Brian and Wendy Froud on Faeries, October 9 at 6 p.m.

ortraits, drawings, studies and tales of those mysterious creatures, fairies, fill the pages of Brian Froud’s Faeries’ Tales by Brian and Wendy Froud. We meet individual fairies and learn their stories. Following their popular book TrollsFaeries’ brings readers into the depths of the mysterious and enchanting realm of these intriguing beings. Brian Froud, a renowned British artist, has created some of the most respected and highly acknowledged mythic artwork of our time. He has won numerous awards, including the Hugo Award for Best Original Artwork. Wendy Froud is an American (born in Detroit) who is a doll artist, sculptor, and puppet-maker, best known for her work creating creatures for the Jim Henson films The Dark Crystal and Labyrinth, as well as her work on the Star Wars series, for which she was the fabricator of Yoda. The Frouds live in Devon, England. Bart Roccoberton, the Director of the Puppet Arts Program at UConn writes, “Brian and Wendy Froud have inspired the Puppet Arts, internationally, since the mid-1970s with their imaginations and creativity.”

Please call 860-486-8525 to reserve a seat.

RECEPTION at 5:30 p.m.

TALK: 6:00 p.m.

BOOKSIGNING immediately following

“Biblical Rapper’s Trilogy,” October 15 at 7:30 p.m.

Amy Trompetter collaborates with East Harlem poet (not4)Prophet in reconfiguring her Punch and Judy show to create Biblical Rapper’s Trilogy.  References include the Bible, Medieval mystery plays, Commedia scenarios and the daily news, including recent events in Ferguson, Missouri. The stage is an automated, vertical box with painted backdrops reminiscent of cantastoria balladeers’ picture stories. 

Amy Trompetter designs, directs and performs puppet shows. Her roots are in the Bread and Puppet Theater in 1960’s NYC. She is the founder of the Redwing Blackbird Theater, a workshop and performance space in the Hudson Valley.

(not4)Prophet creates and performs hip-hop aesthetic poetry. He is an experimentalist, performance poet, singer, song writer,-activist and Nuyorican-style emoter, with roots in the Nuyorican Poet’s Café. He regularly presents original work in East Harlem and throughout NYC including the Bowery Poetry Club. Ballard Institute and Museum of Puppetry and the UConn Co-op Bookstore at Storrs Center.

The event will take place in the Ballard Institute and Museum of Puppetry/UConn Co-op Bookstore performance space at 7:30 p.m. on October 15, 2015. Admission is free. Donations are gratefully accepted.

2014 Fall Puppet Forum Series

Our first Fall Puppet Forum features puppeteer Amy Trompetter talking about “Buffa & Belly Laughs: A Return to the Roots of Rossini” on September 17 at 7:30 p.m. Trompetter, the creator of the current Ballard Institute exhibition Opera & Giant Puppets, will discuss the creation of her dynamic puppet production of Rossini’s Barber of Seville, and how, in her words, “the magic of puppetry unleashes humor, reveals lyricism, and illuminates the revolutionary spirit of Rossini’s 19th-century opera.”

The rest of the forum schedule includes:

Wednesday, October 1, 7:30 p.m.: Joanne Zerdy and Marlis Schweitzer, Performing Objects and Theatrical Things. Reading, discussion, and book signing for their new anthology from Palgrave Macmillan.

Thursday, October 9, 4:30 p.m.: Dassia Posner, Claudia Orenstein, and John Bell, The Routledge Companion to Puppetry and Material Performance. Reading, discussion, and book signing for their new anthology from Routledge.

Wednesday, October 22, 7:30 p.m.: Blair Thomas, Liminal Worlds: Design in the Puppet Theater. The celebrated Chicago-based puppeteer talks about his aesthetic process, in conjunction with the premiere of his exhibition at the Ballard Institute.

Thursday, December 4, 7:30 p.m.: Winnie Lambrecht, Puppetry and Politics in 1939: The Vagabond Puppeteers. Anthropologist and Rhode Island School of Design professor Winnie Lambrecht premieres her new film about political puppet theater among dairy farmers in upstate New York.

Forums occur in the Ballard Institute Theater. Admission to these events is free (donations greatly appreciated!), and refreshments will be served. This forum will also be live-streamed on our page: http://www.ustream.tv/channel/forum-live-stream 

The Ballard Institute Presents its 2014 Fall Puppet Performance Series!

The Ballard Institute and Museum of Puppetry at the University of Connecticut will host its first-ever Fall Puppet Performance Series on four Saturdays from September to December 2014, featuring outstanding works for puppet theater by professional puppeteers from the Northeast. There will be two showings of each production, at 1:00 p.m. and 3:00 p.m., in the Ballard Institute Theater located at 1 Royce Circle in Storrs Center. Productions and dates include:

ShoshFlea-2September 27: Punschi, an enchanting performance for the whole family featuring hand puppets and a miniature circus, by Sandglass Theater in collaboration with Jana Zeller and Shoshana Bass.

Adults: $10; Students: $7; Kids: $5

chi-chicago-international-puppet-festival-anno-001October 25: The Selfish Giant, by Chicago puppeteer Blair Thomas and singer/songwriter Michael Smith, who use original puppets and music to tell the story of this Oscar Wilde classic about a grumpy old giant and the children of his village who rejuvenate his garden. Special performance in conjunction with the gala opening of Stages of Enchantment: The Little Puppet Theaters of Blair Thomas & Company.

Adults: $12; Students: $8; Kids: $6

Wayan MarshmallowNovember 15: Shadows around the World, a production by famed Connecticut puppet master Jim Napolitano focusing on global history, oral traditions of storytelling, and the international development of shadow puppetry as an art form.

Adults: $10; Students: $7; Kids: $5

LavaFossil2esmithersFlipped2December 13: Lava Fossil, by Beth Nixon, a suitcase-theater show about a dad, a crab, a dentist, and where things go when they are gone. Plus! The secret life of eel grass, an ash-encrusted visitor from Pompeii, and how to measure grief with a ruler.  Recommended for children aged 11 and above due to show content.

Adults: $10; Students: $7; Kids: $5

Tickets will be sold through the Connecticut Repertory Theatre Box Office located in the lobby of the Nafe Katter Theatre.

2014 UConn Fall Puppet Slam

 

Little Did ProductionsThe Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will present the 2014 , on  The  will feature short works by professional puppeteers from the Northeast, including Little Did Productions from New York City; Great Small Works from Cambridge; and Connecticut’s Xing Xin Liu; as well as new works by talented students from UConn’s Puppet Arts Program. The  is supported by a generous grant from the Puppet Slam Network.

The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will present the 2014 UConn Fall Puppet Slam, on Saturday, September 13 at 8:00 p.m. in the Dramatic Arts Department’s Studio Theatre. The UConn Fall Puppet Slam will feature short works by professional puppeteers from the Northeast, including Little Did Productions from New York City; Great Small Works from Cambridge; and Connecticut’s Xing Xin Liu; as well as new works by talented students from UConn’s Puppet Arts Program. The UConn Fall Puppet Slam is supported by a generous grant from the Puppet Slam Network.

Little Did Productions’ The Lost Children, directed by Jessica Lorence and designed by Lorence and Katarra Peterson, is a shadow puppet show retelling the French folk tale which inspired Hansel and Gretel, with original music by Luke Santy.

Trudi Cohen and John Bell, Cambridge-based members of the Great Small Works theater company, will perform Sidewalk Ballet, which considers the world history of public space, and the 1960s battle between developer Robert Moses and urban activist Jane Jacobs over the future of Washington Square Park; and includes a new song by Woody Guthrie and Frank London of the Klezmatics.

UConn Puppet Arts alumna Xing Xin Liu will perform a traditional Chinese shadow show, Monkey’s Kung-Fu Lesson, based on the popular trickster figure Monkey King, whose exploits feature in the great Chinese epic Journey to the West.

The Puppet Slam movement is a nation-wide flowering of short puppet productions for adult audiences, encouraged by the Puppet Slam Network created by Heather Henson and Marsian De Lellis.  UConn Puppet Slams have been taking place since 2008, thanks to the generous support of the Puppet Slam Network.

The UConn Fall Puppet Slam is free and open to the public; donations are greatly appreciated. The event will take place in the Studio Theatre located at 820 Bolton Rd, Storrs, CT. For directions to the Studio Theatre, visit crt.uconn.edu/directions/. For more information, call the Ballard Institute at (860) 486-8580, visit bimp.uconn.edu, or email us at bimp@uconn.edu.

Community Puppet-Building Workshops with Sara Peattie

 

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The Ballard Institute and Museum of Puppetry at the University of Connecticut, in partnership with the Mansfield Downtown Partnership, will host Community Puppet-Building Workshops for area residents on Saturday, September 6 and Saturday, September 13 from 10 a.m. to 5 p.m. at the Ballard Institute workshop space (1 Royce Circle, Storrs, CT). The workshops will be led by the Director of Boston’s Puppeteers Cooperative, Sara Peattie, and the Director of the Ballard Institute, Dr. John Bell, in collaboration with the UConn Co-op Bookstore.

Workshop attendees will make oversized masks of their favorite Connecticut authors. Participants will be invited to parade with their puppets in the Celebrate Mansfield Parade on September 21, beginning at noon. After the parade, the masks will be displayed at the UConn Co-op Bookstore in Storrs Center.

These mask-making workshops are free and open to all who would like to participate. Attendees are not required to attend both workshops and can drop in anytime between 10 a.m. and 5 p.m. to take part in the workshops. No prior puppet-building experience is necessary.

Pre-registration is recommended. Contact Emily Wicks at the Ballard Institute and Museum of Puppetry at 860.486.8585 or emily.wicks@uconn.edu.These workshops are supported in part by the Downtown Mansfield Partnership. For more information, visit bimp.uconn.edu.

 

Summertime Saturday Puppet Show Series

The Ballard Institute and Museum of Puppetry at the University of Connecticut will once more present its popular Summertime Saturday Puppet Shows for family audiences on seven successive Saturdays, June 28-August 9, 2014.  Each show will be performed twice, at 11 a.m. and 2 p.m.  All performances will take place at the Ballard Institute at Storrs Center.  Admission is $5 for children, $7 for adults.  Tickets will be sold at the door on the day of performance.

The series begins on June 28 with special guest performances of Raccoon Tales by Boston-based puppeteer Brad Shur, artist-in-residence at Brookline’s Puppet Showplace Theater.  It continues with new works by UConn Puppet Arts students and alumni through August 9.

The schedule of Summertime Saturday Puppet Shows includes the following:

June 28 – Raccoon Tales: a handpuppet show performed by Brad Shur, written by Paul Vincent Davis.

July 5 – George & Martha: performance by Puppet Arts student Gavin Cummins, based on the stories of James Marshall.

July 12 – Bits & Pieces Puppet Show: performances by Puppet Arts students Anatar Marmol and Ana Craciún.

July 19 – A Show of Shadows: shadow puppets from western and Chinese traditions by Puppet Arts alumni Xing Xin Liu.

July 26 – Lisa the Wise & Other Tales: shadow puppet performance by Puppet Arts student Sarah Nolen.

August 2 – Toy Theater Extravaganza: new works for toy theater by Penny Benson, Gavin Cummins, Sarah Nolen, and Dana Samborski.

August 9 – Family Friendly Pot-Pourri: marionettes and handpuppet performances by Puppet Arts students Krista Weltner, Anatar Marmol, and Sarah Nolen.

Sketches of Frank Ballard’s Queen of the Night

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scan-2[/one_half][/row]By Bryanna, a student and Ballard Institute volunteer

The figure sketched here is the villainous Queen of the Night from Wolfgang Amadeus Mozart’s famous opera, The Magic Flute. First debuted in 1791, the story was originally written as an opera in the form of a “singspiel,” meaning that the play was performed containing both periods of singing and periods of speaking.Frank Ballard of the University of Connecticut presented this opera using puppets in 1986. These sketches are based upon Ballard’s design of the Queen of the Night character. With her lavish hat and dress and exaggerated facial features, the puppet brilliantly reflects the baroque time period in which the opera was first written.

The design of this puppet was one of the things that stood out most to me upon choosing a puppet on display to interpret and sketch. The Queen of the Night’s dramatically angular face with half-lidded eyes that seemed to constantly say “I am unimpressed” gave the character a unique expressive nature. She seemed so very characteristically proud, posted there on her display pedestal so I knew she’d be fun to characterize into a drawing where I could give her the different facial and body expressions that she could not change as a puppet. The Queen puppet seemed an even more perfect fit when I realized she was from The Magic Flute play that had coincidentally been involved in my life several times before. My father and I saw the opera live at Jorgensen Theater when I was a little girl where my dad bought the soundtrack to the opera and played it over and over for me. Years later, I also found myself performing a piece from the play in my school orchestra. The Queen of the Night seemed like a perfect fit for me to sketch.

 

“Opera and Giant Puppets: Amy Trompetter’s Barber of Seville,” June 14-October 12, 2014

Our new exhibition, Opera and Giant Puppets: Amy Trompetter’s Barber of Seville, will open on June 14, 2014 at 4pm.  The opening celebration will include a free performance by Amy Trompetter’s Redwing Blackbird Theater at 5pm in the Ballard Institute Performance Space.

This spectacular display of giant, life-size, and miniature figures reveals the stunning potential of puppets and opera.  Puppeteer Amy Trompetter’s giant-puppet version of Rossini’s 19th-century comic opera The Barber of Seville was performed to great acclaim in New York City and Vienna from 1983 into the 21st century.  This exhibition reveals not only Trompetter’s vivid sculptural and performance style, but also her dynamic and unconventional approach to the classic opera, an interpretation that both supports and transgresses the original. Exhibition runs through October 12, 2014.

Experimental Animation Showcase, 5/29 at 6pm

Students from UConn Professor John O’Donnell’s Experimental Animation Art class will present their works at the Ballard Institute Performance Space on May 29 at 6:00pm.

Admission is free.

Featuring the works of

Casey Higgins

Desiree Fredericks

Erica Laucella

Nick Ransom