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The first performance event of the Ballard Institute’s 2014 season will be the UConn Spring Puppet Slam, on Saturday, February 1 at 8 p.m. at UConn’s Studio Theater. Admission is free, and donations are greatly appreciated. This event is produced with generous support from the Puppet Slam Network.
The Spring Puppet Slam will feature, as always, innovative new works and experiments by the talented students of UConn’s Puppet Arts Program, as well as productions by guest artists from around the Northeast.
Our guest productions next Saturday include the following:
– Fable of the Flying Fox: In this production by the Brooklyn-based Alphabet Arts company, Lawrence Carrillo and Jamie Moore, assisted by Amber West and Chris Borchardt, perform a tabletop show about a gluttonous fox who soars through treetops stealing eggs from unguarded nests.
– Lover’s Waltz: Another Alphabet Arts production, performed by Lawrence Carrillo and Jamie Moore, this show is a love song between two elders, one with dementia, who have not seen each other for many years, performed with pop-up book scenery designed by Kirsten Kammermeyer. Music/story by Annie Bacon.
– Michelina De Cesare, La Brigantessa: a cantastoria, or picture performance, performed by puppeteers Maryann Colella and Angela DiVeglia, of Boston and Providence respectively, taking on one of the richest traditions of southern Italian popular culture: the romantic lives of the bandits.
Please join us for what will surely be an exciting and rewarding evening of compelling puppet theater! These shows will be good for adults, teens, and kids.
This Fall, the Ballard Institute’s popular UConn Fall Puppet Forum Series will feature puppeteers and scholars explaining the past, present, and possible future of puppetry around the world. The Fall 2013 series will focus on current developments in world-wide puppetry and its connections to ancient texts, television dramaturgy, traditional culture, digital media, and puppet museums, as all these factors interact with each other in a global network. The UConn Fall Puppet Forums will take place on Wednesday evenings at 7:30 at the Ballard Institute’s Depot Campus Center and are free and open to the public. Refreshments will be served. The roster of Fall Puppet Forum speakers so far includes the following: 1. Wednesday, September 25: Diane Daly: “Que vivan los títeres: Community Support Among Today’s Mexican Puppeteers.”
Diane Daily
Join us for an exciting look at how traditional puppetry thrives in Mexico, when Diane Daly, from the University of Arizona’s School of Information Resources & Library Science, will discuss her research on peer development among Mexican puppeteers, who “continually cultivat[e] a form of puppetry fed by popular international traditions but with distinctly Mexican roots.” Daly’s research “taps into virtual and face-to-face communication within Mexico’s puppetry community to provide dynamic glimpses of this culture and to explore how new tech platforms can help it grow.” Co-sponsored by El Instituto, UConn’s Institute of Latina/o, Caribbean, and Latin American Studies. 2. October 16: Dr. Robin Ruizendaal, “Asian Puppet Theatre and the Puppet Theatre Museum.”
Dr. Robin Ruizendaal
Scholar, puppeteer, and museum director Dr. Robin Ruizendaal will present an overview of the current state of Asian puppet theater in the era of mass communication, and chart how traditional and modern companies function in contemporary Asia. Ruizendaal, the Director of Taiwan’s Lin Liu-Hsin Puppet Theatre Museum, and the Managing & Artistic Director of the Taiyuan Puppet Theatre Company, earned a Ph.D. in Chinese studies from Leiden University, Holland, and has been doing research on Asian puppet theatre for over twenty years. His talk will focus on the history and current practices of the Lin Liu-Hsin Puppet Theatre Museum which he directs in Taipei. Ruizendaal will discuss the conservation and collection policies of the museum (which according to Ruizendaal has “the most complete collection of Asian puppets in the world”), as well as its educational projects, interactive exhibitions and performances. 3. Wednesday, October 30: Dr. Marvin Carlson, “The Ibn Daniyal Trilogy: Theatre from Medieval Cairo”
Dr. Marvin Carlson
Famed theater historian Dr. Marvin Carlson will speak about his and his colleagues’ current research into 13th-century Egyptian shadow theater, and the implications of those studies for puppet history. Professor Carlson, a Distinguished Professor of Theatre at the Graduate Center, City University of New York, is well-known throughout the world for his contributions to theater history, including 1993 book Theories of Theatre, which has been translated into seven languages. His 2011 book Theatres of Morocco, Algeria and Tunisia, written in collaboration with Khalid Amine, explored the history of drama in the Arab world. At UConn Professor Carlson will further explore the history of Arabic theater by reading from his latest project, The Ibn Daniyal Trilogy: Theatre from Medieval Cairo, a series of plays translated and edited by Dr. Safi Mahmoud Mahfouz and Dr. Carlson. These “thirteenth century shadow plays of remarkable sophistication from Egypt by the author Ibn Daniyal,” Dr. Carlson recently wrote, “are going to make a major impact on medieval drama studies,” and “puppet theatre studies as well, since almost nothing is known of these important works.” 4. Wednesday, November 6: Annie Evans, “Writing for Sesame Street.”
Annie Evans
Drawing from her experience as a principal writer for Sesame Street since 1994, Annie Evans will discuss her journey from college to Sesame Street, and the show itself. She will explain “how we write it, how we use puppetry to its best advantage, shooting on the street or on blue screen, and how the show has changed and adapted in the past twenty years.” Evans will discuss the ways that new technology and research methods affect Sesame Street, and her experience working with international Sesame Streets around the world, particularly in East Asia. In addition to her Sesame Street work, Evans has been a principal writer for Elmo’s World, and has written scripts and lyrics for many television puppet shows, and has also served as a consultant on Galli Galli Sim Sim, the Indian co-production of Sesame Street. All of the 2013 UConn Fall Puppet Forums will take place at the Ballard Institute’s Depot Campus Center. For more information call the Ballard Institute at 860 486 0339.
The 2013 UConn Fall Puppet Slam, on Saturday evening, September 21 in the Dramatic Arts Department’s Studio Theatre will feature short works by acclaimed alumni of the Puppet Arts Program as well as new works by current students in the program. For the first time, the UConn Puppet Slam will offer two performances of the same program: at 8 p.m. and at 10 p.m. Guests at a Ballard Institute fund-raising event will attend the 8 p.m. showing, so the general public is urged to attend to 10 p.m. showing.
Zachery Dorn and Murphi Cook
The Fall Puppet Slam will feature works by Puppet Arts alumni Zachery Dorn, Carole D’Agostino, Dave Regan, and Joseph Therrien.
Pittsburgh-based Zachery Dorn has recently focused on live-streamed internet performances of toy theater productions using hand-held cameras, some of which he will perform at UConn: What Time is it in Berlin? and A Story About the Saddest Story.
Carole D’Agostino has been performing in New England-area Puppet Slams since 1997. She will present scenes from The Hoarding Show, a miniature spectacle combining tabletop puppetry, shadow theater, and object theater “about the clutter we keep, mentally and physically in our lives,” including the story of the famous Collyer brothers of New York City.
Zachery Dorn and Jason Hicks
Joseph Therrien, working with puppeteer Jason Hicks, will present scenes from their handpuppet spectacle Weasel, Citizen Hero, an irreverent series of shows featuring found-object puppets and political satire, which the duo have created at Bread & Puppet Theater, where Therrien is now a company member.
And Dave Regan of Fluke Theater will perform a handpuppet piece entitled Fight or Flyght.
The Puppet Slam movement is a nation-wide flowering of short puppet productions for adult audiences, encouraged by the Puppet Slam Network created by Heather Henson and Marsian De Lellis. UConn Puppet Slams have been taking place since 2008, thanks to the generous support of the Slam Network.
The UConn Fall Puppet Slam is free and open to the public–donations are greatly appreciated. Both the 8 p.m. and 10 p.m. showings are open to the general public, but more than half of the seats for the 8 p.m. showing will be reserved for fund-raiser attendees. For directions to the Studio Theater see this site. For more information call the Ballard Institute at 860 486 0339.
A Ballard Institute project to support new works for puppetry will culminate in a production of Erik Ehn’s The Architecture of Great Cathedrals on Friday, September 20 at 6:30 at the University of Connecticut Human Rights Institute‘s international “Contexts of Human Rights” conference. The performance will take place at the Wilber Cross Reading Room at UConn.
Sarah Nolen, Dana Samborski, and Anna Fitzgerald rehearsing
Puppet Arts Program graduate students Anna Fitzgerald, Sarah Nolen, and Dana Samborski, working with Puppet Arts Director Bart Roccoberton and BIMP Director John Bell, conceived, designed, built, and will perform Ehn’s play–part of the playwright’s celebrated Soulographie cycle of dramas about genocide–as a tabletop puppet production which they began to work on last spring.
“I’m extremely excited to see this work,” Dr. Bell said; “the combination of these talented Puppet Arts students and Erik Ehn’s stunning text is going to make for a compelling puppet production. I’m glad the Human Rights conference participants can see it.”
The first performance of the show will be exclusively for Human Rights conference participants (see their website for registration information); however the Ballard Institute hopes to produce public performances of the production in the future.
An amazing array of puppets from the Ballard Institute collections and UConn’s Puppet Arts Program will be on display September 9 through October 5 in “The World of Puppetry”, an exhibition at the Vernon Community Art Center in Vernon, Connecticut! The Opening Reception for the event is Sunday, September 8 from 1 to 4 p.m.
The exhibition includes the following amazing workshops, performances, and talks:
– Three puppet shows created and performed by graduate students of the Puppet Arts Program on Saturday, September 14th at 2:00; Sunday, September 22nd at 2:00; and Saturday, October 5th at 7:30.
– Shadow Theatre Workshop on Saturday, September 21st
– Toy Theatre Workshop on Saturday, September 28th. These intergenerational workshops, led by UConn Puppetry faculty and students, are intended for children, parents and/or grandparents.
Rod puppets by Frank Ballard
– “Behind the Puppet Stage”: a lecture by Puppet Arts Program Director Bart Roccoberton on Sunday, September 29th.
Gallery hours for the exhibition, from September 12th through October 5th, are Thursday through Sunday 1 – 5.
For details about the performances and to register for the workshops, please visit the Vernon Community Arts Center website or contact the VCAC by phone at: (860) 871-VCAC (8222).
This project is made possible by a grant from The Greater Hartford Arts Council and funding from The Vernon Arts Commission.
Puppets from around the world representing several centuries worth of global traditions, as well as as cutting-edge hybrids of puppetry and digital technology, make up the rich array of performing objects on display in the Ballard Institute’s new exhibition Strings, Rods, Robots: Recent Acquisitions.
Jim Henson’s “Wizard of Id”
The exhibition, curated by UConn Art and Art History graduate student Lindsay Simon, showcases an exhilarating diversity of puppets from around the world recently donated to the Ballard Institute and Museum of Puppetry. Strings, Rods, Robots exhibition brings together ancient puppet traditions and Modernist innovations, with objects ranging from Vietnamese water puppets, Persian ritual marionettes, and Javanese shadow puppets to 1930s Alabama marionettes, department store automata by Ellen Rixford, a lifesize robotic marionette by French media artist Zaven Paré, traditional Egyptian shadow puppets, a Dada-inspired marionette by Australian artist Sally Smart, a spectacular Danish toy theater, and a stunning array of global puppet forms collected by John E. and Marilyn O’Connor Miller.
Electronic Marionette by Zaven Paré
These visually striking–and sometimes startling–juxtapositions reveal the contemporary world of puppetry as a fecund and florid network of hybrid culture, where centuries-old traditions of epic, religious, comic, and political puppetry performed with wooden, cloth, and leather figures rub shoulders with mechanical or electronic puppets made of plastic, metal, and glass. And yet, despite these fascinating contradictions, the old and new puppets continue to reveal to us what is happening in our societies, with insight, humor, and wisdom.
An eye-opening exhibition of a ground-breaking 20th-century American puppeteer, Dick Myers, is now on display at the Ballard Museum. ”Exceptional and Uncommon: The Puppetry of Dick Myers” is a fascinating in-depth look at a puppeteer’s puppeteer—an innovative and ingenious designer, builder, and performer whose work, while highly respected in the international world of puppetry, never brought him fame.
Curated by Puppet Arts Program graduate student Seth Shaffer, “Exceptional and Uncommon” brings together scores of rod puppets, marionettes, and hand puppets designed and performed by Myers; innovative sound, lighting, and stage equipment he designed; photographs of Myers at work and in performance; and a documentary video filmed and edited by Shaffer in which Myers’s friends and colleagues describe his work and his life.
Dick Myers was one of the leading American puppeteers of the later 20th century. Although his work is now relatively unknown, in its time his puppet shows were highly respected by puppeteers around the world for the compelling and original design of the puppets, Myers’ skillful manipulation, and the challenging tasks he set out and achieved with his creations.
In the early years of his career Dick Myers worked with many well-known puppeteers including Connecticut’s Rufus and Margo Rose, and Martin and Olga Stevens of Indiana. He was, however, best known for his unique solo rod puppet shows: Dick Whittington’s Cat (1966), Cinderella(1967), Beauty and the Beast (1969), Simple Simon (1976), and Divertissement (1978).
“Exceptional and Uncommon: The Puppetry of Dick Myers” is a revelatory and thought-provoking window into puppetry of the late 20th century, when American puppeteers combined technological innovations with home-grown humor and popular culture in order to re-define puppetry as an aspect of contemporary American culture.
This Summer, The Ballard Institute and Museum of Puppetry will once again be presenting puppet shows for all ages performed by students from the famed UConn Puppet Arts Program.
Every Saturday from June 29th to July 27th at 3 pm, join us for these exciting and unique presentations.
Performances will take place at The Puppet Arts Complex (as the Thompson Building on this map) down the street from The Ballard Institute and Museum of Puppetry on UConn’s Depot Campus off US-44.
June 29th, 3 pm: Puppet Arts Family Friendly Potpourri! Vignettes from current Puppet Arts students including “The Fluff Catillion,” a meow-velous toy theater by Dana Samorski and Carianne Hoff, and “The Most Beautiful Tree” a toy theater production by Anna Fitzgerald.
July 6th, 3pm: Seth Shaffer performs Dick Myers’ Cinderella with Myers’ unique rod puppets. Come early or stay late and check out the Dick Myers exhibition at The Ballard Museum.
July 13th, 3pm: Xing Xin’s Shadow Show. Xing Xin Liu’s original pieces of shadow theater, inspired by her studies with Chinese Shadow Puppet masters.
July 20th, 3pm: Seth Shaffer performs Dick Myers’ Beauty and the Beast with Myers’ unique rod puppets. Come early or stay late and check out the Dick Myers exhibition at The Ballard Museum.
July 27th, 3pm: Sarah Nolen’s Tales from the Woods including her shadow puppet performance of “Lisa the Wise.”
Performances are $5 for Adults and $3 for children. Come early or stay late to see the current exhibitions at The Ballard Museum.
This Summer, The Ballard Institute and Museum of Puppetry will once again be presenting puppet shows for all ages performed by students from the famed UConn Puppet Arts Program.
Every Saturday from June 29th to July 27th at 3 pm, join us for these exciting and unique presentations.
Performances will take place at The Puppet Arts Complex (as the Thompson Building on this map) down the street from The Ballard Institute and Museum of Puppetry on UConn’s Depot Campus off US-44.
Seth Shaffer will perform Dick Myers’ Cinderella
June 29th, 3 pm: Puppet Arts Family Friendly Potpourri! Vignettes from current Puppet Arts students including “The Fluff Catillion,” a meow-velous toy theater by Dana Samorski and Carianne Hoff, and “The Most Beautiful Tree” a toy theater production by Anna Fitzgerald.
July 6th, 3pm: Seth Shaffer performs Dick Myers’ Cinderella with Myers’ unique rod puppets. Come early or stay late and check out the Dick Myers exhibition at The Ballard Museum.
July 13th, 3pm: Xing Xin’s Shadow Show. Xing Xin Liu’s original pieces of shadow theater, inspired by her studies with Chinese Shadow Puppet masters.
July 20th, 3pm: Seth Shaffer performs Dick Myers’ Beauty and the Beast with Myers’ unique rod puppets. Come early or stay late and check out the Dick Myers exhibition at The Ballard Museum.
July 27th, 3pm: Sarah Nolen’s Tales from the Woods including her shadow puppet performance of “Lisa the Wise.”
Performances are $5 for Adults and $3 for children. Come early or stay late to see the current exhibitions at The Ballard Museum.