Author: Wicks, Emily

Chinese Shadow Puppetry Forum with Dr. Rollins on 12/5 at 7 p.m.

For its last installment of the 2019 Fall Puppet Forum Series, and in conjunction with the exhibit Immaterial Remains: Can You Preserve a Shadow? curated by Dr. Annie Katsura Rollins, the Ballard Institute and Museum of Puppetry at the University of Connecticut will host Chasing Ghosts: Ten Years with the Shadow Puppeteers of China with Dr. Rollins on Thursday, Dec. 5 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. 

Dr. Rollins embarked on an initial research trip to China in 2008 to reconnect with her Chinese heritage, to gain unique shadow puppetry skills and techniques, and to eat some incredible food for the duration of that summer apprenticeship. What she left with at the end of the summer was an insatiable need to understand how this material performance form had been passed down for over a thousand years and what it means to steward transmitted heritage through performance and shadows. This talk reflects on over a decade of apprenticeship and research with the traditional shadow puppeteers of China and the importance and (im)possibilities of chasing our own ghosts. Co-sponsored by UConn’s Asian and Asian American Studies Institute and the UConn Asian American Cultural Center.

Dr. Rollins is a researcher, theatre artist, and practitioner of Chinese shadow puppetry, studying as a traditional apprentice since 2008. Rollins has received a Fulbright Fellowship, the Confucius Institute Joint PhD Research Fellowship and a Canadian SSHRC Doctoral Fellowship for her research. She wrote her dissertation in Concordia University’s Interdisciplinary Humanities PhD program on the transmission of traditional Chinese shadow puppet making methods. Recent venues for exhibitions, lectures and performances include the Art Institute of Chicago, the Montreal Botanical Gardens, the Center for Puppetry Arts in Atlanta, the Virginia Fine Arts Museum, the Linden Center in Yunnan, China, and the Rietveld Academie in the Netherlands. Annie has published articles in Puppetry International, Asian Theatre Journal and Anthropology Now. Rollins recently launched the first English language comprehensive Chinese shadow puppetry site at chineseshadowpuppetry.com.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. Come early, and experience our puppet exhibitions, as well as the video resources in our library nook. Forums will be broadcast via Facebook Live. For more information or if you require an accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu

“Peter and the Wolf” by National Marionette Theatre on 12/7

As part of its 2019 Fall Puppet Performance Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to present Peter and the Wolf by National Marionette Theatre on Saturday, Dec. 7 at 11 a.m. and 2 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. This performance will be a part of Downtown Storrs’ 7th-annual Winter Welcome celebration.

Prokofiev’s Peter and the Wolf has enchanted audiences since its premier in 1936. Based on the original Russian folktale, National Marionette Theatre’s version of the story features the beautiful music from Prokofiev’s orchestral score combined with stunning scenery and hand-crafted marionettes. Set in turn-of-the-century Russia, the production tells the story of how Peter—along with his animal friends—captures the wolf. This show is 50 minutes long and is recommended for all ages.

National Marionette Theatre is one of the oldest continually running touring marionette theaters in the United States. Founded in 1967, this award-winning company has been entertaining and amazing audiences around the world for over forty years. The company specializes in adaptations of popular stories using marionettes as the performance medium. They travel with a fully self-contained theater complete with its own lighting and sound systems. The shows are suitable for family audiences of all ages. 

David J. Syrotiak has been building and performing with the company since his teenage years. As the son of artistic director David Syrotiak Sr., he has been around puppetry all his life. Professionally, David is celebrating his 33rd year as a touring puppeteer. He is dedicated to keeping the tradition of professional puppetry alive in the United States.

Mariana Palade Syrotiak’s relationship with puppetry began in 1987 in her native Romania. She entered the field professionally in 1990 when she was admitted to the Theatre and Film Academy in Bucharest, Romania, from which she graduated in 1994 with a BA in Performing Arts specializing in puppetry. In 1994 she met David Jr. in Charleville-Mézières, France at an international puppetry festival where they both were performing. In 1995 she met David Sr. in Saarbrucken, Germany under the same circumstances. In 1996 she joined both the National Marionette Theatre as well as the Syrotiak family. Currently Mariana is director of the English as a Second Language program at Gannon University. Mariana is equally passionate and committed to the arts, culture, and education. 

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. Parking is free for the first two hours and $1 per hour thereafter, with a daily maximum charge of $8. For more information about these performances or if you require an accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

The Ballard Institute’s presentation of Peter and the Wolf is a part of the 7th-annual Winter Welcome in Downtown Storrs. The Mansfield Downtown Partnership invites you to celebrate the start of the season with music and more! Enjoy a variety of fun activities, check some names off your shopping list, and join in a community sing-along! For more information, visit downtownstorrs.org/winterwelcome.

“Holiday Punch!” by Modern Times Theatre on 11/16 at 11 a.m. and 2 p.m.

As part of its 2019 Fall Puppet Performance Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to present Holiday Punch! by Modern Times Theater on Saturday, Nov. 16 at 11 a.m. and 2 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs.

Punch and Judy are almost ready to celebrate Thanksgiving. They’ve got the stuffing, the sweet potatoes, and the cranberry sauce. The only thing they are missing is the turkey. Audiences will split their sides laughing as Mr. Punch tries to catch the main dish, while avoiding crocodiles, his badly-behaved baby and his dog Toby (who looks suspiciously like a skunk). The skillfully-operated hand puppets are chock-full of surprises and tricks, as is the elaborate stage. The show is rounded out with live music played on a variety of instruments, from the ukulele to the bicycle pump. This show is 45 minutes long and is recommended for all ages.

Modern Times Theater has been adapting and updating Punch and Judy shows for over a decade. Co-founders Rose Friedman and Justin Lander are a husband and wife duo, and alumni of the Bread and Puppet Theater. Parents themselves, they strive to present quality entertainment that the whole family can enjoy.

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. Parking is free for the first two hours and $1 per hour thereafter, with a daily maximum charge of $8. For more information about these performances or if you require an accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

“Macy’s, Tony Sarg, and the Invention of Inflatable Puppets” on 11/21 at 7 p.m.

For its third installment of the 2019 Fall Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will host “Macy’s, Tony Sarg, and the Invention of Inflatable Puppets” with Robert Grippo, Christopher Hoskins, and John Bell, moderated by UConn School of Engineering Professor Mehdi Anwar on Thursday, Nov. 21, 2019 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. 

Robert Grippo and Christopher Hoskins, authors of Macy’s Thanksgiving Day Parade will join UConn School of Engineering Professor Mehdi Anwar and Ballard Institute Director John Bell in a discussion of the ground-breaking invention of inflatable puppets for the Macy’s Thanksgiving Day parades by puppeteer Tony Sarg and engineers from the Goodyear Rubber Company in the 1920s. This event is co-sponsored by the UConn School of Engineering.

Robert M. Grippo, a frequent participant in the parade, has been researching the history of the Macy’s Thanksgiving Day Parade for many years. Driven by his passion for the event, he compiled this work with the help of Christopher Hoskins, a professional photographer, and the special assistance of Macy’s Annual Events, the New York Daily News, the Goodyear Tire and Rubber Company, and the University of Akron.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. Come early, and experience our puppet exhibitions, as well as the video resources in our library nook. Forums will be broadcast via Facebook Live. For more information or if you require an accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu

“The Three Little Pigs Build a Better House” by Crabgrass Puppet Theatre on 10/26

As part of its 2019 Fall Puppet Performance Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut is pleased to present The Three Little Pigs Build a Better House by Crabgrass Puppet Theatre on Oct. 26, 2019 at 11 a.m. and 2 p.m. in the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. In celebration of Trick-or-Treat in Downtown Storrs from 3-5 p.m., show attendees are invited to dress in their Halloween costumes and participate in a post-performance Halloween parade in the theater.

In Crabgrass Puppet Theatre’s new version of this old tale, the three little pigs have a problem: they’ve outgrown their home and need three new houses, one for each pig. However, they suspect their architect, B. B. Wolfe, might have ulterior motives, and in fact, might want to eat them! Crabgrass Puppet Theatre delivers a delightful and hilarious new take on an old tale, featuring beautiful puppetry, lively music and three adorable pigs. This rod puppet show is 45 minutes long and is recommended for ages 4+.

UConn Puppet Arts alumni Jamie Keithline and Bonny Hall formed Crabgrass Puppet Theatre in San Francisco in 1982 and have delighted audiences across the nation with their whimsical humor and puppetry ever since. Their performing venues have included the Detroit Institute of Art, the Smithsonian Institution, Paper Mill Playhouse, Tribeca Performing Arts Center, and the Philadelphia Museum of Art. They have been awarded two Citations of Excellence from UNIMA-USA, the highest puppetry award in the United States; and in 2009, Bonny was awarded a Design Commendation from the Arlyn Award Foundation. Their production of The Pirate, the Princess and the Pea was awarded “Best Performance” at the 2015 National Puppetry Festival.

In celebration of Trick-or-Treat in Downtown Storrs from 3-5 p.m., show attendees are invited to dress in their Halloween costumes and participate in a post-performance Halloween parade in the theater. From 3-5 p.m., visitors can trick-or-treat at participating businesses (including the Ballard Institute!) in Downtown Storrs. For more information about Trick-or-Treat in Downtown Storrs visit: mansfieldct.gov/Halloween. Plus all show attendees will get a coupon for a free treat from MOOYAH!

Ticket Prices: Adults: $12; Members/Seniors: $10; Students: $8; Kids: $6 (12 years and under).

Tickets can be purchased in advance at the Ballard Institute and Museum of Puppetry, by calling 860-486-8580, or online at bimp.ticketleap.com. A surcharge will be added to any purchases made online. Tickets may also be purchased at the Ballard Institute on the day of performance starting at 10 a.m. There will be open seating and no reservations. Visitors can park in the Storrs Center Garage located at 33 Royce Circle. Parking is free for the first two hours and $1 per hour thereafter, with a daily maximum charge of $8. For more information about these performances or if you require an accommodation to attend this event, please contact Ballard Institute staff at 860-486-8580 or bimp@uconn.edu.

“Army Ants and their Guests: Works Inspired by the Carl and Marian Rettenmeyer Collection” and “Immaterial Remains: Can You Preserve a Shadow?”, October 17, 2019-February 9, 2020

In collaboration with the AntU project through UConn’s Department of Ecology and Evolutionary Biology and the Connecticut State Museum of Natural History, the Ballard Institute presents Army Ants and their Guests: Works Inspired by the Carl and Marian Rettenmeyer Collection to celebrate the Rettenmeyer army ant collection. AntU is a UConn endeavor designed to involve a variety of academic disciplines to engage a broad audience in the wonders of the complex biological systems of army ants and their hundreds of associated “guests”. The idea was borne out of an award from the National Science Foundation to preserve and curate the Carl W. and Marian E. Rettenmeyer Army Ant Guest Collection. Army Ants and their Guests will feature ant and insect puppets from Rufus and Margo Rose’s Ant and the Grasshopper, and toy theaters created during a two-day community workshop inspired by the AntU project, as well as an array of specially commissioned new works by puppeteers from around the world, including Sirikarn Bunjongtad, Sarah Frechette, Honey Goodenough, Dirk Joseph, Stephen Kaplin, Monica Leo, Tarish Pipkins, Poncili Creacion, and Miss Pussycat. This project was made possible through an award from the National Science Foundation.

The Ballard Institute will also present Immaterial Remains: Can You Preserve a Shadow?, curated by researcher, theater artist, and practitioner of Chinese shadow puppetry Dr. Annie Rollins. As the practice of Chinese shadow puppetry navigates survival in situ, the traditional shadow puppets are dying by the thousands: neglected to ruin, strung up, misunderstood or framed in permanent silence in the name of “preservation”. Soon, these static shadow bodies will be the only traces of the living form that remain. Immaterial Remains captures the vision of a ghostly Chinese shadow puppet future with ethnographic documentation, artifact exhibition, video projection, and creative explorations of shadow preservation. The exhibit opening will feature a live performance/lecture by Annie Rollins.

Annie Rollins is a researcher, theatre artist, and practitioner of Chinese shadow puppetry, studying as a traditional apprentice since 2008. Rollins has received a Fulbright Fellowship, the Confucius Institute Joint PhD Research Fellowship and a Canadian SSHRC Doctoral Fellowship for her research. She completed her dissertation in Concordia University’s Interdisciplinary Humanities PhD program on the transmission of traditional Chinese shadow puppet-making methods. Recent venues for exhibitions, lectures and performances include the Art Institute of Chicago, the Montreal Botanical Gardens, the Center for Puppetry Arts in Atlanta, the Virginia Fine Arts Museum, the Linden Center in Yunnan, China, and the Rietveld Academie in the Netherlands. Annie has published articles in Puppetry International, Asian Theatre Journal and Anthropology Now. Rollins recently launched the first English language comprehensive Chinese shadow puppetry site at www.chineseshadowpuppetry.com. Annie Rollins will also present her talk Chasing Ghosts: Ten Years with the Shadow Puppeteers of China as part of the 2019 Fall Puppet Forum Series on Dec. 5, 2019 at 7 p.m.

Both exhibits are on display through February 9, 2020.

Galleries Closed from 10/1-10/16; Museum still Open!

From 10/1-10/16, Ballard Institute staff will be installing our new exhibitions. While the main galleries at the Ballard Institute will be closed during this process, the museum will remain open during normal business hours, and two of our exhibitions will be open: The World of Puppetry: From the Collections of the Ballard Institute in our lobby, and The Kinetic Life of the Puppet: Photography of Richard Termine in our hallway gallery.
Join us for the Opening of Army Ants and their Guests and Immaterial Remains on 10/17 at 6:30 p.m.!

“Women and Puppetry: Critical and Historical Investigations” Forum on 10/24

For its second installment of the 2019 Fall Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut will host Critical & Historical Investigations into Women and Puppetry with Claudia Orenstein, Alissa Mello, and Theodora Skipitares, moderated by UConn Puppet Arts student Felicia Cooper. Join us on Thursday, Oct. 24, 2019 at 7 p.m. at the Ballard Institute Theater, located at 1 Royce Circle in Downtown Storrs. 

This forum will present editors of and contributors to an important new work of puppetry studies: Women and Puppetry: Critical and Historical Investigations. The anthology, dedicated to the study of women in the field of puppetry arts, and representing female writers and practitioners from across the globe, includes critical articles and personal accounts that interrogate specific historical moments, cultural contexts, and notions of “woman” on and off stage. The Women and Puppetry forum will feature editors Claudia Orenstein and Alissa Mello, as well as famed New York puppeteer Theodora Skipitares. Copies of the book will be available for purchase and book signing, courtesy of Barnes and Noble at UConn. This event is co-sponsored by UConn’s Women’s, Gender, and Sexuality Studies Program and the UConn Women’s Center.

Theodora Skipitares is an award-winning interdisciplinary artist and theater director based in New York. Trained as a sculptor and designer, she is the author/director of 30 performance works, each featuring documentary texts, original music, video, and as many as 300 puppet figures. She is a resident artist at La MaMa Theater. Skipitares has worked and taught master classes in Brazil, India, Vietnam, Cambodia, South Korea, and Iran. She is a professor at Pratt Institute in Brooklyn. 

Alissa Mello is the Managing Director at Sandglass Theater and an independent scholar. She has presented at numerous international conferences; and is a co-editor of Women and Puppetry: Critical and Historical Investigations (2019). Her writing includes book chapters in Undisciplining Dance in 9 Movements and 8 Stumbles (2018) and Playing with Theory in Theatre Practice (2011); articles in Performance Research, Puppetry International, PAJ: A Journal of Performance and Art, Animations Online, and Puppet Notebook and theater criticism for www.offoffonline. As a founding member of Inkfish (www.inkfishart.com), she has directed numerous experimental puppet productions. As a performer and choreographer, she has worked with Theodora Skipitares, Anna Kiraly, Jane Catherine Shaw, and Ishara Puppet Theater. 

Claudia Orenstein is Professor of Theatre at Hunter College and the Graduate Center, CUNY. She has spent over a decade writing on contemporary and traditional puppetry in the US and Asia. Recent publications include the co-edited volumes Women and Puppetry (with Alissa Mello and Cariad Astles), and The Routledge Companion to Puppetry and Material Performance (with John Bell and Dassia Posner). She served as dramaturg for Stephen Earnhart’s multimedia production Wind-Up Bird Chronicle, based on the novel by Haruki Murakami; and for Tom Lee and Nishikawa Koryu V’s Shank’s Mare, in which she also performed. She is a board member of the puppetry organization UNIMA-USA and Associate Editor of Asian Theatre Journal.

Admission to this event is free (donations greatly appreciated!), and refreshments will be served. Come early, and experience our puppet exhibitions, as well as the video resources in our library nook. Forums will be broadcast via Facebook Live. For more information or if you require an accommodation to attend a forum, please contact Ballard Institute staff at 860.486.8580 or bimp@uconn.edu