News

“Living Objects: African American Puppetry”, October 25, 2018-April 7, 2019

The Living Objects: African American Puppetry exhibition at the Ballard Institute and Museum of Puppetry is an event of national significance focused on an important but often overlooked aspect of American culture: the work of African American puppeteers. Bringing together puppets, performing objects, masks, and media work by over twenty different puppeteers from the late 19th century to the early 2000s, Living Objects: African American Puppetry will redefine our sense of American puppet history. Exhibition co-curator Dr. Paulette Richards writes: “since their arrival in the Americas, African people have animated objects in a rich variety of forms and contexts. Despite the prohibition by slaveholders on the creation of figurative objects reflecting an African-derived worldview, African Americans nevertheless animated objects to represent their experiences and identity.” Living Objects: African American Puppetry, Richards adds, will “highlight the work of contemporary African American artists while contextualizing the evolution of African American object performance.”

Living Objects: African American Puppetry is co-curated by Dr. Paulette Richards and Dr. John Bell. Dr. Paulette Richards is an Atlanta-based teaching artist. She holds a Ph.D. in French Civilization from the University of Virginia and currently serves as a docent at the Center for Puppetry Arts’ Worlds of Puppetry Museum. Dr. John Bell is a theater historian, puppeteer, and Director of the Ballard Institute and Museum of Puppetry. He is also an Associate Professor of Dramatic Arts at the University of Connecticut.

The Living Objects: African American Puppetry project also includes workshops, forums, performances from Oct. 2018 through April 2019, including a Living Objects Symposium and Festival at the Ballard Institute Feb. 7-10, 2019, which will bring together scholars, performers, students, and the general public to discuss, watch, contemplate, and enjoy the many different aspects of African American puppetry. This project is presented as part of the African Diaspora, an initiative organized by the UConn School of Fine Arts, which celebrates the 50th Anniversary of the UConn African American Cultural Center. Additional exhibits and events are ongoing throughout the 2018-2019 academic year. For more information, visit sfa.uconn.edu/african-diaspora.

For more information about the Living Objects exhibit and related events, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

“Sir George and the Dragon” by Pumpernickel Puppets on 10/27 at 11 a.m. and 2 p.m.

As part of its 2018 Fall Puppet Performance Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to present Sir George and the Dragon by Pumpernickel Puppets of Worcester, Massachusetts on Oct. 27, 2018 at 11 a.m. and 2 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs.

Join an adventurous princess as she journeys to Mystery Mountain to visit the Great Green Dragon. Along the way you’ll meet Zelda the babysitter, a silly bat, Sir George and his clumsy dog, and of course the lovable dragon. Will Sir George slay the dragon? Not to worry—everything ends happily in this fun show. Presented with large colorful hand puppets and live voices and sound effects. This show is 40 minutes long and is recommended for ages 3+.

For nearly forty years the Pumpernickel Puppets have captivated audiences of all ages with humorous and colorful adaptations of classic folk and fairy tales. John McDonough and his puppets present over two hundred fifty shows a year at schools, libraries and private parties throughout the New England area.

Upcoming Fall Puppet Performance Series shows include:

Nov. 10: The Fairy Tailor by Sarah Nolen

Meet the Fairy Tailor, hard at work in her enchanted shop, where dressing racks and laundry baskets are known to have a mind of their own. Watch as she transforms everyday garments into extraordinary characters, and shares stories of bravery, from Little Red Riding Hood(ie), to The Emperor’s New Clothes. With the audience’s help, the Fairy Tailor summons the courage to take a stand against a giant, crafting a solution that combines cleverness with creativity. Recommended for ages 4+.

Dec. 1: The Gingerbread Man by WonderSpark Puppets

“Run, run, as fast as you can–you can’t catch me I’m the Gingerbread Man!” The Gingerbread Man is the classic story of a little running cookie–with a Christmas twist. Watch as the Gingerbread Man outwits and outruns various hungry animals–and figures out what he really wants for Christmas. This hand puppet show is performed in a traditional puppet booth. Recommended for ages 3+.

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. Parking is free for the first two hours and $1 per hour thereafter, with a daily maximum charge of $8. For more information about these performances or if you require an accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

BIMP Main Galleries Closed 10/8-10/24

From October 8 through October 24, 2018, Ballard Institute staff will be installing our new exhibitions Living Objects: African American Puppetry.  While the main galleries at the Ballard Institute will be closed during this process, the museum will remain open during normal business hours, and The World of Puppetry: From the Collections of the Ballard Institute will be on display in the lobby.

We  invite you to join us for the grand opening of Living Objects: African American Puppetry on October 25 at the Ballard Institute. The opening events will include refreshments at 6:30 p.m. and a free tour at 7 p.m.

“The Fairy Circus” by Tanglewood Marionettes on 9/29 at 11 a.m. and 2 p.m.

As part of its 2018 Fall Puppet Performance Series, the Ballard Institute and Museum of Puppetry is pleased to present The Fairy Circus by Massachusetts’ famed Tanglewood Marionettes on Sept. 29, 2018 at 11 a.m. and 2 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs.

Tanglewood Marionettes’ presentation of The Fairy Circus begins with a brief demonstration of the art of puppetry. Through humorous interplay, the audience will learn about various forms of puppets, from simple glove puppets to sophisticated marionettes. Then it’s on with the show! Featuring over twenty beautifully handcrafted marionettes, The Fairy Circus is a showcase for turn-of-the-century-style trick puppetry. The puppets will dance, play instruments, juggle, contort, transform, and fly through the air with the greatest of ease, all to the best-loved music of favorite composers! This show is 45 minutes long and recommended for ages 4+.

Founded in 1993 by Anne Ware and Peter Schaefer, Tanglewood Marionettes is a nationally touring marionette theater based in New England. Their repertoire consists primarily of classic tales performed by skilled puppeteers who have spent many years perfecting their art. The company’s large, beautifully handcrafted marionettes, colorful sets, and integrated lighting and sound create a fully immersive theatrical experience. Tanglewood Marionettes has received two Citations for Excellence in the Art of Puppetry from UNIMA-USA (the American center of the Union International de la Marionette).

Peter Schaefer was born into a family of puppeteers, and has been performing with hand puppets, rod puppets, and marionettes since he was knee-high. After refining his skills with a local puppet company for several years, he decided to join forces with a fellow puppeteer and form a new company – Tanglewood Marionettes. Since its inception in 1993, Tanglewood Marionettes has toured nationally with great success.

Upcoming Fall Saturday Puppet Shows include:

Oct. 27: Sir George and the Dragon by Pumpernickel Puppets

Join an adventurous princess as she journeys to Mystery Mountain to visit the Great Green Dragon. Along the way you’ll meet Zelda the babysitter, a silly bat, Sir George and his clumsy dog, and of course the lovable dragon. Will Sir George slay the dragon? Not to worry–everything ends happily in this fun show. Presented with large colorful hand puppets and live voices and sound effects. Recommended for ages 3+.

Nov. 10: The Fairy Tailor by Sarah Nolen

Meet the Fairy Tailor, hard at work in her enchanted shop, where dressing racks and laundry baskets are known to have minds of their own. Watch as she transforms everyday garments into extraordinary characters, and shares stories of bravery, from Little Red Riding Hood(ie), to The Emperor’s New Clothes. With the audience’s help, the Fairy Tailor summons the courage to take a stand against a giant, crafting a solution that combines cleverness with creativity. Recommended for ages 4+.

Dec. 1: The Gingerbread Man by WonderSpark Puppets

“Run, run, as fast as you can–you can’t catch me, I’m the Gingerbread Man!”  The Gingerbread Man is the classic story of a little running cookie–with a Christmas twist. Watch as the Gingerbread Man outwits and outruns various hungry animals–and figures out what he really wants for Christmas. This handpuppet show is performed in a traditional puppet booth. Recommended for ages 3+.

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. Parking is free for the first two hours and $1 per hour thereafter, with a daily maximum charge of $8. For more information about these performances or if you require an accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

2018 UConn Fall Puppet Slam on 9/28 at 8 p.m.

The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will present the 2018 UConn Fall Puppet Slam on Friday, Sept. 28, 2018 at 8 p.m. in UConn’s von der Mehden Recital Hall located at 875 Coventry Rd, Storrs, Conn. 06269. The UConn Fall Puppet Slam will feature short works by professional puppeteers and performers from around New England, including Hilary Chaplain, Kali Therrien, Mindy Escobar-Leanse, and Anatar Marmol-Gagné, as well as new works by Puppet Arts students and puppet animation films by students from UConn’s School of Fine Arts.

The 2018 UConn Fall Puppet Slam will showcase the work of women puppeteers from New York City and Connecticut. Multi-talented performer Hilary Chaplain, together with Ariel Lauryn and Mindy Escobar-Leanse, performing The Last Rat of Theresienstadt, the story of a rat, a cook, and survival in a Czech concentration camp; Mindy Escobar-Leanse will perform A Genteel Jaunte, a tale of two drunken knights based on Shakespeare’s Twelfth Night; Kali Therrien will present The Sock Project, about what happens when everyday objects take on a life of their own; and Anatar Marmol-Gagné will present Degas Nightmare, a story that demonstrates things aren’t always what they seem, especially when no one is looking. The UConn Fall Puppet Slam will also feature new works by UConn graduate and undergraduate students studying puppetry, and stop-motion filmmaking. Funding for the UConn Fall Puppet Slam is made possible in part by the Puppet Slam Network.

The UConn Fall Puppet Slam is free and open to the public; donations are greatly appreciated. Seating is limited and is on a first-come, first-served basis. Doors open at 7:30 p.m. The event will take place in UConn’s von der Mehden Recital Hall located at 875 Coventry Rd, Storrs, Conn. For directions to the von der Mehden Recital Hall, visit vdm.uconn.edu. These performances are recommended for mature audiences. For more information about these performances or if you require an accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

 

“Women in Puppetry” Forum on 9/13 at 7 p.m.

As part of the 2018 Fall Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will present a discussion with Dey Hernández Vázquez, Clare Dolan, and Stephanie D’Abruzzo titled “Women In Puppetry: Identity, Gender, And Performance” on Thursday, Sept. 13, 2018 at 7 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs.

In the first puppet forum of the season, co-sponsored by the UConn Women’s Center, three acclaimed puppeteers will discuss the situation of women in contemporary U.S. puppetry: architect and puppeteer Dey Hernández Vázquez; curator, director and puppeteer Clare Dolan; and voice actress, singer, and puppeteer Stephanie D’Abruzzo. Kathleen Holgerson, Director of the UConn Women’s Center, will moderate this forum.

Stephanie D’Abruzzo started her career as a Muppet Performer in 1993. Since then she has played more than 450 puppet and animated characters for film and television. In addition to her 25 seasons on Sesame Street, television highlights include puppetry for The Unbreakable Kimmy Schmidt, Julie’s Greenroom, Last Week Tonight With John Oliver, and Oobi, voiceovers for Nature Cat and Sheep in the Big City, and guest-starring on the musical episode of Scrubs. In addition to being a Tony and Drama Desk-nominated actress for Avenue Q, Stephanie is a 1993 graduate of Northwestern University, and 1991 Burger King Employee of the Month. www.stephaniedabruzzo.com.

Clare Dolan is a painter, director, and performer of cantastoria, toy theater, outdoor puppet pageantry, and stilt dancing – while simultaneously living a secret double life as a nurse in a small Vermont town. She’s a veteran of the Bread and Puppet Theater, co-curator of Banners and Cranks (an annual festival of cantastoria performance www.bannersandcranks.org) and Founder/Chief Operating Philosopher of The Museum of Everyday Life, an eight-year-old museum experiment in Glover, Vermont, whose goal is to explore, analyze and celebrate everyday life objects (www.museumofeverydaylife.org).

Deymirie (Dey) Hernández Vázquez is an architect, interdisciplinary artist, and educator. She holds a Master of Architecture from the University of Puerto Rico, and is a board member of the activist arts organization AgitArte. Issues of race, identity, language, and community are fundamental to her work. She is a teaching artist throughout the city of Boston and has designed and directed art workshops with AgitArte since 2008, and is also a puppeteer of the radical workers’ theater collective, Papel Machete. Dey was the art director and curator of the book When We Fight, We Win! and collaborates with Danza Orgánica, a social justice oriented dance theater company based in Boston.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. Come early, and experience our puppet exhibitions, as well as the video resources in our library nook. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. Parking in the Storrs Center Garage is free for the first two hours and $1 per hour thereafter, with a daily maximum charge of $8. Forums will be broadcast via Facebook Live. For more information or to request an accommodation to attend this forum, please contact Ballard Institute staff at 860.486.8580.

2018 Fall Puppet Forum Series

For its 2018 Fall Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will host three free scintillating discussions with puppeteers and artists on Thursday evenings at 7 p.m. in Sept. through Dec. at in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. These forums will illuminate new perspectives on the creation, history, aesthetics, and performance of puppetry today. The Fall Puppet Forum schedule will include the following talks:

Sept. 13: “Women in Puppetry: Identity, Gender, and Performance,” with Stephanie D’Abruzzo, Clare Dolan, and Dey Hernández Vázquez
In the first puppet forum of the season, co-sponsored by the UConn Women’s Center, three acclaimed puppeteers will discuss the situation of women in contemporary U.S. puppetry: Dey Hernández Vázquez, from the Puerto Rico-based puppet theater Papel Machete; Clare Dolan, co-creator of the Banners and Cranks Festival and director of the Museum of Everyday Life; and Stephanie D’Abruzzo, who created the role of Kate Monster in Avenue Q. Kathleen Holgerson, Director of the UConn Women’s Center, will moderate this forum.

Nov. 15: “Night Fall: Community Puppetry in Hartford,” with Anne Cubberly
Over the past seven years, Anne Cubberly’s annual Night Fall performances in Hartford parks have celebrated seasonal change with art, music, dance, and Cubberly’s trademark giant puppets. Join us for a fascinating discussion about the origins, aims, techniques, and aesthetics of this dynamic community performance event that has redefined the cultural life of Connecticut’s capital.

Dec. 6: “African American Puppetry in New York City,” with Nehprii Amenii and Brad Brewer
In conjunction with the Ballard Institute’s Living Objects: African American Puppetry exhibition, this forum will bring together two noted New York-based puppeteers to talk about the past, present, and future of African American puppetry, and the dynamics of aesthetic and artistic choices in this field.

Admission to these events is free (donations greatly appreciated!), and refreshments will be served. Come early, and experience our puppet exhibitions, as well as the video resources in our library nook. Forums will be broadcast via Facebook Live. For more information or if you require an accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.

Grand Opening of “Living Objects: African American Puppetry” on 10/25

The Ballard Institute and Museum of Puppetry will present the grand opening of its new exhibit Living Objects: African American Puppetry on Thursday, Oct. 25, 2018 at 6:30 p.m., with refreshments served at 6:30 p.m. and a free tour beginning at 7 p.m. All events will take place at the Ballard Institute, located at 1 Royce Circle in Downtown Storrs. Ballard Institute Director John Bell comments “we are extremely excited that this important element of African American culture and performance will be celebrated and experienced in an exhibition of national importance.” The exhibition will be on display through Sunday, April 7, 2019.

The Living Objects: African American Puppetry exhibition at the Ballard Institute and Museum of Puppetry is an event of national significance focused on an important but often overlooked aspect of American culture: the work of African American puppeteers. Bringing together puppets, performing objects, masks, and media work by over twenty different puppeteers from the late 19th century to the early 2000s, Living Objects: African American Puppetry will redefine our sense of American puppet history. Exhibition co-curator Dr. Paulette Richards writes: “since their arrival in the Americas, African people have animated objects in a rich variety of forms and contexts. Despite the prohibition by slaveholders on the creation of figurative objects reflecting an African-derived worldview, African Americans nevertheless animated objects to represent their experiences and identity.” Living Objects: African American Puppetry, Richards adds, will “highlight the work of contemporary African American artists while contextualizing the evolution of African American object performance.”

Living Objects: African American Puppetry is co-curated by Dr. Paulette Richards and Dr. John Bell. Dr. Paulette Richards is an Atlanta-based teaching artist. She holds a Ph.D. in French Civilization from the University of Virginia and currently serves as a docent at the Center for Puppetry Arts’ Worlds of Puppetry Museum. Dr. John Bell is a theater historian, puppeteer, and Director of the Ballard Institute and Museum of Puppetry. He is also an Associate Professor of Dramatic Arts at the University of Connecticut.

The Living Objects: African American Puppetry project also includes workshops, forums, performances from Oct. 2018 through April 2019, including a Living Objects Symposium and Festival at the Ballard Institute Feb. 7-10, 2019, which will bring together scholars, performers, students, and the general public to discuss, watch, contemplate, and enjoy the many different aspects of African American puppetry. This project is presented as part of the African Diaspora, an initiative organized by the UConn School of Fine Arts, which celebrates the 50th Anniversary of the UConn African American Cultural Center. Additional exhibits and events are ongoing throughout the 2018-2019 academic year. For more information, visit sfa.uconn.edu/african-diaspora.

For more information about the Living Objects exhibit and related events, or if you require an accommodation to attend a program, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

2018 Fall Puppet Performance Series

The Ballard Institute and Museum of Puppetry at the University of Connecticut will host its Fall Puppet Performance Series on four Saturdays from Sept. to Dec. 2018, featuring outstanding works of puppet theater by professional puppeteers from across New England and beyond. Each show will be performed twice, at 11 a.m. and 2 p.m. All performances will take place at the Ballard Institute Theater located at 1 Royce Circle in Downtown Storrs.

The schedule of the Fall Puppet Performance Series includes the following:

Sept. 29: The Fairy Circus by Tanglewood Marionettes
The Fairy Circus features over twenty beautifully handcrafted marionettes, and is a showcase for turn-of-the-century-style trick puppetry. The puppets will dance, play instruments, juggle, contort, transform, and fly through the air with the greatest of ease, all to the best-loved music of favorite composers! Recommended for ages 4+.
 

Oct. 27: Sir George and the Dragon by Pumpernickel Puppets
Join an adventurous princess as she journeys to Mystery Mountain to visit the Great Green Dragon. Along the way you’ll meet Zelda the babysitter, a silly bat, Sir George and his clumsy dog, and of course the lovable dragon. Will Sir George slay the dragon? Not to worry, everything ends happily in this fun show. Presented with large colorful hand puppets and live voices and sound effects. Recommended for ages 3+.

Nov. 10: The Fairy Tailor by Sarah Nolen
Meet the Fairy Tailor, hard at work in her enchanted shop, where dressing racks and laundry baskets are known to have a mind of their own. Watch as she transforms everyday garments into extraordinary characters, and shares stories of bravery, from “Little Red Riding Hood(ie),” to “The Emperor’s New Clothes.” With the audience’s help, the Fairy Tailor summons the courage to take a stand against a giant, crafting a solution that combines cleverness with creativity. Recommended for ages 4+.

Dec. 1: The Gingerbread Man by WonderSpark Puppets
“Run, run, as fast as you can–you can’t catch me I’m the Gingerbread Man!”  The Gingerbread Man is the classic story of a little running cookie–with a Christmas twist. Watch as the Gingerbread Man outwits and outruns various hungry animals–and figures out what he really wants for Christmas. This handpuppet show is performed in a traditional puppet booth. Recommended for ages 3+.

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under)

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. Parking is free for the first two hours and $1 per hour thereafter, with a daily maximum charge of $8. For more information about these performances or if you require an accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

Free Puppet-Building Workshops on 9/8 and 9/9

The Ballard Institute and Museum of Puppetry at the University of Connecticut will once again offer fall community puppet-building workshops with acclaimed Boston puppeteer Sara Peattie, to design and build life-size and over-life-size puppets of community role models for the Celebrate Mansfield Parade in Downtown Storrs. These free workshops will take place Saturday and Sunday, Sept. 8 and 9, from 10 a.m. to 5 p.m. each day at the Ballard Institute, located at 1 Royce Circle in Downtown Storrs. Workshop participants will be invited to parade with the puppets as part of the Celebrate Mansfield Parade on Sunday, Sept. 16 at noon, and then perform in an open-air community pageant. These events are all part of the 15th Annual Celebrate Mansfield Festival.

The theme for this year’s Ballard Institute parade and pageant is Sheroes, Heroes, and other Champions of the Mansfield Community, which will bring together groups and individuals from the Mansfield and UConn communities to celebrate the people and ideas we look up to. Working together with puppeteer Sara Peattie of the Boston-based Puppeteers Cooperative, groups and individuals will create over-life-sized masks and puppets representing important role models, objects, or ideas for their particular community. These puppets and masks will then be part of the Celebrate Mansfield Parade on Sunday, Sept. 16 at noon (line-up begins at 10:30 a.m. at Farrell Field near the Post Office), and a Sheroes, Heroes, and Other Champions of the Mansfield Community Pageant performed at Betsy Paterson Square in Downtown Storrs after the parade.

Workshop leader Sara Peattie is known for her dramatic creations that have become a central feature of community parades and pageants across the United States. Long a mainstay of Boston First Night festivities and the Greenwich Village Halloween Parade in New York City, Sara Peattie’s work—through her Boston-based Puppeteers Cooperative company and Puppet Free Library—combines community participation; simple, cheap, and practical puppet-building techniques; and a brilliant design sense to allow community members of all ages to take part in the age-old pleasures of participatory puppet performance in public spaces.

No experience is necessary to participate in these free community puppet-building workshops with Sara Peattie, but registration is requested. Participants can come for one or both days and are not required to stay for the entire time. Minors must be accompanied by an adult. To register for the workshop or if you require accommodation to participate, contact the Ballard Institute at bimp@uconn.edu or 860-486-8580.

This community puppet project is sponsored by the Ballard Institute and Museum of Puppetry at the University of Connecticut and the Mansfield Downtown Partnership, Inc. For more information about the 15th Annual Celebrate Mansfield Festival, visit downtownstorrsfestival.org.

The Mansfield Downtown Partnership is an independent, non-profit organization comprised of the Town of Mansfield, the University of Connecticut, and individual business members and residents. The Partnership seeks to foster the continued development, management, and promotion of Downtown Storrs. For more information about the Partnership, visit https://www.mansfieldmdp.org/.