American Puppet Modernism: The Early 20^th Century celebrates the puppet revival that developed across the United States in 1920s and 30s. Inspired by the European avant-garde; Asian, African, and Latin American performance; the vibrant culture of American cities; and the possibilities of such new technologies as film; puppeteers, artists, and writers decided that puppetry was an ideal medium for representing modern life. From cross-country touring shows to giant inflatable street puppets, avant-garde operas, and other ground-breaking innovations, Americans rediscovered and redefined puppetry in ways that still guide the form today. American Puppet Modernism: The Early 20^th Century, curated by Ballard Institute Director John Bell, includes works by Tony Sarg, Margo and Rufus Rose, Ralph Chessé, Marjorie Batchelder, Martin and Olga Stevens, Bil Baird, Frank and Elizabeth Haines, Alexander Calder, the Yale Puppeteers, the Federal Theater Project, and Hazelle Rollins.

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