
Gwendolyn Rooker is an actor, clown, writer, and musician who holds a Certificate of Training from the Dell‘Arte International School of Physical Theatre. As a volunteer for Clowns Without Borders, Gwen shares laughter with children whose communities are in crisis in Egypt, Sudan, Colombia, Kenya, Haiti, and the U.S. She has worked for Brat Productions as a puppeteer in Haunted Poe, as a sassy singer in Three Chord Fiction, and as Dagoo in Moby Dick Rehearsed. She is one of the Six Lady Dancers for singer Johnny Showcase, has appeared in Shakespeare in Clarke Park’s productions of Twelfth Night and A Midsummer Night’s Dream.
Upcoming Summertime Saturday Puppet Shows by UConn Puppet Arts students include:
July 23 – Victoria’s Not So Bedtime Story by Krista Weltner and Shane McNeal: Two sisters, Victoria and Margaret, don’t always get along, but when the goal is avoiding bedtime, there is no end to what this dynamic duo will do. Come watch several stories unfold, including The Fantastic Flying Books of Mr. Morris Lessmore, The Clockmaker and the Elves, and The House That Jack Built.
July 30 – Luminary by Ana Crăciun-Lambru: Luminary is the tale of a second chance! When humankind takes the world for granted, Raven, its supreme creator, hides the Sun. His daughter, Little Darkness, sets on a quest to bring back the light to the world. Join a rogue storyteller on a journey of light and shadow, found objects and empowering adventures!
August 6 –Superheroes, Villains, and Spaceships, Oh My!–The Return by Anatar Marmol-Gagné and Zach Broome: Anatar Marmol-Gagné & Zach Broome bring you a fantastical tale of intergalactic battles between good and evil.
Admission is $6 for children (12 years and under), $8 for adults.
Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by phone at 860.486.8580, or online at http://bimp.ticketleap.com/. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be a limited number of seats. For more information about these performances, visit bimp.uconn.edu or call 860.486.8580.
As part of its popular Summertime Saturday Puppet Shows for family audiences by UConn Puppet Arts students, the Ballard Institute and Museum of Puppetry at the University of Connecticut will present Jacks in the Box by UConn Puppet Arts MFA student Mark Blashford on Saturday, July 9 at 11 a.m. and 2 p.m. at the Ballard Institute Theater located at 1 Royce Circle, Storrs, CT.
Jacks in the Box is a one-man puppet show starring the Appalachian folk hero Jack. Two suitcases and an old steamer trunk provide the backdrop for three distinct Jack tales featuring different styles of puppetry. This show for all ages offers a unique opportunity for an audience to be a part of the development process of Blashford’s Master of Fine Arts’ project in puppetry, Jack and Jill, which will use elements of this show and premiere in April 2017.
Upcoming Summertime Saturday Puppet Shows by UConn Puppet Arts students include:
July 16 – The Wonderful World of Wonder by Gavin Cummins: Discover the world of creatures impossible to see, yet who live in this blue marble we call earth. Sea crabs, corpse flowers, and water bears, oh my!
July 23 – Victoria’s Not So Bedtime Story by Krista Weltner and Shane McNeal: Two sisters, Victoria and Margaret, don’t always get along, but when the goal is avoiding bedtime, there is no end to what this dynamic duo will do. Come watch several stories unfold, including The Fantastic Flying Books of Mr. Morris Lessmore, The Clockmaker and the Elves, and The House That Jack Built.
July 30 – Luminary by Ana Crăciun-Lambru: Luminary is the tale of a second chance! When humankind takes the world for granted, Raven, its supreme creator, hides the Sun. His daughter, Little Darkness, sets on a quest to bring back the light to the world. Join a rogue storyteller on a journey of light and shadow, found objects and empowering adventures!
August 6 –Superheroes, Villains, and Spaceships, Oh My!–The Return by Anatar Marmol-Gagné and Zach Broome: Anatar Marmol-Gagné & Zach Broome bring you a fantastical tale of intergalactic battles between good and evil.
Admission is $6 for children (12 years and under), $8 for adults.
Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by phone at 860.486.8580, or online at http://bimp.ticketleap.com/. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be a limited number of seats. For more information about these performances, call 860.486.8580.
The Ballard Institute and Museum of Puppetry will once more present its popular Summertime Saturday Puppet Shows for family audiences by UConn Puppet Arts students on six Saturdays, July 2 through August 6, 2016. Each show will be performed twice, at 11 a.m. and 2 p.m. All performances will take place at the Ballard Institute Theater located at 1 Royce Circle, Storrs, CT.
The schedule of Summertime Saturday Puppet Shows includes the following:
July 2 – Canteen Tales: Quest for the Golden Spork by Shane McNeal
Join us in the kitchen as everyday objects tell the story of Sir Toby, a valiant knight from the Kingdom of Spün. Watch as he battles ogres, outwits wizards, and saves the day from a terrible dragon!
July 9 – Jacks in the Box by Mark Blashford
Mark Blashford, a third-year Puppet Arts graduate student, performs classic Appalachian Jack Tales and lyric vignettes with suitcases, shadows, rod puppets, and marionettes.
July 16 – The Wonderful World of Wonder by Gavin Cummins and Gwendolyn Rooker
Discover the world of creatures impossible to see, yet who live in this blue marble we call earth. Sea crabs, corpse flowers, and water bears, oh my!
July 23 – Victoria’s Not So Bedtime Story by Krista Weltner and Shane McNeal
The two sisters Victoria and Margaret don’t always get along, but when the goal is avoiding bedtime, there is no end to what this dynamic duo will do. Come watch several stories unfold, including The Fantastic Flying Books of Mr. Morris Lessmore, The Clockmaker and the Elves, and The House That Jack Built.
July 30 – Luminary by Ana Crăciun-Lambru
Luminary is the tale of a second chance! When humankind takes the world for granted, Raven, its supreme creator, hides the Sun. His daughter, Little Darkness, sets on a quest to bring back the light to the world. Join a rogue storyteller on a journey of light and shadow, found objects and empowering adventures!
August 6 –Superheroes, Villains, and Spaceships, Oh My!–The Return by Anatar Marmol-Gagné and Zach Broome
Anatar Marmol-Gagné & Zach Broome bring you a fantastical tale of intergalactic battles between good and evil.
Admission is $6 for children (12 years and younger), $8 for adults.
Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by phone at 860.486.8580, or online at http://bimp.ticketleap.com/. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be a limited number of seats. For more information about these performances, call 860.486.8580.
Meet Gavin Cummins, a Puppet Arts MFA candidate and a graduate assistant at the Ballard Institute and Museum of Puppetry. Gavin has been hard at work this semester creating his MFA project titled, “Ok, Love You, Bye.” This piece uses memory metaphor and shadow puppetry to explore the confusing inner life of one’s personal grief. “I feel grief is something that is experienced by everyone yet also very isolating,” says Gavin. He hopes to create something that people can relate to in such a chaotic state. While there is no sanctioned way to grieve, Gavin explores the possibilities and hopes to create a connection.
This piece is a devised piece, meaning it was mostly created in the rehearsal room. Gavin brought a basic outline of what he wanted and some mock puppets to rehearsal and then played around to see what worked and what didn’t. The piece evolved based on his discoveries. He builds what he needs during the day and rehearses at night.
Upon graduating in the spring, Gavin plans to move back to Seattle to make puppets and puppet shows with which he can tour the country, hopefully coming through New England again. See “Ok, Love You, Bye” in the MFA Puppet Arts Festival this March!
“My time at UConn has been great, and has been the hardest thing that I have ever done in my life.”
Meet Kalob Martinez, an MFA Puppet Arts candidate set to graduate in May 2016. For his MFA project, Kalob has created “El Beto,” a one-man hand puppet version of Shakespeare’s Macbeth molded into the world of the Mexican drug cartel. Kalob is interested in placing classical texts in a modern setting, which not only makes it more relatable to modern audiences, but also evokes questions about our current events.
Kalob has masterfully woven the modern circumstance of the drug cartel into a Shakespearean classic. His creative process included reading and re-reading the play in order to meditate over the characters. From there, the show took shape with thematic ideas and technical details. With the help of Paul Spirito, Lucas Gorham, the 3D printing club, daily meditation, and pre-rehearsal yoga sessions, Kalob created his dynamic solo puppet show. Kalob says starting the processes is the hardest part. “Once I get going, I’m good. But it’s that initial push that’s the hardest for me.”
Kalob plans to take this show on the road and perform it in his professional life. See “El Beto” performed this March in the MFA Puppet Festival.
Meet Christopher Mullens, an MFA candidate in the Puppet Arts Program at University of Connecticut. Christopher is hard at work creating an original piece that will be showcased during the MFA Puppet Festival week in March.
Presenting ECHO, a multi-media immersive spectacle combining puppets, digital projection, and original music in a re-invention of the classic Greek tale of a mountain nymph who finds the true meaning of voice. Echo, an air nymph, can only repeat what other people say to her. “In my story,” Christopher says, “that’s the reason Narcissus rejects Echo.” Heartbroken, she runs into the mountains and fades away, leaving only her voice. Christopher seeks to explore the missing parts of the story, though, and discover what Echo means to us today. “She’s still very much here today in the modern world,” he says. “We’re showing why she’s so important.”
Pictured above is the digital media and design crew setting up five large projectors that will be used during the show. Before setting things up, I got to speak with Christopher about the show and why he decided to create this piece for his MFA project.
THERESE M (TM): What inspired this story?
CHRIS MULLENS (CM): Every artist–and I believe every human–has their voice and is searching for that. What is your voice? What does voice look like to someone who feels like they don’t have one? So many people in the world today don’t have a voice. They have something to say but have no way to express it. I’ve loved mythology since I was a child. I think it’s fascinating, the stories we tell and have told. And thinking about this idea of voice, Echo came to mind. Because here was a character from mythology that could only repeat what people said to her. That got me thinking–What type of voice did Echo have? Not only voice like the sound you hear, but how does she communicate? How did she make that connection with humanity? Did she just become an amazing mime and be able to act things out? What happened if she needed to communicate something much deeper like, “I love you Narcissus”? That just kind of got the ball rolling and we went from there.
TM: What does the term “creative process” mean to you? How did you use it for this production?
CM: Well, I love starting with story–I think that’s horribly important–and how that story is relative and relevant to humanity. How does it connect to us and how does it affect us? So I start with one of those questions and from there, I kind of just let my imagination roll. And then the playful side of the art form comes. I love taking long walks and just blocking, and imagining, and seeing what can be created. Echo is an air nymph in my story. But you can’t show air on stage. You can show objects being affected by air, and that turned into large pieces of fabric. She’s moving through the air and we can show this through the flow of fabric. I use that playful domino effect.
TM: So would you say this is the process you use every time you create pieces?
CM: Different every time. That’s the way it happened with this show. But every project is different and has to be approached differently. The puppets that work for this project are not going to work for the next. You definitely have your style, but each process is a universe in itself.
TM: So far, what has been the biggest challenge?
CM: The biggest challenge for this I think has been gathering the team. Everyone in this department and the university is extraordinarily busy. A project like this is not an easy one. Now we’re in rehearsal seven days a week. Colby Herschel is my composer. We needed to find someone who can sing, someone who can act. If we’re bringing in someone who’s primarily an actor, we have to teach those people how to manipulate a puppet. It’s been a lot of finding quadruple threats and having those take out a large chunk of time.
TM: Who are some of the biggest contributors, the people you’ve found you can absolutely count on? The people who’ve helped you the most?
CM: Oh Colby Herschel. He’s been a partner on this since its conception, he’s given this piece music. He’s made it sing. He’s arranged the string quartet that’s going to be backing us up. He’s just an amazing collaborator to work with. I couldn’t be more grateful to have him.
If you’re thinking about creating an artistic project of any caliber, Christopher says, “Let your imagination go wild, know what you want, don’t be afraid to ask for it, and be ready to collaborate.” Christopher’s conception of the show was limitless at first, and as time progressed, he found an amazing way to work with the materials and space he had been given. It’s important to dream big, and then find a way to fit your ideas into the real world. Christopher says he experienced modifications of his ideas, “because what I want doesn’t always work, let’s say, into physics. Gravity is something we have to think about. For example, I want this person to fly right now, but wait, gravity. Hmm…But parameters give you freedom sometimes, and it’s fun to be able to learn to play within the bookends you’re given.”
ECHO will be presented at the Ballard Institute Theater at the following dates and times:
March 24 7:30pm
March 31 7:30pm
March 25 8:00pm
April 1 8:00pm
March 26 2:00pm
April 2 2:00pm & 8:00pm
March 30 7:30pm
April 3 2:00pm
Tickets are $10 for adults and $7 for students and Connecticut Repertory Theatre subscribers. Tickets will be sold in advance through the Connecticut Repertory Theatre Box Office, located in the lobby of the Nafe Katter Theatre at 820 Bolton Rd, Storrs CT 06269. Tickets may be purchased in person at the Box Office, by calling (860) 486-2113, or online at https://itkt.choicecrm.net/templates/UCRT/index.php?prod=bimp. A $3.00 surcharge will be added to any purchases made online or over the phone. Tickets may be purchased at the Ballard Institute on the day of performance. There will be a limited number of seats. This show is recommended for ages 12 and up.