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Summer Online Puppet Forum #4: “Making ‘Insurrection-Resurrection Services'” with Peter Schumann on 6/25

Join the Ballard Institute for our third Summer 2020 Online Puppet Forum Series event on Facebook Live! These forums, hosted by Ballard Institute director and puppet historian John Bell, will consist of discussions with notable scholars and practitioners around the world about the past, present, and future of puppetry and puppetry studies.  

On June 25 at 4 p.m. ET, Join Ballard Institute director John Bell for a discussion with Bread and Puppet Theater director Peter Schumann about his current socially-distant performances of Insurrection-Resurrection Services at the theater’s farm in Glover, Vermont, and the challenges of making a puppet theater of “praise and denunciation” in the summer of 2020, a time of pandemic and historic change. “The important thing is the moment,” Schumann says; “how do we treat it? How do we treat other people in this moment? We need to deal with the real reality, not the fake reality.” Bell and Schumann will also discuss Bread and Puppet Theater’s approaches to collaboration, racism, and other aspects of theater making, and Schumann’s inspirations from the German romantic poet Friedrich Hölderlin, and 16th-century Silesian cobbler and mystic philosopher Jakob Böhme.

Peter Schumann is the founder and director of the Bread and Puppet Theater, which has been making “cheap art” and political theater since its inception in New York City in 1963. Now based on a farm in Vermont’s Northeast Kingdom, the Bread and Puppet Theater tours locally, nationally, and internationally, and has been one of the most influential theater companies of the 20th and 21st century. Long an inspiration for activist art makers, puppeteers, and bread bakers, Bread and Puppet’s unique approach to community engagement, collective theater making, and modernist avant-garde puppetry inspires hundreds of puppeteers who have worked with the company, and thousands of volunteer performers and audience members.

Forums will be available afterwards on our Facebook page and YouTube channel.

Summer Online Puppet Forum #3: “Object Lessons: Material Culture and Humanistic Studies” with Scott Shershow on 6/18

Join the Ballard Institute for our third Summer 2020 Online Puppet Forum Series event on Facebook Live! These forums, hosted by Ballard Institute director and puppet historian John Bell, will consist of discussions with notable scholars and practitioners around the world about the past, present, and future of puppetry and puppetry studies.  

On June 18 at 4 p.m. ET, Professor Scott Shershow of University of California, Davis will speak with John Bell about “Object Lessons: Material Culture and Humanistic Studies,” and how puppets and performing objects have been part of literary studies, the new philosophic field of “object-oriented ontology,” and even such mundane subjects as bread and the nature of letters.

Scott Cutler Shershow is Professor of English at the University of California, Davis.  He is the author of Puppets and “Popular” Culture (Cornell University 1995) and of other articles and books on theater, popular culture and critical theory.  His most recent books are Bread, from Bloomsbury’s “Object Lessons” series, (2016); and The Love of Ruins: Letters on Lovecraft (SUNY 2017).  

Forums will be available afterwards on our Facebook page and YouTube channel.

Summer 2020 Online Puppet Forum #2: “Puppetry and Translation, from Autobiography to Benjamin Banneker” with Theodora Skipitares

Join the Ballard Institute for our second Summer 2020 Online Puppet Forum Series event on Facebook Live! These forums, hosted by Ballard Institute director and puppet historian John Bell, will consist of discussions with notable scholars and practitioners around the world about the past, present, and future of puppetry and puppetry studies.

On June 11 at 4 p.m. ET, Theodora Skipitares will speak with John Bell about “Puppetry and Translation, from Autobiography to Benjamin Banneker.” Skipitares will discuss the development of her work from visual art to performance art and puppetry, and her ongoing focus on translating biography into puppet performance, most recently with The Transfiguration of Benjamin Banneker, which relates the surprisingly little-known story of an 18th-century free black man, independent farmer, self-taught astronomer, mathematician and civil rights advocate.

Theodora Skipitares is an award-winning interdisciplinary artist and theater director based in New York. Trained as a sculptor and designer, she is the author/director of 30 performance works, each featuring documentary texts, original music, video, and as many as 300 puppet figures. She is a resident artist at La MaMa Theater. Ms. Skipitares has worked and taught master classes in Brazil, India, Vietnam, Cambodia, South Korea, and Iran. She is a Professor at Pratt Institute in Brooklyn.

Forums will be available afterwards on our Facebook page and YouTube channel.

The Ballard Institute and Museum of Puppetry is committed to anti-racist values

The Ballard Institute and Museum of Puppetry is committed to anti-racist values in our work, both publicly and within the puppetry community. We acknowledge that the history of U.S. puppetry has been complicit in racial stereotyping and racist tropes, and that we have a long way to go in the fight for equity. As we reflect on the heavy history of racism, we support the work of our Black puppetry community and all puppeteers working to undo the myth of white supremacy.

In her keynote address at the opening of our 2019 Living Objects: African American Puppetry symposium, Dr. Paulette Richards pointed out that “African figurative sculpture and object performance were suppressed in the United States precisely because they challenged the objectification of African Americans as chattel slaves.” Struggling against minstrel and racist stereotypes, African American puppeteers have long used the art of puppets, masks, and performing objects to combat the beast of racism. As Tarish Pipkins said at the same symposium: “I have a weapon of mass destruction to fight the beast with: my Puppetry.” We support this ongoing struggle on the streets and in all other places where puppets do their work.

Online Event! “Object Performance in African American Theater History” with Dr. Paulette Richards on 6/4 at 4 p.m.

Join the Ballard Institute for our first Summer 2020 Online Puppet Forum Series event on Facebook Live! These forums, hosted by Ballard Institute director and puppet historian John Bell, will consist of discussions with notable scholars and practitioners around the world about the past, present, and future of puppetry and puppetry studies.  

On June 4, Dr. Paulette Richards will speak with John Bell about “Object Performance in African American Theater History”. Object performance has been a central element of African dramatic spectacle, and African American theater has been attempting to reclaim many elements of African drama ever since William Alexander Brown opened the African Grove Theatre in New York City in 1821. How do puppetry and object performance continue to function in African American performance?

Paulette Richards is an independent researcher and teaching artist who uses animatronic puppetry to introduce K-12 students to basic robotics concepts. She has taught animatronic puppetry workshops at Decatur Makers, the Dekalb County Public Library, the Center for Puppetry Arts, and the Puppeteers of America 2017 National Festival. She served as co-curator with Dr. John Bell of the Ballard Institute and Museum’s Living Objects: African American Puppetry exhibit and was recently elected to the UNIMA-USA board.

Forums will be available afterwards on our Facebook page and YouTube channel.

Online Event! “Kitty’s Corner” by String Theory Theatre Followed by an Interview and Workshop on 5/23 at 2 p.m.

The Ballard Institute and Museum of Puppetry will host String Theory Theater for a performance of Kitty’s Corner, a behind-the-scenes studio tour, and a workshop on Saturday, May 23 at 2 p.m. EST.  This event will take place on Facebook Live (facebook.com/BallardInstitute/) and will be available afterwards on the Ballard Institute Facebook page and YouTube Channel (youtube.com/channel/UC3VSthEDnYS6ZjOwzT1DnTg). 

Join us on May 23 as String Theory Theater performs Kitty’s Corner, a hilarious interview-styled talk show put on by a cat and a dog. Lively characters with humor to crack up both children and adults. After the show enjoy a peek behind the scenes with a tour of the String Theory Theater studio as puppeteers Dirk Joseph and his daughter Azaria Jean-Gilles Joseph share how their puppets work and how they create their shows, including a demonstration on how to make your own puppets! This event will last 45 minutes and is recommended for all ages. 

String Theory Theater (STT) is a family puppet troupe based in Baltimore MD, consisting of artist Dirk Joseph and his daughters Koi and Azaria. They create and perform shows for families to enjoy together, as well as adult-themed productions. STT is also involved in community arts, using puppetry as a healing and connective cultural technology in some of Baltimore’s underserved communities. 

String Theory Theater performed and exhibited their work at the Ballard Institute as part of the 2019 Living Objects: African American Puppetry exhibition and festival; in addition, a toy theater created by the company was included in the Ballard Institute’s Army Ants and Their Guests exhibition last fall. Dirk Joseph’s visual art can be seen at Dirkjart.com. 

For more information, please contact Ballard Institute staff at bimp@uconn.edu. 

Online Event! “A Visit to Cozy Corner” with Cozy Arts Productions on 5/16 at 2 p.m.

To celebrate the airing of the Cozy Corner web series, the Ballard Institute and Museum of Puppetry will host A Visit to Cozy Corner with Cozy Arts Productions on Saturday, May 16 at 2 p.m. EST. 

This event will take place on Facebook Live (facebook.com/BallardInstitute/) and will be available afterwards on the Ballard Institute Facebook page and YouTube Channel (youtube.com/channel/UC3VSthEDnYS6ZjOwzT1DnTg). All webisodes of the Cozy Corner series can currently be viewed here: cozycornerseries.com

Join your favorite Cozy Corner charactersincluding Max, Rory, and Mrs. Flutterby—for live music and interactive activities on Saturday, May 16 at 2 p.m. EST! There will also be a chance to ask the Cozy Corner friends questions they will answer during the livestream event. This event is recommended for all ages! 

The Cozy Corner web series, created by Cozy Arts Productions, premiered in April 2020 and features eight short webisodes. We may not see our friends every day like we used to, but you can still visit with your friends at Cozy Corner! Join Max, Rory, Trudy, Mrs. Flutterby, and Squirrel in a NEW, fun, uplifting, and interactive web series that celebrates the magic and wonder we all have inside. Created by puppeteer Faye Dupras and featuring music by Max Weigert, Cozy Corner nurtures the tender hearts and minds of children by exploring the qualities and skills needed to cultivate loving relationships, welcoming communities, and a healthy planet. All episodes are available for viewing online: cozycornerseries.com.

Cozy Arts Productions creates original puppet productions to help children, and their grownups, explore the qualities and skills needed to cultivate loving relationships, welcoming communities, and a healthy planet. Founded in Boston in 2018, they believe that every child, regardless of background or ability, has feelings that matter and creativity that can change the world. 

When schools closed and the theaters went dark Cozy Arts Productions quickly mobilized to bring their live theater shows into the world of video. Created out of a love for children, and a concern for their wellbeing during these isolating times, the Cozy Corner web series is an offering of connection and joy.

For more information, please contact Ballard Institute staff at bimp@uconn.edu. 

Online Event! “Up the Winding Path: My Artistic Journey with Albrecht Roser, An Interview with Sarah Frechette” on 5/11 at 8 p.m.

The Ballard Institute and Museum of Puppetry will host Up the Winding Path: My Artistic Journey with Albrecht Roser, An Interview with Sarah Frechette, on Monday, May 11 at 8 p.m. EST. This conversation and video screening will take place on Facebook Live (facebook.com/BallardInstitute/) and will be available afterwards on the Ballard Institute Facebook page and YouTube Channel (youtube.com/channel/UC3VSthEDnYS6ZjOwzT1DnTg). 

Alien slugs, dancing grandpas, and mystical beings populate ​UConn Puppet Arts alumna Sarah Frechette’s universe​, telling personal and multifarious stories through the art of string puppetry. Sarah developed her independent artistic language in numerous international summer academies, master classes, and invited studies with Master Puppeteer Albrecht Roser. As part of the interview Sarah will discuss her time in Roser’s studio in the village of Buoch, Germany; and share a section of her marionette vignettes filmed by cinematographer Oliver Lukacs. Joining the interview will be Professor Bart P. Roccoberton Jr., the Director of UConn’s Puppet Arts Program and the connective link that led Sarah to Albrecht Roser, changing her puppetry trajectory.

Sarah Frechette splits her time between Vermont, Europe, and Portland, Oregon as a touring puppeteer, arts educator, and stop-motion animation costumer. She is co-founder of the artist collective Night Shade Shadow Theater, producing the rod puppet film project The Spooky Girls, and has designed a new paper arts piece called Dirty Gerts for her family-focused company Puppetkabob. Sarah mentored with Master Puppeteer Albrecht Roser, absorbing his theories on zen and the art of puppetry from 2002-2009. Sarah has performed with her Roser-style marionettes as part of Meisterklasse; “Von damals bis heute” a shared presentation with artist Robin Walsh and Ingrid Höfer; and in 2017 was honored to perform with Roser’s “Bad Boy” Marionette in Die Kunst Albrecht Roser, a final celebration in his Buoch, Germany studio.

For more information, please contact Ballard Institute staff at bimp@uconn.edu. 

Online Event! UConn Puppet Arts Spring 2020 Final Presentations on 5/7 and 5/8 at 7 p.m.

The UConn Puppet Arts Program and Ballard Institute and Museum of Puppetry will host the end-of-semester presentation of UConn Puppet Arts undergraduate and graduate class finals on Thursday, May 7 and Friday, May 8 at 7 p.m. EST. These presentations will take place on Facebook Live (facebook.com/BallardInstitute/). Talkbacks led by famed puppeteer Blair Thomas will also take place each night. 

On Thursday, May 7, final presentations and performances and talkbacks for Marionette Fabrication; Movement for Puppet Performance; and Puppetry and Modernism will take place via Facebook Live. Students in the Marionette Fabrication class will present performance figures that they have designed, patterned, assembled, and strung. Movement for Puppet Performance students will each present short pieces showing how movement and breath tell a story. Students in Puppetry and Modernism will present brief “pecha kucha” distillations of their final research projects. Anticipated runtime for the evening is 2.5 hours.
On Friday, May 8, join the students of Dr. Matthew Cohen’s Hand Puppetry class for an evening of hand puppet shows based on Connecticut history, legends, and personages. Plays include stories about Coventry-based gardener and author Adelma Grenier Simmons, Easton-based activist and journalist Ida Tarbell, the Glawackus monster of Glastonbury, the wandering Leatherman, and the legend of New Milford’s Lovers Leap. Anticipated runtime for the evening is 3.25 hours.

Blair Thomas, Founder and Artistic Director of the Chicago International Puppet Festival, will join us both evenings as a Responder to the students’ work.

Blair is an internationally recognized puppet artist who co-founded Red Moon Theater in Chicago in 1990. In 2002 he created his own solo company, Blair Thomas & Co., which has garnered outstanding critiques and responses from puppet festivals around the world. blairthomas.org

For more information, please contact Ballard Institute staff at bimp@uconn.edu. 

Online Event! “The Making of Puppets Helping Pets: Abby Bosley’s MFA Project” on 5/6 at 7 p.m.

The UConn Puppet Arts Program and Ballard Institute and Museum of Puppetry present an online live presentation titled The Making of Puppets Helping Pets: Abby Bosley’s MFA Project, with UConn Puppet Arts graduate student Abby Bosley on Wednesday, May 6 at 7 p.m. EST via Facebook Live on the Ballard Institute page (facebook.com/BallardInstitute/). A recording of the event will be available afterwards on Facebook and the Ballard Institute and Museum of Puppetry YouTube Channel (youtube.com/channel/UC3VSthEDnYS6ZjOwzT1DnTg). Viewers are encouraged to watch the first episode of Puppets Helping Pets before the live behind-the-scenes discussion. The first episode is available on YouTube at: youtu.be/7-U_EOMIfMg

Join UConn Puppet Arts Program third-year graduate student Abby Bosley as she explains the process of bringing her MFA project, Puppets Helping Pets, to life. Puppets Helping Pets is a social media service project that includes two “pup-pet” characters, Cleo and Wendy, who want to share ways to help shelter animals, and other pet-related information with humans. Abby will answer questions and share how the idea evolved, how the puppets were fabricated, and how she created a video with them. For more information on Puppets Helping Pets, visit puppetshelpingpets.carrd.co and watch the first episode before the live discussion on Youtube at youtu.be/7-U_EOMIfMg.

See even more behind-the-scenes content by following Puppets Helping Pets on Facebook (@PuppetsHelpingPets), Twitter (@PuppetsHelpPets), and Instagram (@PuppetsHelpingPets). 

Abby Bosley is a student in the UConn Puppet Arts Program graduating with her MFA in spring 2020. She received her BA in Integrative Arts at Penn State University. There she completed her solo honors thesis show, Abby Bosley’s All Day Happy Hour. During her time at Penn State she combined her love of art and sculpture with her love of theatrical makeup. At UConn Abby dove into bringing her style to the world of puppetry, eventually creating Puppets Helping Pets as her MFA final project. She designed this puppet service project to help shelter pets by raising awareness through informational and entertaining social media videos. In addition, while at UConn, Abby has helped out with many projects, including fabricating and performing in Connecticut Repertory Theatre’s She Kills Monsters, and fabricating for Matthew Sorensen’s The Legend of the Snow Queen. While at UConn, she also worked at the Ballard Institute and Museum of Puppetry as a tour guide, workshop leader, and museum assistant. Abby loves her pets and is passionate about helping rescue pets in any way possible. More of her work can be seen on AbbyBosley.com.

For more information, please contact Ballard Institute staff at bimp@uconn.edu.