Uncategorized

“Exploring Puppetry in The Old Man and the Old Moon” Puppet Forum on 11/20

As part of its 2024 Fall Puppet Forum Series and in conjunction with the Connecticut Repertory Theatre’s fall season, the Ballard Institute and Museum of Puppetry is pleased to host Exploring Puppetry in The Old Man and the Old Moon” on Thursday, Nov. 20, 2024 at 5:30 p.m. at the Jorgensen Gallery, located at 2132 Hillside Rd, Storrs, Conn. 06268. This forum is co-sponsored by the UConn Connecticut Repertory Theatre and will be streamed via Ballard Institute Facebook Live (facebook.com/BallardInstitute).

“Exploring Puppetry in The Old Man and the Old Moon” will offer a special behind-the-scenes glimpse of this new Connecticut Repertory Theatre production before that evening’s 7:30 p.m. performance at the Harriet S. Jorgensen Theatre. The forum will discuss the design, construction, and performance of shadow figures and three-dimensional puppets in of a PigPen Theater Company play with music, directed by Matt Sorensen, a Visiting Professor of Dramatic Arts in UConn’s Puppet Arts Program. In conversation with Ballard Institute Director John Bell, Sorensen and Puppet Arts MFA student designers Harley Walker and Mel Carter will discuss the process of conceiving and creating puppetry elements for this acclaimed Off-Broadway production about the aging caretaker of the moon, and the conflicts of duty and love he faces.

Admission to the forum is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.

To purchase tickets for The Old Man and the Old Moon, visit crt.uconn.edu.

Puppet Slams: Short-Form Puppetry for the 21st Century on 9/18

[Caption: Heather Henson, Brenna Ross, and Anatar Marmol-Gagné will discuss Puppet Slams: Short-Form Puppetry for the 21st Century in a UConn Puppet Forum Wednesday, September 18 at 7 p.m. at the Ballard Institute and Museum of Puppetry.]

As part of its 2024 Fall Puppet Forum Series and in conjunction with the 2024 UConn Fall Puppet Slam on Sept. 20, the Ballard Institute and Museum of Puppetry is pleased to host Puppet Slams: Short-Form Puppetry for the 21st Century, a discussion with Puppet Slam Network (PSN) founder Heather Henson; Brenna Ross, the Producer & General Manager for Green Feather Foundation, which oversees the PSN; and Anatar Marmol-Gagné, director of the Pinned and Sewtered Puppet Slam in New Haven, Connecticut; on Wednesday, Sept. 18, 2024 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum, moderated by Ballard Institute director (and puppet slam performer) John Bell, will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute).

This forum will explore puppet slams, which are live performances of curated, short-form puppetry acts for adult audiences that emerged from avant-garde puppet performance practices in the 1980s, with older roots in vaudeville and other popular practices. The Puppet Slam Network, founded by Heather Henson and IBEX Puppetry in 2005, encourages the growth and diversity of the puppet slam scene, and currently supports over 50 slams in the U.S., Canada, and Mexico.

Heather Henson is a producer, puppet artist, and founder of the Green Feather Foundation (formerly IBEX Puppetry), an organization that promotes healing for the planet through immersive experiences. In 2005 Henson began the Puppet Slam Network to support the burgeoning underground community of adult short-form puppetry presenters, and through the Network has continued to fund and support Puppet Slams across North America. Henson also produces her own theatrical works, including Ajijaak on Turtle Island and Panther and Crane, and supports the work of other independent artists through the Handmade Puppet Dreams film series.

Brooklyn-based Brenna Ross is the Producer and General Manager of Green Feather Foundation and has overseen the Puppet Slam Network since 2017. She recently represented PSN in the Czech Republic as part of the International Puppet Slam partnership; produced the online National Puppetry Slamdemic in 2020; and is producing the upcoming International Puppet Slam in NYC in October 2023. A Midwestern ex-pat, Brenna holds degrees in physics and theater from Grinnell College and a certificate in Arts & Culture Strategy from University of Pennsylvania.

Originally from Caracas, Venezuela, Anatar Marmol-Gagné earned an MFA degree from the University of Connecticut’s renowned Puppet Arts Program, and a BA in English/Creative Writing from Hunter College. Anatar trained at the National Puppetry Conference at the O’Neill Theater Center, has taught children’s puppet workshops and performed in puppet slams and festivals at venues such as Dixon Place in NYC; and founded and curates the Pinned & Sewtured Puppet Slam in New Haven.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.

2024 UConn Fall Puppet Slam on 9/20 at 8 p.m.

The Ballard Institute and the UConn Puppet Arts Program will present the 2024 UConn Fall Puppet Slam on Friday, September 20, 2024 at 8 p.m. in UConn’s Harriet S. Jorgensen Theatre, on the lower level of the Jorgensen Performing Arts Center at 2132 Hillside Road, Storrs, Conn. 06269. The UConn Fall Puppet Slam will feature new and experimental short works by professional puppeteers and performers from around the Northeast, including UConn Puppet Arts alumnus Esme Roszel and Boston-area puppeteer Harry LaCoste, as well as new works by UConn Puppet Arts students. Mansfield’s Waldron’s Studios 88 will return once more as the Puppet Slam house band.

Harry LaCoste will perform slam pieces: Bean Brain, about a boy acting out his mental health struggles; and Cheers!, a found-object show about the uncle that Harry never got to meet. UConn Puppet Arts alumni Esme Roszel and Ray Dondero will perform their new production Bingo Street. The UConn Fall Puppet Slam also features new works by graduate and undergraduate students from the UConn Puppet Arts Program. Funding for the slam is made possible, in part, by the Puppet Slam Network.

The UConn Fall Puppet Slam is free and open to the public; donations are greatly appreciated. Seating is limited and is on a first-come, first-served basis. Doors open at 7:30 p.m. The event will take place in UConn’s Harriet S. Jorgensen Theatre, located at 2132 Hillside Road, Storrs, Conn. 06269, on the lower level. (use rear entrance). For directions to the Harriet S. Jorgensen Theatre, visit crt.uconn.edu. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

“Careers in Puppetry: Brooklyn’s Boxcutter Collective” Forum on 4/17

As part of its 2024 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host Careers in Puppetry: Brooklyn’s Boxcutter Collective on Wednesday, April 17 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute).

In the forum, members of the Brooklyn-based Boxcutter Collective—UConn Puppet Arts alumnus Joe Therrien, Sam Wilson, Tom Cunningham, Darkin Brown, and Ali Dineen—will discuss how they survive as working puppeteers, their various productions for live theater, film, puppet slams, and puppet workshops, as well as their side gigs. This event is co-sponsored by the UConn Puppet Arts Program and the UConn Gladstein Family Human Rights Institute.

Boxcutter Collective is a Brooklyn-based puppet theater troupe made up of six core members who met while working at Bread and Puppet Theater. In 2016, they decided to unite under the Boxcutter banner and harness the collective power of puppet shows for the forces of good. Since then, Boxcutter has been relentlessly creating and performing new work including Everything is Fine, Caveman Ballet, Bing Bong: A Strange Ritual for You and Your Loved Ones, Exploding Electric Baths and The Divinity Supply Company, a collaboration with Peter Schumann. Boxcutter has also performed at many festivals including the NYC International Puppet Fringe Festival, the Philadelphia Fringe Festival, the Brooklyn Folk Festival, and Objecto Fest in Toronto. They have received several Henson Foundation Grants, most recently in 2022 for their first family show, Happyland! Now!! They are currently working on their first feature-length film, Tantrums, and a new live sci-fi space opera sequel to their independent film, Dimension Zero: Brain Robbers from Outer Space, both scheduled for release in 2024.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu.

“Avant-Garde and Propaganda Puppetry in Early 20th-Century Germany” Forum on 4/10

As part of its 2024 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host Kasper’s Theater: Avant-Garde and Propaganda Puppetry in Early 20th-Century Germany, a UConn Puppet Forum with Dr. Rachel Herschman of Yale University’s Beinecke Library, on Wednesday, April 10, 2024 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute).

Drawing on her dissertation research, Dr. Rachel Herschman, the Exhibitions and Publications Program Director of Yale University’s Beinecke Library, will discuss how and why German artists turned to puppetry during the Weimar Republic and the Third Reich, and the different ways that puppets could be both icons of rebellious resistance and vehicles for manipulation and control. This event is co-sponsored by UConn’s Gladstein Family Human Rights Institute, the UConn Center for Judaic Studies and Contemporary Jewish Life, and the UConn Department of History.

Rachel Herschman is currently the Exhibitions and Publications Program Director at Yale University’s Beinecke Rare Book and Manuscript Library. Previously, she held curatorial positions at NYU’s Institute for the Study of the Ancient World and The Jewish Museum, and prior to that, worked in museum education at the Lower East Side Tenement Museum. Rachel holds a BA degree from McGill University, and an MA and PhD from the University of Washington. She lives in New York City and New Haven.

 Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu

Taking Care: Puppets and Their Collectors Puppet Forum on 3/27

As part of its 2024 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host Taking Care: Puppets and Their Collectors, a discussion with UConn Dramatic Arts Professor Dr. Jungmin Song, on Wednesday, March 27, 2024 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute). 

In conjunction with the Ballard Institute’s new exhibit, Dr. Jungmin Song and Dr. John Bell will discuss the various puppet collectors whose donations have built the Ballard Institute’s puppet collections, from 1930s marionettes to Sicilian pupi, overhead projector innovations, and Frank Ballard musicals. This event is co-sponsored by the UConn Humanities Institute. 

Dr. Jungmin Song is Assistant Professor in Residence at the Department of Dramatic Arts, Research Associate at the Ballard Institute and Museum of Puppetry, and a performance artist. Korean-born, she studied Costume and Textile at Seoul National University and Theatre Design at Central Saint Martins, University Arts London before completing a Ph.D. in performance at the University of Roehampton, London. Her research interests include contemporary theater, performance art, and puppetry. She curated the exhibitions Shakespeare and Puppetry (2020) and Puppetry’s Racial Reckoning (2021) at the Ballard Institute. She has published in Performance Research, Theatre Journal, Contemporary Theatre Review, and Asian Theatre Journal and was the editor of a special issue of Puppet Notebook on Shakespeare and puppetry.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu

2024 UConn Spring Puppet Slam on 3/22

The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program will present the 2024 UConn Spring Puppet Slam on Friday, March 22, 2024 at 8 p.m. in UConn’s von der Mehden Recital Hall, located at 875 Coventry Rd, Storrs, Connecticut 06269. The UConn Spring Puppet Slam will feature new and experimental short works by professional puppeteers and performers from around the Northeast, including UConn Puppet Arts alumna Stoph Scheer and the Stringpullers Puppet Company from Ithaca, New York, as well as new works by UConn Puppet Arts students; music by Derek Waldron, Teresa Bielecki and other musicians from Waldron’s Studios 88; and the coveted BIMPY Awards.

UConn Puppet Arts alumna Stoph Scheer will present Sharing Update, a comedic hand-and-rod puppet monologue in which an aging Long Island father processes his child’s trans identity through his limited vocabulary. The Ithaca, New York based Stringpullers Puppet Company (Linda Wingerter and Evgeni Nudelman) will perform a sock-puppet romantic comedy, Galaxy Laundromat. The UConn Spring Puppet Slam will also feature new works by graduate and undergraduate students from the UConn Puppet Arts Program, as well as the coveted annual BIMPY awards for puppetry excellence. Funding for the UConn Spring Puppet Slam is made possible, in part, by the Puppet Slam Network. These performances are recommended for mature audiences.

The UConn Spring Puppet Slam is free and open to the public; donations are greatly appreciated. Seating is limited and is on a first-come, first-served basis. Doors open at 7:30 p.m. The event will take place in UConn’s von der Mehden Recital Hall, located at 875 Coventry Rd, Storrs, Conn. For directions to the von der Mehden Recital Hall, visit vdm.uconn.edu. For more information about these performances or if you require accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

Translating “Pinocchio” for the 21st Century: Puppets and Modern Culture on 10/25

As part of its 2023 Fall Puppet Forum Series, the Ballard Institute and Museum of Puppetry is pleased to host “Translating Pinocchio for the 21st Century: Puppets and Modern Culture” with Anna Kraczyna, co-author (with John Hooper) of a new, internationally acclaimed annotated translation of Carlo Collodi’s The Adventures of Pinocchio, on Wednesday, Oct. 25, 2023 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute). 

Scholar, biographer, and translator Anna Kraczyna will discuss with Ballard Institute director John Bell the fascinating complexity of Collodi’s classic story—one of the best-known, and best-loved stories in world literature—and how (different from the Disney version’s focus on the problems of lying) the novel is most interested in universal ideas about the importance of education and learning from one’s own experience in order to be a true human being. Pinocchio, as Kraczyna and Hooper put it, “is one of those rare fictional characters in whom an entire people seem to be able to make out their reflection,” which might explain why, after almost 150 years, the story is still an inspiration to film-makers and artists of all kinds. Copies of The Adventures of Pinocchio will be on sale at Barnes and Noble during this event. This forum is co-sponsored by UConn’s Department of English; the Department of Literatures, Cultures & Languages; and the Italian Literary & Cultural Studies program.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu

Indian Shadow Theater Puppet Forum on 10/17 at 7 p.m.

As part of its 2023 Fall Puppet Forum Series and in conjunction with the Ballard Institute and Museum of Puppetry’s current exhibit, Tradition and Revolution in Indian Shadow Puppetry, the Ballard Institute is pleased to host an Indian Shadow Puppetry puppet forum with Tradition and Revolution exhibition curator Rahul Koonathara and Indian puppetry scholar Dr. Claudia Orenstein, on Tuesday, Oct. 17, 2023 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This forum will also be broadcast via Ballard Institute Facebook Live (facebook.com/BallardInstitute). 

Rahul Koonathara is a UConn graduate student in the Department of Comparative Literature and Cultural Studies, and a 12th-generation puppeteer in the Pulavar family of Tholpavakoothu shadow performers in Kerala, India. Dr. Claudia Orenstein is a professor of theater at Hunter College and CUNY Graduate Center whose work focuses on performing object theatre and puppetry forms in India and Japan. Koonathara and Orenstein will discuss the spectacular South Indian shadow puppet traditions of Tolu Bommalatta and Tholpavakoothu, as well as recent innovations reflecting the changing nature of the form, all of which can be seen in the current Ballard Institute exhibit Tradition and Revolution in Indian Shadow Puppetry. The exhibition will be on display through Dec.17, 2023. 

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. For more information or if you require accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu

About the Speakers

Rahul Koonathara is the younger son of legendary shadow puppet master Padmashri Ramachandra Pulavar and puppeteer Rajalakshmi Ramachandra Pulavar. He was born into a family of puppeteers which has preserved Tholpavakoothu shadow theater traditions for twelve generations. Rahul is currently a graduate student in the Department of Comparative Literature and Cultural Studies at the University of Connecticut, under the guidance of Professor Matthew Cohen, and practices traditional shadow puppetry together with contemporary puppet productions, as well as scholarly research in the puppet arts. Rahul has a Bachelor’s degree in Physics, and a Master’s degree in Folklore Studies, as well as a degree in Acting from the National School of Drama in Bangalore. Rahul has performed major roles in traditional and contemporary shadow puppet productions at the Tholpavakoothu and Puppet Centre in Kerala, and at national and international festivals around the world. 

Claudia Orenstein, Theatre Professor at Hunter College and the Graduate Center, CUNY, has spent nearly two decades writing on contemporary and traditional puppetry in the US and Asia. Recent publications: co-edited volumes Women and Puppetry: Critical and Historical Investigations and The Routledge Companion to Puppetry and Material Performance. She worked as dramaturg on Tom Lee and kuruma ningyō master, Nishikawa  Koryū V’s, Shank’s Mare, is Board Member of UNIMA-USA and Associate Editor of Asian Theatre Journal. Current book projects: Thinking Through the Puppet: Essays on Puppet Dramaturgy and a two-volume co-edited anthology with Tim Cusack, Puppet and Spirit: Ritual, Religion, and Performing Objects.

Screening of Uncle Sleazo’s Toxic and Terrifying T.V. Hour on 10/21

Join us for a special free screening of Dead Vision Productions’ Uncle Sleazo’s Toxic and Terrifying T.V. Hour, on Saturday, Oct. 21 at 7:30 p.m. at the Ballard Institute and Museum of Puppetry!

From Director Lucky Cerruti and Dead Vision Productions comes an evening of truly frightening tales of terror with your favorite horror host, Uncle Sleazo. From blood-soaked creature features, to atmospheric frights and everything in between. UConn Puppet Arts Visiting Assistant Professor in Residence Matt Sorensen co-wrote, acted, and designed and built puppets for Uncle Sleazo’s Toxic and Terrifying T.V. Hour. After the film screening, the film creators will share their insights into the conception and production of the film. 

To get into the Halloween spirit, we encourage attendees to come in costume for a costume contest, with Dead Vision Productions merchandise awarded to the winners! There will also be free popcorn, and attendees are invited to bring their own snacks. The screening is free to attend, but a reservation is required. Please make a reservation in advance at bimp.ticketleap.com/sleazo. This film contains explicit content and mature themes, recommended for audiences 18+. 

If you require accommodation to participate, contact the Ballard Institute at bimp@uconn.edu or 860-486-8580.