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“ECHO” by Christopher D. Mullens, 3/24-4/3

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The Ballard Institute and Museum of Puppetry is pleased to host the world première of ECHO, a multi-media immersive spectacle combining puppets, digital projection, and original music in a re-invention of the classic Greek tale of a mountain nymph who finds the true meaning of voice. Puppet Arts MFA candidate Christopher D. Mullens has teamed up with composer Colby Joseph Herchel and a team of students from UConn’s Puppet Arts Program and Digital Media and Design Department to create a dynamic world of myth and music in which the story of Echo, the nymph who could only repeat what is spoken to her, will unfold in front of and around the audience.

Performances will take place in the Ballard Institute and Museum of Puppetry Theater located at 1 Royce Circle in Storrs Center according to the following schedule:

March 24         7:30pm March 31         7:30pm
March 25         8:00pm April 1             8:00pm
March 26         2:00pm April 2              2:00pm & 8:00pm
March 30         7:30pm April 3              2:00pm

 

Tickets will be $10 for adults and $7 for students/Connecticut Repertory Theatre subscribers. Tickets will be sold in advance through the Connecticut Repertory Theatre Box Office located in the lobby of the Nafe Katter Theatre at 820 Bolton Rd, Storrs CT 06269. Tickets may be purchased in person at the box office, by calling (860) 486-2113, or online at https://itkt.choicecrm.net/templates/UCRT/index.php?prod=bimp. A $3.00 surcharge will be added to any purchases made online or over the phone. Tickets may be purchased at the Ballard Institute on the day of performance. There will be a limited number of seats. This show is recommended for ages 12 and up. For more information about this show, visit http://bimp.uconn.edu or call (860) 486-8580.

ECHO will be performed in conjunction with the Connecticut Repertory Theatre’s MFA Puppet Arts Festival, featuring works by Ana Craciún, Gavin Cummins, and Kalob Martinez running March 24-April 3 in UConn’s Studio Theatre. On March 26 and April 1, 2, and 3 there will be additional free presentations of works by Anatar Marmol-Gagné and Krista Weltner at 5 p.m. in the Studio Theatre. For more information about these shows, visit crt.uconn.edu.

2016 Spring Puppet Forum Series

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As part of its Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will host three forum events on Wednesdays in February through April at 7 p.m. in the Ballard Institute Theater located at 1 Royce Circle in Storrs Center. The Spring Puppet Forum schedule includes:

February 3: Roger Danforth, Playwriting for Puppet Theater

Noted director and dramaturg Roger Danforth, who also leads playwriting for puppetry workshops at the Eugene O’Neill Theater Center, will talk about the particular needs and possibilities playwrights face when writing for actors and objects

February 24: Alexander Gref and Elena Slonimskaya, Russian Puppet Theater

Join us in a discussion with two of Russia’s most dynamic puppeteers as they show us how the rich traditions of Russian vertep and Petrushka puppetry survive and flourish in contemporary performance and art therapy in the Russian Republic.

April 20: Laura Heit, The Puppetry and Animation of Laura Heit

In conjunction with her exhibition at the Ballard Institute—The Bureau of Small Requests—artist and professor Laura Heit (Northwest Pacific College of Art) will discuss her richly varied work in stop-motion film, live-action puppetry, drawing, and computer animation.

Admission to these events is free (donations greatly appreciated!), and refreshments will be served. Come early and experience our puppet exhibitions, as well as the video resources in our library nook. Visit bimp.uconn.edu for more information.

2016 Spring Puppet Performance Series

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The Ballard Institute and Museum of Puppetry at the University of Connecticut will host its Spring Puppet Performance Series on four Saturdays from January to April 2016, featuring outstanding works for puppet theater by professional puppeteers. There will be two showings of each production, at 1:00 p.m. and 3:00 p.m., in the Ballard Institute Theater located at 1 Royce Circle in Storrs Center. Productions and dates include:

January 30: Of Bread and Paper by Finn Campman

Of Bread and Paper is the story of a poor refugee trying to find his way home. His exile is self imposed but enforced by the struggles of the world: poverty, conflict, indecision, and love. Recommended for children aged 9 and above.

February 13: The Autobiography of James Mars: A Slave Born and Sold in Connecticut by Puppetsweat Theater

Using flat cut-out puppets and projected images, this show tells the story of James and Jupiter Mars, a father and son owned by a parson in Norfolk, Connecticut, demonstrating how these two remarkable men negotiated the complicated slavery laws of the nineteenth century. Recommended for children aged 9 and above.

 March 5: The Great Red Ball Rescue by Faye Dupras

A family trip to the beach goes awry when a young boy’s favorite Red Ball is whisked away by the tides. Join Jasper, a timid kid with a big imagination, as he sets out on an adventure across the ocean, under the waves, and up into the clouds.

April 9: Help Save the Monkey! by Liz Hara and Marta Mozelle MacRostie

8-year-old Howard and 80-year-old Lillian must rush to save her monkey who is about to land from space. Despite setbacks, anxieties, and lasers, their friendship helps them on this epic adventure.

Ticket Prices: Adults: $10; Students: $7; Kids: $5

Tickets will be sold in advance through the Connecticut Repertory Theatre Box Office located in the lobby of the Nafe Katter Theatre at 820 Bolton Rd, Storrs CT 06269. Tickets may be purchased in person at the box office, by calling (860) 486-2113, or online at https://itkt.choicecrm.net/templates/UCRT/index.php?prod=bimp. A $3.00 surcharge will be added to any purchases made online or over the phone. Tickets may be purchased at the Ballard Institute on the days of performances. There will be a limited number of seats. For more information about these shows, visit bimp.uconn.edu or call (860) 486-8580.

Down the Rabbit Hole: Ballard Celebrates 150 years of Alice’s Adventures in Wonderland

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This past Saturday and Sunday, the Ballard Institute and Museum of Puppetry offered fall community puppet-building workshops with acclaimed Boston puppeteer Sara Peattie.

This year’s free workshops held at the Ballard Institute workshop space celebrate the 150th anniversary of Lewis Carroll’s classic tale Alice’s Adventures in Wonderland. Participants brought the colorful and fantastic figures that popular Carroll’s fanciful world to life, rendering the White Rabbit, the Red Queen, the Cheshire Cat, the March Hare, and the eponymous Alice into puppet form.

Workshop participants are invited to parade with their puppets as part of the Celebrate Mansfield Parade that will be held on Sunday, September 20 at noon (Line-up begins at 11am at Farrell Field near the Post Office). The parade is part of the 12th Annual Celebrate Mansfield Festival.

Sara Peattie’s dramatic puppet creations have been featured at community parades and pageants across the United States. Long a mainstay of Boston First Night festivities and the Greenwich Village Halloween Parade in New York City, Sara Peattie’s work—through her Boston-based Puppeteers Cooperative company and Puppet Free Library—combines community participation, simple, cheap, and practical puppet-building techniques, and a brilliant design sense that allows community members of all ages to take part in the age-old pleasures of participatory puppet performance in public spaces. Sara recently designed and directed the community puppet parade and pageant in Storrs Center as part of the 2015 Puppeteers of America National Puppetry Festival.

For information on the 12th Annual Celebrate Mansfield Festival, visit http://www.downtownstorrsfestival.org

Sketches of Frank Ballard’s Queen of the Night

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scan-2[/one_half][/row]By Bryanna, a student and Ballard Institute volunteer

The figure sketched here is the villainous Queen of the Night from Wolfgang Amadeus Mozart’s famous opera, The Magic Flute. First debuted in 1791, the story was originally written as an opera in the form of a “singspiel,” meaning that the play was performed containing both periods of singing and periods of speaking.Frank Ballard of the University of Connecticut presented this opera using puppets in 1986. These sketches are based upon Ballard’s design of the Queen of the Night character. With her lavish hat and dress and exaggerated facial features, the puppet brilliantly reflects the baroque time period in which the opera was first written.

The design of this puppet was one of the things that stood out most to me upon choosing a puppet on display to interpret and sketch. The Queen of the Night’s dramatically angular face with half-lidded eyes that seemed to constantly say “I am unimpressed” gave the character a unique expressive nature. She seemed so very characteristically proud, posted there on her display pedestal so I knew she’d be fun to characterize into a drawing where I could give her the different facial and body expressions that she could not change as a puppet. The Queen puppet seemed an even more perfect fit when I realized she was from The Magic Flute play that had coincidentally been involved in my life several times before. My father and I saw the opera live at Jorgensen Theater when I was a little girl where my dad bought the soundtrack to the opera and played it over and over for me. Years later, I also found myself performing a piece from the play in my school orchestra. The Queen of the Night seemed like a perfect fit for me to sketch.