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2016 Spring Puppet Performance Series

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The Ballard Institute and Museum of Puppetry at the University of Connecticut will host its Spring Puppet Performance Series on four Saturdays from January to April 2016, featuring outstanding works for puppet theater by professional puppeteers. There will be two showings of each production, at 1:00 p.m. and 3:00 p.m., in the Ballard Institute Theater located at 1 Royce Circle in Storrs Center. Productions and dates include:

January 30: Of Bread and Paper by Finn Campman

Of Bread and Paper is the story of a poor refugee trying to find his way home. His exile is self imposed but enforced by the struggles of the world: poverty, conflict, indecision, and love. Recommended for children aged 9 and above.

February 13: The Autobiography of James Mars: A Slave Born and Sold in Connecticut by Puppetsweat Theater

Using flat cut-out puppets and projected images, this show tells the story of James and Jupiter Mars, a father and son owned by a parson in Norfolk, Connecticut, demonstrating how these two remarkable men negotiated the complicated slavery laws of the nineteenth century. Recommended for children aged 9 and above.

 March 5: The Great Red Ball Rescue by Faye Dupras

A family trip to the beach goes awry when a young boy’s favorite Red Ball is whisked away by the tides. Join Jasper, a timid kid with a big imagination, as he sets out on an adventure across the ocean, under the waves, and up into the clouds.

April 9: Help Save the Monkey! by Liz Hara and Marta Mozelle MacRostie

8-year-old Howard and 80-year-old Lillian must rush to save her monkey who is about to land from space. Despite setbacks, anxieties, and lasers, their friendship helps them on this epic adventure.

Ticket Prices: Adults: $10; Students: $7; Kids: $5

Tickets will be sold in advance through the Connecticut Repertory Theatre Box Office located in the lobby of the Nafe Katter Theatre at 820 Bolton Rd, Storrs CT 06269. Tickets may be purchased in person at the box office, by calling (860) 486-2113, or online at https://itkt.choicecrm.net/templates/UCRT/index.php?prod=bimp. A $3.00 surcharge will be added to any purchases made online or over the phone. Tickets may be purchased at the Ballard Institute on the days of performances. There will be a limited number of seats. For more information about these shows, visit bimp.uconn.edu or call (860) 486-8580.

“From Thought to Image: 30 Years of Sandglass Theater,” November 14, 2015-April 10, 2016

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This first-ever retrospective exhibition of work by the world-renowned Vermont-based puppet company co-directed by Eric Bass and Ines Zeller Bass features extraordinarily crafted puppets from ten different Sandglass productions dating from 1985 to the present. Including characters created by Eric Bass, Ines Zeller Bass, Jana Zeller, Dave Regan, Finn Campman, Matt Brooks and Coni Richards, the exhibition will trace Sandglass Theater’s development from such dreamlike pieces as Invitations to Heaven (1990) and The Village Child (1992) to stories strongly rooted in the recognizable Vermont world, such as Never Been Anywhere (1997) and All Weather Ballads (2010); and the profound contemplations of modern life in shows based on The Little Prince (Between Sand and Stars, 2005) and the life of renowned philosopher Walter Benjamin (One Way Street, 2002). In all these productions, the persistent metaphorical nature of the puppets remains a constant and compelling element of the work. The exhibition will be on display through April 10, 2016.

 

Down the Rabbit Hole: Ballard Celebrates 150 years of Alice’s Adventures in Wonderland

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This past Saturday and Sunday, the Ballard Institute and Museum of Puppetry offered fall community puppet-building workshops with acclaimed Boston puppeteer Sara Peattie.

This year’s free workshops held at the Ballard Institute workshop space celebrate the 150th anniversary of Lewis Carroll’s classic tale Alice’s Adventures in Wonderland. Participants brought the colorful and fantastic figures that popular Carroll’s fanciful world to life, rendering the White Rabbit, the Red Queen, the Cheshire Cat, the March Hare, and the eponymous Alice into puppet form.

Workshop participants are invited to parade with their puppets as part of the Celebrate Mansfield Parade that will be held on Sunday, September 20 at noon (Line-up begins at 11am at Farrell Field near the Post Office). The parade is part of the 12th Annual Celebrate Mansfield Festival.

Sara Peattie’s dramatic puppet creations have been featured at community parades and pageants across the United States. Long a mainstay of Boston First Night festivities and the Greenwich Village Halloween Parade in New York City, Sara Peattie’s work—through her Boston-based Puppeteers Cooperative company and Puppet Free Library—combines community participation, simple, cheap, and practical puppet-building techniques, and a brilliant design sense that allows community members of all ages to take part in the age-old pleasures of participatory puppet performance in public spaces. Sara recently designed and directed the community puppet parade and pageant in Storrs Center as part of the 2015 Puppeteers of America National Puppetry Festival.

For information on the 12th Annual Celebrate Mansfield Festival, visit http://www.downtownstorrsfestival.org

2015 Spring Puppet Forum Series

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2015 Spring Puppet Forum Series

Wednesdays at 7:00 p.m. (note new time)

Ballard Institute Theater at Storrs Center

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Wednesday, February 11: Matthew Cohen, “Playing with Shadows in the Dark”

Scholar and puppeteer Matthew Cohen, an expert historian and performer of Javanese wayang golek rod puppet theater and other forms, talks about his research and performance work.  Co-sponsored by the Asian and Asian American Studies Institute.

lantern%20headsWednesday, March 11: Anne Cubberly, “Making Art with Your Community”

Acclaimed Hartford visual artist and spectacle-maker Anne Cubberly, voted “Best Artist” in a 2014 Hartford Magazine poll, talks about her extensive work in Hartford, always with a focus on creativity, process, community, and re-purposed materials.

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Wednesday, April 8: Fred Thompson, “Masters of the Marionette: Rufus and Margo Rose”

Puppeteer and teacher Fred Thompson, a mainstay of the Eugene O’Neill Theater Center’s National Puppetry Conference, first saw Rufus and Margo Rose perform in 1947, and has had a long and illustrious career in Connecticut as a teacher and maker of dance, theater, and puppetry.

_MG_2178Wednesday, April 15: Hua Hua Zhang, “My Work in Chinese and American Puppetry”

UConn Puppet Arts alumna Hua Hua Zhang first studied classic Chinese puppetry techniques at the Beijing Art Academy in her home city. After receiving many awards for her performances as a member of the China Puppet Arts Troupe, she came to UConn’s Puppet Arts Program, earning her MFA degree in 2000. Currently the director of the Philadelphia-based company Visual Expressions, she designs and performs her own work in the U.S. and China, collaborates with such artists as composer Tan Dun.  Co-sponsored by the Asian and Asian American Studies Institute.

Admission to these events is free (donations greatly appreciated!), and refreshments will be served. Forums will also be live-streamed on our page: http://www.ustream.tv/channel/forum-live-stream. For more information, call 860.486.8580 or email bimp@uconn.edu.

2015 Spring Puppet Performance Series

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Afternoon shows for family audiences!

The Ballard Institute and Museum of Puppetry at the University of Connecticut will host its Spring Puppet Performance Series on four Saturdays from February to May 2015, featuring outstanding works for puppet theater by professional puppeteers. There will be two showings of each production, at 1:00 p.m. and 3:00 p.m., in the Ballard Institute Theater located at 1 Royce Circle in Storrs Center. Productions and dates include:

elephant_turtleFebruary 21: The Lion and the Mouse and Other Tales by Crabgrass Puppet Theatre.

With beautiful puppets and scenery, and their signature hilarious style, the award-winning Crabgrass Puppet Theatre presents tales from Africa, Asia and Europe that will inspire and enthrall children of all sizes.

linderpix-4456March 14: Squirrel Stole My Underpants by They Gotta Be Secret Agents.

A lonely, awkward girl is sent out to the backyard to hang up the laundry and keep herself busy. The moment Sylvie’s back is turned, a mischievous squirrel appears, steals her favorite piece of clothing and runs off. When the girl gives chase, she finds herself lost in strange lands. As the story unfolds, an entire world emerges from her laundry basket and Sylvie learns that she is a strong girl with magic within herself. 

Sheep HandpuppetsApril 11: Hao Bang Ah, Sheep! by Chinese Theatre Works.

Co-sponsored by the Asian and Asian American Studies Institute. This variety-style program directed by Kuang-Yu Fong and Stephen Kaplin, features a jolly selection of hand-puppet vignettes, many based on popular songs and well-known Chinese sayings. While some parts of the program are performed in Chinese, all include English translations and explanations. The audience will be introduced to other animals of the Chinese zodiac, and also learn about Chinese New Year customs and foods. Audience participation makes this Chinese culture and language-learning experience accessible to even the youngest audience member.

ADalanginSearchofWayangCohenMay 2: Arjuna’s Meditation by Matthew Cohen, with Gamelan Si Betty, directed by Jody Diamond.

Co-sponsored by the Asian and Asian American Studies Institute. Renowned scholar and Javanese wayang kulit shadow puppet performer Matthew Cohen is joined by Harvard University’s Gamelan Si Betty, directed by Jody Diamond, to present a classic Javanese puppet play about one of the great heroes of the Hindu epic The Mahabharata.

Ticket Prices: Adults: $10; Students: $7; Kids: $5

Tickets will be sold in advance through the Connecticut Repertory Theatre Box Office located in the lobby of the Nafe Katter Theatre at 820 Bolton Rd, Storrs CT 06269. Tickets may be purchased in person at the box office, by calling (860) 486-2113, or online through the CRT website. A $3.00 surcharge will be added to any purchases made online or over the phone. Tickets may be purchased at the Ballard Institute on the days of performances. There will be a limited number of seats. For more information about these shows, call (860) 486-8580.

2015 UConn Winter Puppet Slam, Friday, February 6 at 8 p.m.

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James Godwin in performance. Photograph by Jim Moore.

James Godwin in performance. Photograph by Jim Moore.

The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will present the 2015 UConn Winter Puppet Slam on Friday, February 6 at 8:00 p.m. in the Dramatic Arts Department’s Studio Theatre. The UConn Winter Puppet Slam will feature short works by professional puppeteers, including famed New York City performer James Godwin, and the Semi-Upright Puppet Theater (UConn Puppet Arts graduate Joe Therrien and Bread & Puppet Theater veteran Jason Hicks), as well as new works by talented students from UConn’s Puppet Arts, Digital Media & Design, and Art Programs. The UConn Winter Puppet Slam is supported by a generous grant from the Puppet Slam Network.

James Godwin is renowned in New York’s prolific downtown performance scene, writing and performing in such popular productions as Uncle Jimmy’s Dirty Basement; but also works regularly with the Muppets, Julie Taymor, and such musical acts as David Bowie and Aerosmith. At the UConn Winter Puppet Slam Godwin will present Rooty, the story of a lonely plant who finds itself in a battle to save his sanity in the face of solitary confinement; and Simulation Theory, a poetic visual narrative that explores identity, reality and possession in the American workplace. Jason Hicks and Joe Therrien’s Semi-Upright Puppet Theater, also based in New York City, will return to UConn with their own lively brand of activist “cheap art” puppetry that brings the iconoclastic spirit of Punch and Judy into the 21st century with such popular favorites as their super-hero serial Weasel. In addition to new works by UConn’s acclaimed Puppet Arts Program students, the UConn Winter Puppet Slam will also feature new works for film animation by Art and Digital Media students.

The Puppet Slam movement is a nation-wide flowering of short puppet productions for adult audiences, encouraged by the Puppet Slam Network created by Heather Henson and Marsian De Lellis. UConn Puppet Slams have been taking place since 2008, thanks to the generous support of the Puppet Slam Network.

The UConn Winter Puppet Slam is free and open to the public; donations are greatly appreciated. The event will take place in the Studio Theatre located at 820 Bolton Rd, Storrs, CT. For directions to the Studio Theatre, visit crt.uconn.edu/directions/. For more information, call the Ballard Institute at (860) 486-8580 or email us at bimp@uconn.edu.

Sketches of Frank Ballard’s Queen of the Night

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scan-2[/one_half][/row]By Bryanna, a student and Ballard Institute volunteer

The figure sketched here is the villainous Queen of the Night from Wolfgang Amadeus Mozart’s famous opera, The Magic Flute. First debuted in 1791, the story was originally written as an opera in the form of a “singspiel,” meaning that the play was performed containing both periods of singing and periods of speaking.Frank Ballard of the University of Connecticut presented this opera using puppets in 1986. These sketches are based upon Ballard’s design of the Queen of the Night character. With her lavish hat and dress and exaggerated facial features, the puppet brilliantly reflects the baroque time period in which the opera was first written.

The design of this puppet was one of the things that stood out most to me upon choosing a puppet on display to interpret and sketch. The Queen of the Night’s dramatically angular face with half-lidded eyes that seemed to constantly say “I am unimpressed” gave the character a unique expressive nature. She seemed so very characteristically proud, posted there on her display pedestal so I knew she’d be fun to characterize into a drawing where I could give her the different facial and body expressions that she could not change as a puppet. The Queen puppet seemed an even more perfect fit when I realized she was from The Magic Flute play that had coincidentally been involved in my life several times before. My father and I saw the opera live at Jorgensen Theater when I was a little girl where my dad bought the soundtrack to the opera and played it over and over for me. Years later, I also found myself performing a piece from the play in my school orchestra. The Queen of the Night seemed like a perfect fit for me to sketch.

 

UConn Puppet Forum Series will feature rich new facets of puppetry studies

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The Ballard Institute’s Spring 2014 Puppet Forum Series will feature an array of fascinating approaches to the world of puppetry from renowned scholars, puppeteers, writers, and photographers in a program of Wednesday evening events at the new Ballard Institute at Storrs Center, 1 Royce Circle in downtown Storrs.  Each puppet forum will begin at 7:30 p.m., and will also be streamed on the internet.  These events are free and open to the public; donations are gratefully accepted.  Refreshments will be served.

The Puppet Forum series includes the following presentations:

DSC04601March 26: “Rod Puppets and the Human Theater: Frank Ballard Productions at  UConn”

Join a panel discussion with student curator Sarah Nolen, Puppet Arts faculty, and alumni about Frank Ballard’s rod puppet productions at UConn, the nature of rod puppetry, and the design, construction, and performance processes of this work.

 

 

 

 

 

April 9: Robert Herr, “Puppets and Proselytizing: Politics and Nation-Building in Post-Revolutionary Mexico’s Didactic Theater”

Co-sponsored by El Instituto.  Dr. Robert S. Herr, from Dartmouth College’s Latin American, Latino and Caribbean Studies Program, discusses the nature of 1920s and 30s activist puppet theater in Mexico, when artists, teachers and state officials collaborated to stage educational plays in working class neighborhoods and rural communities in an effort to foster revolutionary citizens.

 

Richard Termine

April 16: Richard Termine, “Puppets Through the Lens: Photography and the Performing Object”

Acclaimed photographer and UConn Puppet Arts graduate Richard Termine discusses the dynamics of capturing puppet performance via the camera, and his photographs in the current Ballard Institute exhibition devoted to his

 

 

 

April 30: Roman Paska, “The Quintessence of Puppetry”

Internationally acclaimed puppeteer, director, and writer Roman Paska discusses his work for live performance and film, as well as his theoretical writings about the nature of puppet performance.