Author: Wicks, Emily

Now Extended through July 9! Masks and Puppets of Ralph Lee

In response to an outpouring of interest in the work of puppeteer Ralph Lee, following his death on May 12, the Ballard Institute and Museum of Puppetry at the University of Connecticut has decided to extend its current exhibition Myths, Legends, and Spectacle: Masks and Puppets of Ralph Lee through July 9, 2023, so more people can see the work of this acknowledged puppet master.

For over 60 years, Ralph Lee created masks and puppets for wide-ranging theater and dance projects and public celebrations celebrating vital elements of the creatures, characters, demons or deities performed. Myths, Legends, and Spectacle features masks, puppets, and giant figures from Ralph Lee’s robust career as Artistic Director of the Mettawee River Theatre Company, as well as his collaborations with dance and theater companies including Erick Hawkins Dance Company, the Repertory Theatre of Lincoln Center, and Jean Erdman’s Theater of the Open Eye. The exhibition includes masks and giant figures that appeared in the Greenwich Village Halloween Parade, co-founded and directed by Ralph Lee for its first 12 years. Lee’s work is marked by deep connections to global myths and legends, and expressions of our essential connection to the natural world.

Learn more about Ralph Lee’s life and career in this New York Times obituary.

This exhibition will now close on Sunday, July 9. The Ballard Institute will be closed through Aug. 4 for the installation of our new exhibit, Tradition and Revolution in Indian Shadow Puppetry, curated by Rahul Koonathara, which will open on Aug. 4 at 4:30 p.m. 

Marvelous Metamorphoses by Sova Dance & Puppet Theater on 7/8

As part of its 2023 Summertime Saturday Puppet Show Series, the Ballard Institute will present Marvelous Metamorphoses by Connecticut-based Sova Dance & Puppet Theater on July 8 at 11 a.m. ET in Betsy Paterson Square in Downtown Storrs.

Bring the family to an engaging Sova Dance & Puppet Theater performance that brings nature’s cycles to life through song, dance and the art of puppetry. Celebrate beautiful transformations in our world and the ecological health of our planet! Caterpillar to butterfly, polliwog to frog, and more! Performers dance and sing their way through these cycles and celebrate ecological health on our planet. 

Sova Dance & Puppet Theater celebrates humanity and the environment by engaging audiences with live performance, communicating that which cannot be described in words, and making art accessible to communities around the globe. Learn more about Sova Dance & Puppet Theater at sovatheater.com.

Due to generous support during our 2023 UConn Gives campaign, admission is free, but donations are encouraged. Reservations are not required. Chairs will not be provided, and audience members are encouraged to bring their own blankets and seating. Seating space will be first come, first served. In the event of inclement weather, the show will be rescheduled for Sunday, July 9 at 11 a.m. ET. This performance is co-sponsored by the Mansfield Downtown Partnership. 

2023 Summertime Saturday Puppet Shows in July!

The Ballard Institute is excited to present its 2023 Summertime Saturday Puppet Show Series with free, family-friendly puppet shows on four consecutive Saturdays in July at 11 a.m. on Betsy Paterson Square in downtown Storrs. These performances are co-sponsored by the Mansfield Downtown Partnership. 

July 8: Marvelous Metamorphoses by Sova Dance & Puppet Theater (rain plan: July 9 in Betsy Paterson Square)

Bring the family to an engaging Sova Dance & Puppet Theater performance that brings nature’s cycles to life through song, dance and the art of puppetry. Performers dance and sing their way through these cycles and celebrate ecological health on our planet.

July 15: Oma by Sandglass Theater (rain plan: July 16 in Betsy Paterson Square)

This new family show is an intergenerational tale revolving around Grandma or “Oma.” It is her birthday, and the family all gather around for one of Oma’s stories, told with yarn. One character emerges from the tangle of wool and nearly ruins the party. But not to worry, all ends well at Oma’s house.

July 22: Cardboard Explosion! by Paper Heart Puppets (rain plan: July 23 in Betsy Paterson Square)

Cardboard Explosion! brings four original stories to life using nothing but cardboard and the power of your imagination. With help from the audience, puppeteer Brad Shur transforms simple cardboard shapes into elaborate puppet characters, then brings them to life right before your eyes.

July 29: Bugaboo Revue by Talking Hands Theatre (rain plan: July 29 in Ballard Institute Theater)

Learn more about insects and why it’s important to keep them alive. This show is crafted with multiple learning styles in mind to keep children engaged as they learn, with opportunities for the audience to sing, dance, and act out the life cycle of a butterfly! 

Due to generous support during our 2023 UConn Gives campaign, admission is free, but donations are encouraged. Reservations are not required. Chairs will not be provided, and audience members are encouraged to bring their own blankets and seating. Seating space will be first come, first served. If you require accommodation to attend this event, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.

Please Ship This Wet Gift by Brave Bucket Co. on 5/13

As part of its 2023 Spring Puppet Performance Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to present New York City puppeteer Marta Mozelle performing Please Ship This Wet Gift by Brave Bucket Co., on Saturday, May 13, 2023 at 11 a.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. 

Please Ship This Wet Gift is one clown’s presentation about terrible feelings and provides an opportunity for family audiences to laugh together about feeling bad. The original work uses drawing-without-looking, audience suggestion, audience participation, made-up songs, puppetry, and cardboard sharks to explore dealing with the things in life that are unfair, scary, sad, and just really annoying. The show melds clown theater with puppetry expertise to bring compassion and lightness to the heavy stuff. Recommended for ages 4+.

To learn more about the performance and Brave Bucket Co., visit bimp.ticketleap.com/wet-gift 

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of the performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu. Masks recommended but not required.

 

About the Company and Collaborators:

Marta Mozelle MacRostie (Performer/Designer) is a puppeteer, clown, designer, builder, teacher and vocalist. Performance highlights include: Baby Universe (Wakka Wakka Productions, Studio Theater), Better Out Than In (Banksy’s NYC Residency), La Divina Caricatura (Mabou Mines, PS 122 and La MaMa), Lemony Snicket’s The Composer is Dead (Phantom Limb Company, Berkeley Rep), and Puss in Boots (Moises Kaufman, Gotham Chamber Opera & Blind Summit, New Victory Theater). She was a participant in Sesame Street‘s 2016 & 2014 Training Workshops, and her onscreen credits include: Sesame Street (season 45 assist), Time Machine Guitar, The Warby Trace Show, and commercials for H&M, LG, and the Coca-Cola Company.

Marta’s show for family audiences Help Save the Monkey! (with collaborator Liz Hara) premiered in the 2014 New York Children’s Theater Festival, and was awarded a 2014 Jim Henson Foundation Family Grant. Her work for adults, Close to Decline, was workshopped in Labapalooza! at St. Ann’s Warehouse, received support through a Jim Henson Foundation Presenter’s Grant at the Tank Theater, and was a finalist for the Creative Capital Award.

Marta holds a degree in Puppetry & Music from UMass Amherst, studied clown at Movement Theater Studio and with John Leo, is a many-time alum of the O’Neill National Puppetry Conference, and served on the Artistic Direction Committee for the 2013 National Puppet Festival.

Hannah Simms (Director) is a director and teacher based in Hartford, CT. She is a graduate of the Dell’Arte School of Physical Theatre, the NTI Advanced Directing Semester at the Eugene O’Neill Theater Center, and the Ada Comstock Program at Smith College. Directing credits include: Pegao and Frog Hollow State of Mind (HartBeat Ensemble), To Kill a Mockingbird (Central Connecticut State University), Guenevere (Ivoryton Playhouse), Eurydice (PVPA Charter High School), Julius Cesar and Romeo & Juliet (Hampshire Shakespeare). She has also directed in thedirected in the Write On! festival at Hartford Stage. Assistant Directing credits include The City That Cried Wolf off-Broadway at 59E59, and FlipSide at HartBeat Ensemble. She has taught clown for Art Farm, the Greater Hartford Academy of the Arts, and the Children’s Circus of Middletown. Hannah is an ensemble member at HartBeat Ensemble.

 

“The Making of Feel Your Best Self: Puppet Building and Video Production” Forum on 4/26

As part of the 2023 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host The Making of Feel Your Best Self: Puppet Building and Video Production on Wednesday, April 26, 2023 at 7 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute). 

In this forum, Ballard Institute graduate assistant and Feel Your Best Self Puppeteer Stoph Scheer leads a discussion with Director and Producer Sarah Nolen, Puppet Builder John Cody, and Supervising Producer Heather Asch about building the puppet characters and producing the videos that are a part of the award-winning Feel Your Best Self project, an interdisciplinary collaboration between UConn’s Collaboratory on School and Child Health and the Ballard Institute to promote emotional well-being in elementary-aged children. Hear the ins-and-outs of puppet filmmaking, from the puppet-build process through pre-production to production, and learn how the cast and crew came together to get the whole series shot in two weeks.

Feel Your Best Self is designed for elementary-aged kids as an educational toolkit for learning emotion-focused coping strategies to calm yourself, catch your feelings, and connect with others. The FYBS strategies offer fun and easy ways to help kids (and grown-ups) experience lifts in emotions, feeling, or mood. The toolkit, which features short videos, facilitator steps, reflection journals, strategy cards, and tip sheets, is free and accessible on the website. 

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu

About the Speakers

Heather Asch (Supervising Producer; “Brianna”) Heather currently serves as Executive Director for No Strings Productions, a not–for–profit production company that creates puppet films that provide lifesaving information to at-risk children in the developing world. Film subjects include Malaria, Covid, HIV/AIDS, disaster preparation for earthquakes, tsunamis, flood, landslides, landmine safety, and peacebuilding. Heather has over 25 years of experience in the puppetry arts. Her career focus has been in film and television working as supervising producer, line producer, producer, puppeteer, voiceover artist, puppet designer, puppet builder, shop supervisor, build coordinator, wrangler, consultant, and photo stylist. Throughout her career, she has worked with various companies, including The Jim Henson Company, Sesame Workshop, Nickelodeon, Disney, WGBH, Three Design Studios, and others. Performance credits include Between the Lions, Johnny and the Sprites, Sesame Street, and Allegra’s Window.  She is a four-time Emmy Award winner for her work building and wrangling with Sesame Street and performing on Between the Lions. heatherasch.com  nostringsproductions.org

John Cody (Character Designer; Lead Puppet Builder; Puppet Captain; Puppet Wrangler; “Dance Teacher”) is a puppeteer, puppet builder, and writer from Katonah, New York. He graduated with a BFA from the UConn Puppet Arts program in 2017, and has gone on to work on projects for The Jim Henson Company, Sesame Workshop, Nickelodeon, The Walt Disney Company and more! You can check out more of his work on his Instagram, @puppetjohn, or on his website puppetjohn.com

Sarah Nolen (Director; Producer; Art Director; Script Writer) is a puppeteer and filmmaker known for her versatile and witty work across multiple puppetry styles. Originally from Texas, Sarah now resides in  Massachusetts, where she works as a freelance puppeteer, director, and puppet builder for both stage and screen through her company Puppet Motion. She received her MFA in Puppet Arts at the University of Connecticut in 2016. While at UConn, Sarah was awarded the 2015 Mister Rogers Memorial Scholarship in support of her MFA film project, TREEPLES, which premiered at  the 2016 Slamdance Film Festival. Sarah has trained at Sesame Workshop, the O’Neill Puppetry Conference, Sandglass Theater, the Brooklyn Puppet  Conspiracy, and completed a yearlong improvisational comedy program at the  Dallas Comedy House. Currently, she serves as Interim Co-Artistic Director at the Puppet  Showplace Theater in Brookline, where she tours her own solo puppet shows around New England. You can learn more about her work at her website:  sarahnolen.com 

Stoph Scheer (“CJ”) has trained with and puppeteered for the Jim Henson Company, and has also puppeteered for The Muppets, Banksy, and FailArmy. She is co-founder of Doppelskope Puppet Theatre and co-writes and produces The Creatures of Yes on YouTube. Learn more on her website: scheerbrilliance.com

CANCELED: Oma by Sandglass Theater on 4/22

Unfortunately, due to unforeseen circumstances, we have had to cancel both performances of Oma by Sandglass Theater on 4/22. We greatly apologize for any inconvenience this may cause and hope to reschedule soon.

Tickets are now on sale for Please Ship This Wet Gift by Brave Bucket Co. on May 13 at 11AM: bimp.ticketleap.com/wet-gift

Thank you for your continued support!

“Jumaadi: From Wayang Kulit to Contemporary Art” Forum on 4/12

As part of the 2023 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host Jumaadi: From Wayang Kulit to Contemporary Art on Wednesday, April 12, 2023 at 7 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs, with artist Jumaadi joining us virtually from abroad. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute). 

Ballard Institute director Dr. John Bell will host this Puppet Forum conversation with Jumaadi, a contemporary Indonesian-Australian artist, and UConn professors Dr. Matthew Cohen and Dr. Macushla Robinson. The discussion will probe a particular aspect of Jumaadi’s creative process: how wayang kulit, the tradition of Javanese shadow puppet theater, provides a key source for inspiration and techniques, and how Jumaadi’s own shadow puppet plays (performed mainly using overhead projectors and other modern technologies) depart in significant ways from this tradition. The conversation will consider the nostalgic pull of wayang kulit, conditions of art making in both Indonesia and Australia, and the possibilities opened up through travel and cosmopolitanism. This conversation coincides with the opening of Jumaadi’s solo exhibition Migration of Flora at the Contemporary Art Galleries of the University of Connecticut, located at 830 Bolton Rd, Storrs, Conn. To learn more about the exhibit, visit contemporaryartgalleries.uconn.edu.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu

About the Speakers

Jumaadi is a multi-disciplinary artist working in various mediums ranging from small, poetic gouache on paper works to large scale drawings which can exceed 3 x 20 metres. His paintings are comprised of mixed media executed on plywood, timber, cloth, canvas and buffalo hide. Jumaadi is also recognised for his sculptural works in wood and metal, as well as installation and performance work. Jumaadi currently lives and works between Yogyakarta, Indonesia and Mosman, Sydney, and is represented by King Street Gallery. 

Dr. John Bell, a puppeteer and historian, is Director of the Ballard Institute and Museum of Puppetry and an Associate Professor of Dramatic Arts at the University of Connecticut. A member of the Bread and Puppet Theater company from 1976 to 1986, he received his Ph.D. in theater history from Columbia University in 1993. He is the author of American Puppet Modernism: Essays on the Material World in Performance and other books and articles about puppets and performing objects, and is a founding member of the Brooklyn-based Great Small Works theater collective.

Dr. Matthew Isaac Cohen is a Professor of Theater Studies and Puppet Arts at the University of Connecticut. He has published extensively on Indonesian performing arts and performs wayang kulit under the nom-de-stage Kanda Buwana. He is currently working on a book on the history of puppet theater in Indonesia based on the Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets at Yale University Art Gallery.   

Dr. Macushla Robinson is Assistant Professor in Residence, and Director of the Contemporary Art Galleries at the University of Connecticut. A curator, writer and teacher with a strong interdisciplinary practice, she founded in·ter·sti·tial press –– a small publishing organization dedicated to cultivating conversations that exist in the margins of major disciplines, and is also Managing Editor of Design and Culture journal. She has worked for over a decade across museums and contemporary art spaces, focusing on working with contemporary artists to develop new works, and in this respect her curatorial practice entwines with her pedagogical practice.

With degrees in philosophy and fine arts (printmaking), an MA in liberal studies and a PhD in politics, she is relentlessly committed to stretching across disciplines and discourses. Her doctorate confronted issues of slavery and decorative arts from the perspective of reparations and political economy. She works at the intersection of objects and politics, facing questions of commemoration and reparations.

 

2023 UConn Spring Puppet Slam on 4/7

The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will present the 2023 UConn Spring Puppet Slam in person on Friday, April 7, 2023 at 7 p.m. and 9 p.m. in UConn’s Studio Theatre, located at 802 Bolton Rd, Storrs, CT 06269

The 2023 UConn Spring Puppet Slam will showcase the work of Nate Puppets, a Cleveland-based artist and puppeteer who will perform Petey the Puppet’s Tribute to Bimbo the Clown, featuring Petey the Puppet, the enchanted stringless marionette, who pays homage to the famous Bimbo the Clown arcade game in an interpretive dance to honor the clown who spent decades behind glass entertaining countless thousands. Nate Puppets will also perform The Over at the Frankenstein Pitch!, in which Skuzzle the Sugar Beast wants to push his creative desires in what he would want in his own paper doll production of The Rocky Horror Show! The UConn Spring Puppet Slam will also feature new works by UConn graduate and undergraduate students from the university’s Puppet Arts Program. These performances are recommended for mature audiences. Funding for the UConn Spring Puppet Slam is made possible in part by the Puppet Slam Network.

The UConn Spring Puppet Slam is free and open to the public; donations are greatly appreciated. Seating is limited, so reservations are required. Please reserve a ticket here: bimp.ticketleap.com/2023-spring-slam/

Doors open at 6:40 p.m. and 8:40 p.m. Reservations that do not arrive by 6:50 p.m. or 8:50 p.m. will be released.

 The event will take place in UConn’s Studio Theatre, located at 802 Bolton Rd, Storrs, Conn. 06269. For directions to the Studio Theatre, visit crt.uconn.edu. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

 

“My Night in the Planetarium” by Little Uprisings on 3/25

As part of its 2023 Spring Performance Series, the Ballard Institute is pleased to present My Night in the Planetarium by the Massachusetts-based educational organization Little Uprisings on March 25, 2023 at 11 a.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. 

Best-selling children’s book author Innosanto Nagara’s true story of art and social protest comes to life as a dynamic pop-up puppet show. Created and performed by Boston artist/activist Tanya Nixon-Silberg, the show transports audiences to Jakarta in the 1970s, where 7-year-old Inno learns firsthand how a play has the power to spark a resistance movement. Featuring designs and puppets by UConn Puppet Arts alumna Sarah Nolen, the story is brought to life with a rich soundscape, visual transformations, and kid-centered lessons about social justice. Recommended for ages 5+.

To purchase tickets, visit: bimp.ticketleap.com/planetarium/ 

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of the performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu. Masks are recommended but not required. 

 

About the Company and Collaborators 

Through a multi-faceted, creative approach that centers the beauty and power of Blackness, Little Uprisings endeavors to build long lasting, deep and sustainable relationships in order for change to take root, growing a practice that allows justice to take hold daily. How can Black and Brown children thrive in a system that was not set up for them to thrive? And see the richness and beauty in themselves that is so rarely affirmed within larger institutions? How can white children unlearn deeply rooted bias in order to adopt a lens of racial justice, challenge existing systems, and stand with individuals in fighting oppression? 

Tanya Nixon-Silberg (Creator and Puppeteer) is a Black mother, puppeteer, educator, facilitator and founder of Little Uprisings—an organization focused on centering racial justice and liberation with kids and their caregiving allies. Little Uprisings’ mission—be it in schools with teachers developing culturally relevant curricula, in a community center with children talking about gentrification, or helping parents develop their own values about racial justice—is actively anti-racist, joyful, and Black affirming; steadfastly focused on our collective liberation. You will mostly find Tanya playing with and learning from her 10 year old kid, dreaming up fun ways to engage children in racial justice through puppetry, and radically imaging how we all get free together.

Innosanto Nagara (Author and Illustrator ) was born and raised in Jakarta, Indonesia, and moved to the U.S. in 1988 to study zoology at UC Davis. Now an activist and a graphic designer based in California, he writes and illustrates social justice-themed children’s books for all ages, including the best-selling board book A is for Activist and its companion Counting on Community. Those publications were followed by picture books My Night in the Planetarium, and The Wedding Portrait. M is for Movement aka Humans Can’t Eat Golf Balls is his newest work for middle grade readers.

Roxanna Myhrum (Stage Director and Dramaturg) is an award-winning producer, stage director, and puppetry coach with credits at almost all of Boston’s regional theaters. As the Artistic Director of Puppet Showplace Theater (2010-2021), she launched the Incubator New Works Development program to support new shows by Massachusetts-based artists. During her tenure she shepherded 15 world premieres to stage, many of which went on to tour nationally and internationally. She has taught puppetry and show-creation to all ages, pre-K to adult, and has served on the boards of Puppeteers of America and the Jim Henson Foundation.

Sarah Nolen (Co-Writer, Puppet Design, Production) is a puppeteer and filmmaker originally from Austin, Texas. As Puppet Showplace Theater’s resident artist, she performs regularly for youth and family audiences around New England and teaches puppetry classes to all ages. Her three original productions, Lisa the Wise, Judy Saves the Day, and The Fairy Tailor have all toured extensively in the Northeast and beyond. In addition to her own shows, Sarah has done puppet builds for Netflix, Suffolk University, Boston College, and more. Sarah earned her BFA in film from Southern Methodist University, and an MFA in Puppet Arts from the University of Connecticut.