Events

2025 UConn Spring Puppet Slam on 4/11

The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will present the 2025 UConn Spring Puppet Slam on Friday, April 11, 2025 at 8 p.m. in UConn’s Harriet S. Jorgensen Theatre, on the lower level of the Jorgensen Performing Arts Center at 2132 Hillside Road, Storrs, CT 06269. The UConn Spring Puppet Slam will feature new and experimental short works by professional puppeteers and performers, including Tau Bennett and Charlotte Lily Gaspard from New York City, as well as new works by UConn Puppet Arts students. Mansfield’s Waldron’s Studios 88 will return once more as the Puppet Slam house band.

The 2025 UConn Spring Puppet Slam welcomes acclaimed Brooklyn-based puppeteers Tau Bennett and Charlotte Lily Gaspard. Bennett will perform Herbert’s Lament, which explores how life isn’t easy when you’re not only broke, but also narcoleptic. Shadow puppet artist, educator, entertainer, and “bona fide fairy princess” Charlotte Lily Gaspard will perform her crankie production A Mermaid’s Life Story and Strange Bird, a shadow-puppet show played with an umbrella screen. The UConn Spring Puppet Slam also features new works by graduate and undergraduate students from the UConn Puppet Arts Program. Funding for the Slam is made possible, in part, by the Puppet Slam Network. These performances are recommended for mature audiences.

The UConn Spring Puppet Slam is free and open to the public; donations are greatly appreciated. Seating is on a first-come, first-served basis. Doors open at 7:30 p.m. The event will take place in UConn’s Harriet S. Jorgensen Theatre, located at 2132 Hillside Road, Storrs, Conn. 06269, on the lower level. (use rear entrance). For directions to the Harriet S. Jorgensen Theatre, visit crt.uconn.edu. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

Puppetry and Photography Forum with Richard Termine on 4/2

As part of its 2025 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host Puppetry and Photography, a Puppet Forum with Richard Termine on Wednesday, April 2, 2025 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute).

Join us in person or online on Wednesday, April 2 for a Puppet Forum discussion with famed photographer (and UConn Puppet Arts alumnus) Richard Termine, whose compelling work is celebrated in American Puppet Theater Today: The Photography of Richard Termine, the current Ballard Institute exhibition. Termine, who has documented American puppet theater for over 30 years, will share his insights on the arts of photography and puppetry, and how they can combine in stunning still images evoking the powerful movement potential of the material world in performance. Termine is the lead performing arts photographer for The New York Times and has been the in-house photographer for Sesame Street since 1988. His work has appeared in the Washington Post, Time, Newsweek, People, American Theatre, USA Today, and other publications around the world.

Richard Termine attended the University of Connecticut and completed his MFA in Puppet Arts in 1978. In 1980, he began his association with The Jim Henson Company as a puppet designer and builder for a variety of Muppet productions. While working on the set of Sesame Street, Termine began photographing behind the scenes, leading to a new career as a performing arts photographer. He has been the in-house photographer for Sesame Street since 1988 and has been on the board of The Jim Henson Foundation since 1987, currently serving as the Foundation’s Vice President.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.

Puppets and Masks in Star Wars Forum with Colette Searls on 3/12

As part of its 2025 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host Puppets and Masks in Star Wars, a UConn Puppet Forum with Professor Colette Searls, on Wednesday, March 12, 2025 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute).

Professor Colette Searls, of the University of Maryland, Baltimore County, will discuss the essential role of puppets, masks, and performing objects in the many different aspects of the venerable and popular Star Wars epic. Based on her 2023 book A Galaxy of Things: The Power of Puppets and Masks in Star Wars and Beyond, Dr. Searls will examine how, since 1977, creatures, droids, masked figures, and other material characters have been central to Star Wars trilogies and stories, telling meaningful stories that conventional human characters can’t, through the powers of what Dr. Searls calls “distance, distillation, and duality.” 

Colette Searls is Professor of Theatre at the University of Maryland, Baltimore County (UMBC) where has directed over twenty productions, including award-winning works of puppetry and material performance. Other directing credits include Noah Haidle’s Vigils at The Woolly Mammoth Theatre Company (four Helen Hayes Award nominations), Kendra’s Bay at the inaugural Light City Baltimore International Arts Festival, and Fixed Boundary at San Francisco’s Exit Theatre (winner of the Best of the San Francisco Fringe Festival award). She has received grants from the Jim Henson Foundation, the Maryland State Arts Council, and the Puppeteers of America for her original works in found-object puppetry. Her book A Galaxy of Things: the Power of Puppets and Masks in Star Wars and Beyond received the 2024 Nancy Staub Publications Award; she is also the performance review editor for the journal Puppetry International Research (PIR).

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.

Funny Boy: The Life of Richard Hunt Forum with Jessica Max Stein on 3/5

As part of its 2025 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host Funny Boy: The Life of Richard Hunt, a Puppet Forum with Jessica Max Stein, on Wednesday, March 5, 2025 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute). 

Join us on Wednesday, March 5 with author Jessica Max Stein to look at the life of Richard Hunt, the dynamic, irreverent, and spirited puppeteer who played an essential role in the success of the Muppets. Hunt joined the Muppets in 1970 at the age of 18, and developed such essential puppet characters as Scooter, Janice, Beaker, and Sweetums, appearing on The Muppet Show, Sesame Street, Fraggle Rock, and in multiple Muppet movies. Equally important, Stein’s book explains in a fascinating manner how this gay American artist thrived as a performer and human being in the late-twentieth-century age of AIDS. 

Jessica Max Stein writes vivid, novelistic history that brings the past to life. Most recently, she is the author of Funny Boy: The Richard Hunt Biography (Rutgers University Press, 2024). She writes frequently for New York newspaper The Indypendent, and her writing has received awards from Poets and Writers Magazine, the Independent Press Association, and the Biographers International Organization, as well as being published widely. She teaches writing and literature at Hunter College of the City University of New York (CUNY). 

 Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu 

Don’t Make Me Get Dressed by The Gottabees on 3/1

Join us on 3/1 at 11am and 2pm as we bring back the popular Boston-based company The Gottabees to perform their new production Don’t Make Me Get Dressed!

For every child who has struggled to get into their clothes first thing in the morning (and for every parent who has fought valiantly in the battleground of the morning routine), comes Don’t Make Me Get Dressed – a gloriously silly and inventive ode to the feelings we have when we choose our clothes… and to what happens when our clothes come to life and choose us. Don’t Make Me Get Dressed features The Gottabees’ trademark mix of puppetry, joyously absurd silliness, physical theater, live music, and surprising poignancy. Recommended for ages 3+. Runtime is approximately 35 minutes plus a question-and-answer session.

The Gottabees are passionate about community, family joy, and empowerment, and have been guiding families through stage performances, interactive experiences, and audio adventures since 2013. The Gottabees have performed in 19 states, and five countries for over 45,000 people, and were awarded a UNIMA-USA Citation of Excellence. Their projects have been funded by the Jim Henson Foundation, Puppeteers of America, US Artists International, and the Boston Foundation.

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at https://shorturl.at/cyG2r. Tickets may also be purchased at the Ballard Institute on the day of the performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Downtown Storrs Garage located at 33 Royce Circle. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

Jack and the Beanstalk by Nappy’s Puppets on 2/15

To kick off its 2025 Spring Puppet Performance Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to welcome back UConn Puppet Arts alumnus Jim Napolitano of Nappy’s Puppets to perform Jack and the Beanstalk on Saturday, Feb. 15, 2025 at 11 a.m. and 2 p.m. in the in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs.

Though English in origin, Jack has become a true American folk hero. Jack and the Beanstalk by Nappy’s Puppets focuses on Jack and his many adventures; from Jack be Nimble, Jack Horner, and Big Jack and Little Jack, to the popular Jack and the Beanstalk. Based on Appalachian folk tales collected by Richard Chase, Jack and the Beanstalk utilizes the ancient art of shadow puppetry in a new and innovative way. With songs and stories and well over 80 handcrafted shadow puppets, Nappy's Jack and the Beanstalk is sure to delight young and old.­­­­­

Jim Napolitano (Nappy’s Puppets) is a native of Milford, Conn., and a graduate of UConn’s Puppet Arts Program. After completion of his degree, Jim worked with Bits and Pieces Puppet Theater, performing around the country and world, including Japan's National Culture Center and Taiwan's National Theater.

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.uconn.edu. Tickets may also be purchased at the Ballard Institute on the day of the performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

 

“Exploring Puppetry in The Old Man and the Old Moon” Puppet Forum on 11/20

As part of its 2024 Fall Puppet Forum Series and in conjunction with the Connecticut Repertory Theatre’s fall season, the Ballard Institute and Museum of Puppetry is pleased to host Exploring Puppetry in The Old Man and the Old Moon” on Thursday, Nov. 20, 2024 at 5:30 p.m. at the Jorgensen Gallery, located at 2132 Hillside Rd, Storrs, Conn. 06268. This forum is co-sponsored by the UConn Connecticut Repertory Theatre and will be streamed via Ballard Institute Facebook Live (facebook.com/BallardInstitute).

“Exploring Puppetry in The Old Man and the Old Moon” will offer a special behind-the-scenes glimpse of this new Connecticut Repertory Theatre production before that evening’s 7:30 p.m. performance at the Harriet S. Jorgensen Theatre. The forum will discuss the design, construction, and performance of shadow figures and three-dimensional puppets in of a PigPen Theater Company play with music, directed by Matt Sorensen, a Visiting Professor of Dramatic Arts in UConn’s Puppet Arts Program. In conversation with Ballard Institute Director John Bell, Sorensen and Puppet Arts MFA student designers Harley Walker and Mel Carter will discuss the process of conceiving and creating puppetry elements for this acclaimed Off-Broadway production about the aging caretaker of the moon, and the conflicts of duty and love he faces.

Admission to the forum is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.

To purchase tickets for The Old Man and the Old Moon, visit crt.uconn.edu.

Wonderland Puppet Theater Symposium, 10/25-10/26

The Ballard Institute and Museum of Puppetry is excited to host a “Wonderland Puppet Theater Symposium” on Friday and Saturday, October 25-26, in conjunction with our Wonderland Puppet Theater: Visions of the Beloved Community exhibition curated by Dr. Paulette Richards. 

The “Wonderland Puppet Theater Symposium” is inspired by and explores in more details the work of Alice Swann and Nancy Schmale, housewives from the interracial Concord Park subdivision near Philadelphia, who, inspired by Dr. Martin Luther King, Jr.’s vision of a more equitable “beloved community,” worked together to create a popular hand-puppet theater. Founded in 1961, their company, reflecting contemporary developments in the Civil Rights Movement, the Women’s Movement, and innovations in children’s media, created entertaining and educational puppet productions performed throughout the Northeast. The symposium will bring together University of Connecticut faculty from the departments of Economics, History, English, American Studies, and Women’s, Gender, and Sexuality Studies, with scholars, puppeteers, and activists from the U.S. and abroad. 

The symposium is free and open to the public, but registration is required. To register to attend in person, visit: bimp.ticketleap.com.  

The symposium will be live streamed via Zoom. To register to attend virtually, please visit: us06web.zoom.us/webinar/register/WN_rQdSZJe8TOmmETxtwng3Xw.

The “Wonderland Puppet Theater Symposium” is supported by a UConn School of Fine Arts Anti-Racism Grant and University of Connecticut Humanities Institute Speaker, Conference, and Workshop funding; and is co-sponsored by UConn’s African American Cultural Center, Women’s Gender, and Sexuality Studies program, and the Robert T. Leo, Jr. Fund for Excellence in the Dramatic Arts.

The schedule will include:  

Friday, October 25 

4-5 p.m.: Wonderland Puppet Theater exhibition tour with curator Dr. Paulette Richards  

5-6:30 p.m.: Dinner break  (not provided)

6:30-7 p.m.: Keynote Address: Dr. Paulette Richards  

7-8 p.m.: Film Screening: In Black, a documentary on African American puppeteers directed by Jacqueline Wade, with post-screening discussion with the director.  

Saturday, October 26 

9:30-11 a.m.: “’The Marriage Agreement’: Women Artists Navigate Gendered Divisions of Labor” with Dr. Nancy Naples (UConn Departments of Sociology and Women’s, Gender, and Sexuality Studies), Dr. Alissa Mello (University of Exeter), and Jacqueline Wade (filmmaker and puppeteer). 

Early press for Wonderland Puppet Theater identified the artists as Mrs. James Swann and Mrs. Raymond Schmale. Yet 1963, the year they attended the Puppeteers of America national festival was also the year that Betty Friedan published The Feminine Mystique. Wonderland Puppet Theater addressed the discontent around the “traditional” role of women, especially in their portrayals of traditional puppets Punch and Judy. How much progress have women made in re-negotiating “the marriage agreement” and extricating themselves from “the second shift” of housework and childcare that women carried as they moved into occupations, including artistic careers, that took them out of the home?  

11:15 a.m. – 12:45 p.m.: “Children’s Media: Literature, Television, Theaterwith Dr. Vibiana Bowman (Rutgers University emerita), Dr. Katharine Capshaw (UConn Department of English), and Khalilah Brooks (Puppeteer, Aunty B’s House).

In 1966 Alice Swann and Nancy Schmale began to perform their puppetry on live television. Each week alternated between the two women puppeteering on a show hosted by Willadine Bain, a former high school English teacher. Swann, a certified kindergarten teacher, collaborated with Bain on scripts that presented age-appropriate literacy lessons and information about African American history. How much power do women and people of color have in creating children’s media today?  Is children’s media bringing us closer to or taking is further from embracing the vision of “Beloved Community” as a core value?  

12:45-2 p.m.: Lunch break  (not provided)

2-3:30 p.m.: “Residential Segregation” with Dr. Stephen L. Ross (UConn Department of Economics), and Dr. Jeffrey Ogbar (UConn Departments of History and American Studies).  

Morris Milgram was the son of impoverished immigrants in New York City. Expelled from college for leading an anti-fascist protest, he joined the real estate development industry and was a pioneer in desegregated living communities. In 1954 he established Concord Park, an interracial subdivision of single-family homes for middle-class buyers just outside of Philadelphia. This symposium aims to answer the following questions: What is the status of residential desegregation today vs. 1956 when Milgram broke ground on Concord Park?  What do developers, lenders, elected officials, and community organizers need to do to make further progress towards realizing Milgram’s dream?  

 3:30-4: Final Thoughts, moderated by Dr. Paulette Richards, with all symposium participants.